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THE SEMINAL, UNFINISHED WORK BY THE MOTHER OF MODERN FEMINISM.And a memoir written by her grief-stricken husband. Do you know whose shoulders you stand on...Mary Wollstonecraft lived for 38 years¿and changed the world. She died in agony 11 days after giving birth to Mary Shelley, who would become the author of Frankenstein. Her heartbroken husband, William Godwin, vowed to compile her memoirs and publish them along with her unfinished Victorian gothic novel in 1798. He meant to glorify her. The opposite happened. European society made a freak of Wollstonecraft, her work and her memory. What could she have written that scandalized so much? What did Godwin reveal to incite such ire? In The Wrongs of Woman, Maria has been separated from her infant daughter and imprisoned in an insane asylum by her husband. There, she forms an unexpected friendship with one of the female wards. Could romance follow? Delve into the most radical feminist work from the author of A Vindication of the Rights of Woman, and find out. Wollstonecraft's courage made our world a more equal place. Godwin's love ensured we could know whose shoulders we stand on.
Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice, and the call for women to become defined by their profession, not their partner. Mary Wollstonecrafts work was received with a mixture of admiration and outrageWalpole called her a hyena in petticoatsyet it established her as the mother of modern feminism.
Memoirs of the Author of A Vindication of the Rights of Woman is the biography, by William Godwin, of his wife Mary Wollstonecraft, author of the essay A Vindication of the Rights of Woman (Defense of Women's Rights, 1792).William Godwin considered it his duty to review and publish the unfinished works left by Mary Wollestonecraft after his death in 1797. A week after his funeral, he began working on this project, and began writing memoirs about his life. To prepare to write this biography, he re-read all his works, spoke with his friends, and finally classified and numbered his correspondence. After four months of hard work, he had completed both projects. According to William St Clair, who wrote a biography of Godwin and Shelley, Mary Wollstonecraft was so famous at the time that William Godwin did not have to mention his name in the title of the biography ...
William Godwin’s memoir of his wife, Mary Wollstonecraft, marks a transition in Godwin’s philosophical development from extreme rationalism to the recognition of the moral importance of feeling and sympathy which was to energize his later writings. Memoirs also belongs to a tradition of biographical writing that sought to transform the consciousness of readers by using individual history as an agent of historical change. Written during the weeks following Wollstonecraft’s early death, Memoirs provides an interpretation of the relations between Wollstonecraft’s writings and her personal history, a candid account of her various relationships, and a vindication of her egalitarian intimacy with Godwin. This modern, scholarly edition, geared for student use, includes a wide range of primary sources, together with excerpts from Godwin’s other writings and from biographical models.
Mary Wollstonecraft (1759–1797) was one of the most influential and controversial women of her age. No writer, except perhaps her political foe, Edmund Burke, and her fellow reformer, Thomas Paine, inspired more intense reactions. In her brief literary career before her untimely death in 1797, Wollstonecraft achieved remarkable success in an unusually wide range of genres: from education tracts and political polemics, to novels and travel writing. Just as impressive as her expansive range was the profound evolution of her thinking in the decade when she flourished as an author. In this collection of essays, leading international scholars reveal the intricate biographical, critical, cultural, and historical context crucial for understanding Mary Wollstonecraft's oeuvre. Chapters on British radicalism and conservatism, French philosophes and English Dissenters, constitutional law and domestic law, sentimental literature, eighteenth-century periodicals and more elucidate Wollstonecraft's social and political thought, historical writings, moral tales for children, and novels.
Pioneers in life writing, Mary Wollstonecraft, author of A Vindication of the Rights of Woman (1792), and Mary Shelley, author of Frankenstein (1818 ), are now widely regarded as two of the leading writers of the Romantic period. They are both responsible for opening up new possibilities for women in genres traditionally dominated by men. This volume brings together essays on Wollstonecraft’s and Shelley’s life writing by some of the most prominent scholars in Canada, Australia, and the United States. It also includes a full-length play by award-winning Canadian playwright Rose Scollard. Together, the essays and the play explore the connections between mother and daughter, between writing and life, and between criticism and creation. They offer a new understanding of two important writers, of a literary period, and of emergent modes of life writing. Essayists include Judith Barbour, Betty T. Bennett, Anne K. Mellor, Charles E. Robinson, Eleanor Ty, and Lisa Vargo. Among the works discussed are Wollstonecraft’s Vindication, Letters from Norway, and Maria; or, The Wrongs of Woman; William Godwin’s Memoirs of Wollstonecraft; and Shelley’s Frankenstein, The Last Man, Ladore, and Rambles in Germany and Italy.