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Born the illegitimate daughter of a monk and a seamstress, Madame du Barry rose from poverty to become one of the most powerful and wealthy women of France. A courtesan, she became Louis XV's official mistress and was fêted as one of France's most beautiful women. On Louis XV's death she became vulnerable to those secretly longing for her downfall. Marie Antoinette had her imprisoned for a year, and in 1793 she was executed by the Revolutionary Tribunal for her aristocratic associations. Joan Haslip's classic biography shares the extraordinary and ultimately tragic story of du Barry's life and, in turn, illustrates the dazzling world of the eighteenth century royal court of France and the horrors of the Revolution.
"Memoirs of the Comtesse du Barry," published by Baron Étienne-Léon Lamothe-Langon, is a fascinating story of Jeanne Bécu, the Comtesse du Barry (1743-1793), a lady whose life straddled the grandeur and unpredictability of 18th-century France. Some stories are fascinating and fantastic, while others sneak up on you and draw you in. Lamothe-Langon's storytelling abilities show through as he delves into the interesting life of du Barry, who rose from humble origins to become King Louis XV's last mistress. Her connections, as well as her involvement in the complex political framework of the French court and her influence on the cultural atmosphere of her day, are all vividly described in the literature. The author's rigorous research and storytelling ability bring du Barry's character to life, providing readers with a comprehensive understanding of this intriguing historical man.
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Jeanne Bécu du Barry was a famous courtesan and the mistress of King Louis XV of France. Her memoirs offer a fascinating insight into the decadent lifestyle of the French aristocracy in the 18th century, as well as the political and social upheavals that led to the French Revolution. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.