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Originally published in 1990, Medicine at the Courts of Europe 1500-1837 is a collection of essays examining the whole range of medical activities in a variety of European courts, from Rome of the Borgias to the Russia of Catherine the Great. It documents the diverse influences of custom, wealth, religion and royal intervention, along with foreign innovation, popular literary satire and matters of litigation which so changed the face of court medicine over three centuries. By looking at court medical practitioners in such a wide chronological, geographic and thematic context, these essays provide many new insights for all those interested in the history of medicine, society and politics from the sixteenth century to the early nineteenth century.
This is the first modern book about the artist David Wilkie (1785-1841), the first British painter to become an international celebrity. Based on extensive original research, the book explores the ways in which Wilkie's images, so beloved by his contemporaries, engaged with a range of cultural predicaments close to their hearts. In a series of thematic chapters, whose concerns range far beyond the details of Wilkie's own career, Tromans shows how, through Wilkie's thrillingly original work, British society was able to reimagine its own everyday life, its history, and its multinational (Anglo-Scottish) nature. Other themes covered include Wilkie's roles in defining the border between painting and anatomy in the representation of the human body, and in transforming the pleasures of connoisseurship from an elite to a popular audience. For the first time, all of Wilkie's major subject pictures are brought together, reproduced and discussed. With a great range of new archival material and original interp