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In the late seventeenth and eighteenth centuries, the 'woman writer' emerged as a category of authorship in England. Publishing the Woman Writer in England, 1670-1750 seeks to uncover how exactly this happened and the ways publishers tried to market a new kind of author to the public. Based on a survey of nearly seven hundred works with female authors from this period, this book contends that authorship was constructed, not always by the author, for market appeal, that biography often supported an authorial persona rooted in the genre of the work, and that authorship was a role rather than an identity. Through an emphasis on paratexts, including prefaces, title pages, portraits, and biographical notes, Leah Orr analyses the representation of women writers in this period of intense change to make two related arguments. First, women writers were represented in a variety of ways as publishers sought successful models for a new kind of writer in print. Second, a new approach is needed for studying early women writers and others who occupy gaps in the historical record. This book shows that a study of the material contexts of printed books is one way to work with the evidence that survives. It therefore begins with a very familiar kind of author-centric literary history and deconstructs it to conclude with a reception-centered history that takes a more encompassing view of authorship. In addition to analysis of many little-known and anonymous authors, case studies include Aphra Behn, Catharine Trotter/Cockburn, Laetitia Pilkington, Marie-Catherine d'Aulnoy, and Anne Dacier.
The absorbing tale of how this legendary rogue became the champion of parliamentary monarchy and changed the course of English history. At first light on July 6, 1685, the last battle ever fought on English soil was almost over. On one side of the watery pasture at Sedgemoor was the dashing thirty-six-year-old Duke of Monmouth, the charismatic son of Charles II, adored by the people. A reformer, a romantic, and a Protestant, he was fighting the army he had once commanded, in opposition to his uncle, King James II. Yet even before he launched his attack, Monmouth knew he would die. Born in the backstreets of Rotterdam in the year his grandfather Charles I was executed, Monmouth was the child of a turbulent age. His mother, the first of Charles II's famous liaisons, played courtesan to the band of raw and restless young royalists forced abroad by the changing political current. Conceived during a revolution and born into a republic, Monmouth, by the time he was twelve, was the sensation of the most licentious and libertine court in Europe. Adored by the king and drenched in honors, he became the greatest rake and reprobate of the age. On his path to becoming "the last royal rebel," Monmouth consorted with a spectacular list of contemporaries: Louis XIV was his mentor, William of Orange his confidant, Nell Gwyn his friend, the future Duke of Marlborough his pupil, D'Artagnan his lieutenant, John Dryden his censor, and John Locke his comrade. Anna Keay expertly chronicles Monmouth's life and offers splendid insight into this crucial and dramatic period in English history.
General Percy Kirke (c. 1647-91) is remembered in Somerset as a cruel, vicious thug who deluged the region in blood after the Battle of Sedgemoor in 1685. He is equally notorious in Northern Ireland. Appointed to command the expedition to raise the Siege of Londonderry in 1689, his assumed treachery nearly resulted in the city's fall and he was made to look ridiculous when the blockade was eventually lifted by a few sailors in a rowing boat. Yet Kirke was closely involved in some of the most important events in British and Irish history. He served as the last governor of the colony of Tangier; played a central role in facilitating the Glorious Revolution of 1688; and fought in the majority of the principal actions and campaigns undertaken by the newly-formed standing armies in England, Ireland and Scotland, especially the Battle of the Boyne and the first Siege of Limerick in 1689. With the aid of his own earlier work in the field, additional primary sources and a recently-rediscovered letter book, John Childs looks beyond the fictionalisation of Kirke, most notably by R. D. Blackmore in Lorna Doone, to investigate the historical reality of his career, character, professional competence, politics and religion. As well as offering fresh, detailed narratives of such episodes as Monmouth's Rebellion, the conspiracies in 1688 and the Siege of Londonderry, this pioneering biography also presents insights into contemporary military personnel, patronage, cliques and procedures.
Barbara Villiers was a woman so beautiful, so magnetic and so sexually attractive that she captured the hearts of many in Stuart-era Britain. Her beauty is legendary: she became the muse of artists such as Peter Lely, the inspiration of writers such as John Dryden and the lover of John Churchill, the future great military leader whom we also know as the 1st Duke of Marlborough. Her greatest amorous conquest was King Charles II, King of England, Scotland, and Ireland, with whom she had a tempestuous and passionate relationship for the better part of a decade. But this loveliest of Stuart-era ladies had a dark side. She hurt and humiliated her husband, Roger Palmer, for decades with her unashamedly adulterous lifestyle, she plotted the ruin of her enemies, constantly gambled away vast sums of money, is remembered for the destruction of the Tudor-era Nonsuch Palace, and was known to unleash terrible rages when crossed. Crassly lampooned by John Wilmot, 2nd Earl of Rochester, and subjected to verbal and written assaults, she was physically abused by a later, violent spouse. Barbara lived through some of the most turbulent times in British history: civil war, the Great Plague of London, which saw the deaths of around 100,000 people, the Great Fire of London, which destroyed much of the medieval city, and foreign conflicts such as the Anglo-Dutch Wars, the Williamite wars, and the War of the Spanish Succession. An impoverished aristocrat who rose to become a wealthy countess and then a duchess, taking her lovers from all walks of life, Barbara laughed at the morals of her time and used her natural talents and her ruthless determination to the material benefit of herself and her numerous offspring. In great stately homes and castles such as Hampton Court Palace, her portraits are widely seen and appreciated even today. She had an insatiable appetite for life, love, riches, amusement, and power. She was simply ‘ravenous’…
The royal Stewart--Stuart family of Scotland between the 1300s (with references to earlier legends) and the late 1700s. Includes that part of the lineage which filled the royal thrones in both Scotland and England. Includes the story of the Jacobites and their support of the Stewarts.
On the evening of 17 October 1678 the body of Sir Edmund Berry Godfrey, a Westminster Justice of the Peace, was discovered in a ditch near Primrose Hill. He had been pierced with his own sword and apparently strangled. His death lead to a widespread popular hysteria about a "Popish Plot". Although a magistrate famous for his fierce rectitude, Godfrey was closely involved with the alternative healer and "stroker", Valentine Greatrakes and also played a part in many plots and and intrigues centred on the uninhibited court of Charles II and Restoration London. His death brought to a head a series of rumours about Catholic plots to kill Charles II and install his brother, James, Duke of York, on the throne. Identified as the victim of a Jesuit hit-man, Godfrey became overnight a Protestant martyr and cult figure.