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“One of the most satisfying biographies of an English king: it is ample, convincing and well written”—from the acclaimed author of The House of Medici (The Times Literary Supplement). Christopher Hibbert delivers a superbly detailed picture of the life and times of George IV including his exorbitant spending on his homes, his clothes, and his women; his patronage of the arts; his “illegal” marriage to Catholic Mrs. Fitzherbert, and lesser known facts such as his generous charity donations and his witty one-liners, including one he uttered when he met his bride-to-be (Caroline of Brunswick) for the first time: “Harris, I am not well, fetch me a brandy.” George IV was the son of George III (who went insane and inspired The Madness of King George) and was the founder of the prestigious King’s College in London. “A delight to read . . . an enormously enjoyable and skillful portrait.” —Philip Ziegler, The Spectator “Christopher Hibbert’s George IV is at once soundly based on research in the Royal Archives at Windsor and a rollicking good read. I found it invaluable when I was researching The Unruly Queen, my life of George IV’s wife, Queen Caroline, and I recommend it to anyone interested by George IV’s flamboyant and outrageous personality.” —Flora Fraser, author of Flora Macdonald: “Pretty Young Rebel”
This engrossing biography of George IV, king of England from 1820 to 1830, gives a full and objective reassessment of the monarch’s character, reputation, and achievement. Previous writers have tended to accept the unfavorable verdicts of the king’s contemporaries that he was a dissolute, pleasure-loving dilettante and a feeble and ineffective ruler who was responsible for the decline of the power and reputation of the monarchy in the early nineteenth century. Now E.A. Smith offers a new view of George IV, one that does not minimize the king’s faults but focuses on the positive qualities of his achievement in politics and in the patronage of the arts. Smith explores the roots of the king’s character and personality, stressing the importance of his relationship with his parents and twelve surviving siblings. He examines the king’s important contributions to the cultural enhancement of his capital and his encouragement of the major artistic, literary, and scholarly figures of his time. He reassesses the king’s role as constitutional monarch, contending that it was he, rather than Victoria and Albert, who created the constitutional monarchy of nineteenth-century Britain and began the revival of its popularity. Smith’s biography not only illuminates the character of one of the most colorful of Britain’s rulers but also contributes to the history of the British monarchy and its role in the nation’s life.
The scandalous life of George IV is revealed in this account of his marriage to Princess Caroline and his secret union with a longtime mistress. In Georgian England, few men were more eligible than the Prince of Wales. The heir to George III’s throne would seem to be an excellent catch. Though the two women who married him might beg to differ. Maria Fitzherbert was a twice-widowed Roman Catholic with a natural aversion to trouble. When she married the prince in a secret ceremony, she opened the door on three decades of heartbreak. Cast aside by her husband one minute, pursued by him tirelessly the next, Maria’s clandestine marriage was anything but blissful. It was also the worst kept secret in England. Caroline of Brunswick was George’s official bride. Little did she know that her husband was marrying for money. When she arrived for the ceremony, she found him so drunk that he couldn’t even walk to the altar. Caroline might not have her husband’s love, but the public adored her. In a world where radicalism was stirring, it was a recipe for disaster. In The Wives of George IV, Maria and Caroline navigate the choppy waters of marriage to the capricious, womanizing king-in-waiting. With a queen on trial for adultery and the succession itself in the balance, Britain had never seen scandal like it.