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Memoirs of the Dukes of Urbino in three volumes presents a history of the houses of Montefeltro and Della Rovere, of their famous and most brilliant Court, and of that part of Italy over which they held dominion. It deals not only with history and politics of the fifteenth and sixteenth centuries in Italy, but it also illustrates "the arms, arts, and literature of Italy from 1440 to 1630."_x000D_ Contents:_x000D_ Book First: Of Urbino and Its Early Accounts_x000D_ Book Second: Of Federigo di Montefeltro, Count and Second Duke of Urbino_x000D_ Book Third: Of Guidobaldo di Montefeltro, Third Duke of Urbino_x000D_ Book Fourth: Of Literature and Art Under the Dukes di Montefeltro at Urbino_x000D_ Book Fifth: Of the Della Rovere Family_x000D_ Book Sixth: Of Francesco Maria Della Rovere, Fourth Duke of Urbino_x000D_ Book Seventh: Of Guidobaldo Della Rovere, Fifth Duke of Urbino_x000D_ Book Eighth: Of Francesco Maria II Della Rovere, Sixth and Last Duke of Urbino_x000D_ Book Ninth: Of Literature and Art Under the Dukes Della Rovere at Urbino
Excerpt from Memoirs of the Dukes of Urbino, Vol. 3 of 3: Illustrating the Arms, Arts, and Literature of Italy, From 1440 to 1630 As soon as the Pope had ratified the truce of the I sth March, he, with an infatuation which even an empty treasury can ill excuse, dismissed two thousand of the bande nere who garrisoned Rome. A Swiss corps with drew at the same time, on his refusal of their monthly pay in advance. When the imperialists drew southward, his chief care was for Florence, and, on hearing of the insurrection there, he sent one of his chamberlains to acknowledge Francesco Maria's good service, adding a vague h0pe that, in the event of Bourbon threatening Rome, he would contribute counsel and aid for its safety. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Memoirs of the Dukes of Urbino, Illustrating the Arms, Arts,& Literature of Italy, 1440-1630, Vol. 1 of 3 As for Dennistoun's book, it always had my love, and day by day as I have worked through and through it, it has won my respect. Full of digressions, a little long-drawn out, sometimes short-sighted, sometimes pedantic, it is written with a whole-hearted devotion to the truth and to the country which he loved. The facts are wonderfully sound, and if that part of the book for which it was most highly praised when it was first published - the chapters that deal with the history of Art - is become that which we can praise least, we must remember that in art, in painting more than anything else, fashion is king, and that the thrones from which we have driven Guido Reni, and perhaps Raphael, setting up in their stead other masters, are as likely as not to be in the possession of usurpers to-morrow, and we in as bad a case as our fathers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.