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This book is a memoir of Leonora Christina, who was the daughter of King Christian IV of Denmark and wife of Steward of the Realm, traitor Count Corfitz Ulfeldt. In this book, her intimate version of the major events she witnessed in Europe's history, interwoven with ruminations on her woes as a political prisoner, still commands popular interest, scholarly respect, and has virtually become the stuff of legend as retold and enlivened in Danish literature and art.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1872 edition. Excerpt: ...then gave full vent to her evil tongue, and expressed her opinion that I deserved punishment, and not she, and used many unprofitable words. I was quite silent, for I was very weak, and scarcely knew where I was. In the afternoon I heard a great murmuring of people in the inner palace square, and I saw the effigy brought across the street by the executioner on a wheelbarrow, and placed in the tower below my prison. The next morning, at about nine o'clock, -the 1 The Queen wished that this wooden statue should be brought into my outer chamber, and so placed in front of the door that it would tumble into me when my inner door was opened; but the King would not permit it. Addition in the margin. Ulfeldt's Execution in Effigy. 167 effigy was wofully treated by the executioner, but no sound came from it. At the mid-day meal the prison governor told the woman how the executioner had cut off its head, and had divided the body into four quarters, which were then placed on four wheels, and attached to the gallows, while the head was exhibited on the town hall. The prison governor stood in the outer chamber, but he narrated all this in a loud tone, so that I might hear it, and repeated it three times.1 I lay and thought what I should do; I could not show that I made but little of it, for then something else perhaps would be devised to trouble me, and in the hurry I could think of nothing else than saying to the woman with sadness, 'Oh, what a shame! speak to the prison governor and tell him to beg the King to allow the effigy to be taken down and not to remain as it is!' The woman went out, and spoke softly with the prison governor; but he answered aloud and said, ' Yes, indeed, taken down! There will be more put up; yes, more up;' and kept on.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.