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Richard III (2 October 1452 - 22 August 1485) was King of England from 1483 until his death in 1485 in the Battle of Bosworth Field. He was the last king of the House of York and the last of the Plantagenet dynasty. His defeat at Bosworth Field, the last decisive battle of the Wars of the Roses, marked the end of the Middle Ages in England. He is the subject of the fictional historical play Richard III by William Shakespeare. In 2012, an archaeological excavation was conducted on a city council car park using ground-penetrating radar on the site once occupied by Greyfriars, Leicester. The University of Leicester confirmed on 4 February 2013 that the skeleton found in the excavation is that of Richard III, based on the results of radiocarbon dating, a comparison with contemporary reports of his appearance, and a comparison of his mitochondrial DNA with that of two matrilineal descendants of Richard III's eldest sister, Anne of York.
ONE OF USA TODAY'S BEST BOOKS OF THE YEAR • A riveting account of the crucial days, hours, and moments when the Watergate conspiracy consumed, and ultimately toppled, a president—from the best-selling author of One Minute to Midnight. In January 1973, Richard Nixon had just been inaugurated after winning re-election in a historic landslide. He enjoyed an almost 70 percent approval rating. But by April 1973, his presidency had fallen apart as the Watergate scandal metastasized into what White House counsel John Dean called “a full-blown cancer.” King Richard is the intimate, utterly absorbing narrative of the tension-packed hundred days when the Watergate conspiracy unraveled as the burglars and their handlers turned on one another, exposing the crimes of a vengeful president. Drawing on thousands of hours of newly-released taped recordings, Michael Dobbs takes us into the heart of the conspiracy, recreating these traumatic events in cinematic detail. He captures the growing paranoia of the principal players and their desperate attempts to deflect blame as the noose tightens around them. We eavesdrop on Nixon plotting with his aides, raging at his enemies, while also finding time for affectionate moments with his family. The result is an unprecedentedly vivid, close-up portrait of a president facing his greatest crisis. Central to the spellbinding drama is the tortured personality of Nixon himself, a man whose strengths, particularly his determination to win at all costs, become his fatal flaws. Rising from poverty to become the most powerful man in the world, he commits terrible errors of judgment that lead to his public disgrace. He makes himself—and then destroys himself. Structured like a classical tragedy with a uniquely American twist, King Richard is an epic, deeply human story of ambition, power, and betrayal.
‘An intimate portrait of a woman who changed herself and Australia...Michelle Scott Tucker makes Elizabeth Macarthur step off the page.’ David Hunt , Author of Girt In 1788 a young gentlewoman raised in the vicarage of an English village married a handsome, haughty and penniless army officer. In any Austen novel that would be the end of the story, but for the real-life woman who became an Australian farming entrepreneur, it was just the beginning. John Macarthur took credit for establishing the Australian wool industry and would feature on the two-dollar note, but it was practical Elizabeth who managed their holdings—while dealing with the results of John’s manias: duels, quarrels, court cases, a military coup, long absences overseas, grandiose construction projects and, finally, his descent into certified insanity. Michelle Scott Tucker shines a light on an often-overlooked aspect of Australia’s history in this fascinating story of a remarkable woman. Michelle Scott Tucker owns and operates a management consulting company, and lives on a small farm in regional Victoria with her husband and children. Elizabeth Macarthur is her first book. ‘Tucker’s great achievement is to have scraped back the familiar historical material to uncover a fresh and compelling portrait of Elizabeth Macarthur in her own words and the words of those who knew her.’ Australian ‘In writing this lively, entertaining and profoundly empathetic biography, [Tucker] has also brought other colonial women out of the shaows and told their story too...There are not many biographies or histories of Australia that are unputdownable, but this one is. Highly recommended!’ ANZ LitLovers 'The triumphs and trials of Elizabeth Macarthur, a capable business woman and dedicated wife and mother, are given their due in this impressively researched biography.’ Brenda Niall ‘This carefully researched history is a highly interesting read that highlights the importance of women in the settlement of New South Wales.’ Otago Daily Times 'Finally, Elizabeth Macarthur steps out from the long shadow of her infamous, entrepreneurial husband. In Michelle Scott Tucker’s devoted hands, Elizabeth emerges as a canny businesswoman, charming diplomat, loving mother and indefatigable survivor. A fascinating, faithful portrait of a remarkable woman and the young, volatile colony she helped to build.’ Clare Wright ‘A nourishing, fascinating, and eye-opening read.’ Alpha Reader ‘Tucker expertly details the trials, tragedies and triumphs of the early settlement of NSW...This book is an important historical memoir documenting the incredible life of an Australian pioneer and her role as the matriarch of one of Australia’s first agricultural dynasties.’ Countryman ‘Elizabeth Macarthur: A Life at the Edge of the World is a great read. It crafts a compulsive story with good research, giving a convincing look into colonial New South Wales. It offers the pleasures of fine biography in tracing one person’s life in all its seasons, through its successes and failures, joys and miseries.’ NathanHobby blog ‘A stunning and intimate look at Elizabeth [Macarthur] and the family’s lives...Should be required reading in schools...An informative and learned look at colonial history.’ AU Review
"Richard III, the so-called 'last English King of England' and the wicked uncle of popular tradition, is the most controversial and enigmatic of monarchs. Still the Great Debate between traditionalists and revisionists rages on. Was he an enlightened legislator out of his depth in the political intrigues of his time? Or was he simply, brutally, the 'gargoyle on the great cathedral of English history'? Searching for the man behind the portraits, Jeremy Potter adduces a formidable array of colourful and quarrelsome voices from St Thomas More to Laurence Olivier."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The classic, magnificent bestselling novel about Richard III, now in a special thirtieth anniversary edition with a new preface by the author In this triumphant combination of scholarship and storytelling, Sharon Kay Penman redeems Richard III—vilified as the bitter, twisted, scheming hunchback who murdered his nephews, the princes in the Tower—from his maligned place in history. Born into the treacherous courts of fifteenth-century England, in the midst of what history has called The War of the Roses, Richard was raised in the shadow of his charismatic brother, King Edward IV. Loyal to his friends and passionately in love with the one woman who was denied him, Richard emerges as a gifted man far more sinned against than sinning. With revisions throughout and a new author's preface discussing the astonishing discovery of Richard's remains five centuries after his death, Sharon Kay Penman's brilliant classic is more powerful and glorious than ever.
Immortalized by Shakespeare and historians, Richard III is history's royal villain. This book offers a look at the case of Richard and the princes in the tower. It outlines and evaluates the arguments on both sides, weighs the evidence, and offers the truth about this man. It also attempts to answer the questions inherent in the drama.
Richard III is a history play by William Shakespeare, believed to have been written in approximately 1591. The play is an unflattering depiction of the short reign of Richard III of England. While generally classified as a history, as grouped in the First Folio, the play is sometimes called a tragedy (as in the first quarto). It picks up the story from Henry VI, Part 3 and concludes the historical series that stretches back to Richard II.