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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Comte de Mirabeau was born in 1749. He suffered imprisonment many times, both at his father's hands and those of the law. At thirty-one, however, he had sowed his wild oats, and began to attract attention by a series of brilliant political pamphlets. In 1786 he was sent upon a secret mission to Prussia, with the aim of reporting to the Ministry the effect which would be produced in Prussia by the expected death of Frederick the Great; and also to sound the inclinations and temper of Frederick's successor. With his usual "push," Mirabeau made his way into the good graces of the aged king, and was present at his death, and at the inauguration of Frederick William II. It was during this time that he wrote the remarkable series of letters now known to English readers as Memoirs of the Courts of Berlin and St. Petersburg. They sum up with much accuracy the personal traits of the dying Frederick the Great, and the character of his successor, Frederick William II. Included in them also are many personal details of the inner life of Catherine II of Russia, whose career, he intimates, is tarnished with the breath of scandal.
The history of art has produced few works as ambitious and as valuable as the Amber Room. Famous throughout Europe as "the eighth wonder of the world," its vast and intricately worked amber panels were sent in 1717 by Frederick I of Prussia as a gift to Peter the Great of Russia. Erected some years later, they quickly became a symbol of Russia's imperial might. For more than two hundred years the Amber Room remained in its Russian palace outside St. Petersburg (Leningrad), but when the Nazi army invaded Russia and swept towards Leningrad in 1941, the panels were wrenched from the walls, packed into crates, and disappeared from view, never to be seen again. Dozens of people have tried to trace the whereabouts of the Amber Room, and several of them have died in mysterious circumstances. Adrian Levy and Catherine Scott-Clark have gone further along the trail of this great lost treasure than anyone before them, and have unraveled the jumble of evidence surrounding its fate. Their search catapulted them across eastern Europe and into the menacing world of espionage and counterespionage that still surrounds Russia and the former Soviet bloc. In archives in St. Petersburg and Berlin, amid boxes of hitherto unseen diaries, letters, and classified reports, they have uncovered for the first time an astounding conspiracy to hide the truth. In a gripping climax that is a triumph of detection and narrative journalism, The Amber Room shows incontrovertibly what really happened to the most valuable lost artwork in the world, and why the truth has been withheld for so long.