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"The Memoirs of Harriette Wilson", Harriette Wilson. Harriette Wilson was a celebrated British Regency courtesan (1786-1845).
Harriette Wilson (February 22, 1786 - March 10, 1845) was a celebrated British Regency courtesan, whose clients included the Prince of Wales, the Lord Chancellor and four future Prime Ministers.Harriette Dubouchet was one of the fifteen children of Swiss John James Dubouchet (or De Bouchet), who kept a small shop in Mayfair, England, and his wife Amelia, née Cook. Her father is said to have assumed the surname of Wilson about 1801. She began her career at the age of fifteen, becoming the mistress of William Craven, 1st Earl of Craven, 7th Baron Craven. Among her other lovers with whom she had business arrangements was Arthur Wellesley, 1st Duke of Wellington, who commented "publish, and be damned" when informed of her plans to write her memoirs. Her decision to publish was partly based on the broken promises of her lovers to provide her with an income in her older age. The memoirs are still in print.Her sisters Amy, Fanny and Sophia also became courtesans. Sophia married respectably into the aristocracy, when she wed Lord Berwick at age 17. Harriette Wilson appears in the Jane Austen mystery novel, Jane and the Barque of Frailty, by Stephanie Barron. (Harriette and Jane Austen were contemporaries.)Harriette Wilson liked to insult her suitors. Early on in her career she discovered the fastest way to get a man on his knees was to show him how little he could succeed the first go around. Courtesans, of course, were famous for this.For a certain caliber of female, hardships birth wit, and to the gentleman trapped in a stratum of dull, mannered ladies, wit was an aphrodisiac. So, it seems, was cheek.Harriette's method was ridiculously simple. She laid siege to powerful men by writing queries like the one she "half in humour" dashed off to the Prince of Wales: "I am told that I am very beautiful, so perhaps you would like to see me. . ." When his reply was returned to her in the affirmative, she further wrote,This sauciness inspired the ardor of many influential men during her reign, including the Duke of Wellington, the Marquess of Worcester, the Duke of Argyll, and Lord Melbourne's son, the Honorable Frederick Lamb. One can scarcely leave out her first lover, the Earl of Craven.At the age of 15, Craven introduced her to the pursuits of pleasure, but she was no more enamored of him than of his cocoa trees from the West Indies. By her own account, he would amuse her by drawing pictures of his "fellows" along with the dreaded trees, a practice Harriette called a "dead bore." It didn't help that she despaired of his cotton night cap. "Surely," [she] would say, "all men do not wear those shocking nightcaps; else all women's illusions had been destroyed on the first night of their marriage."Harriette Wilson's dismal opinion of marriage was borne from early experience: ". . .my dear mother's marriage had proved to me so forcibly the miseries of two people of contrary opinions and character torturing each other to the end of their natural lives, that, before I was ten years old, I decided in my own mind to live free as air from any restraint but that of my own conscience."Although Harriette forbore blaming her parent's marriage, and indeed stressed that her dear mother did not influence her choice in profession, an unhappy home life seemed to affect the family at large. Among her sisters, three of them turned Cyprian-Amy, Sophia, and Fanny. Harriette Wilson's memoirs Publish and Be Damn'd: The Memoirs of Harriette Wilson was adapted for the BBC Radio 4 series Classic Serial by Ellen Dryden and broadcast in June 2012Volumes 1 & 2 Complete
Harriette Wilson was the most desired and the most dangerous woman in Regency London. This highly acclaimed biography reveals for the first time the true story behind her sensational life and scandalous 'Memoirs'. When her former lovers - including much of the British aristocracy - turned against her, she knew exactly how to take revenge . . . 'A wonderful book. Much more than a biography of one attractive, witty woman, it offers a deft analysis of how Britain dealt with celebrity, sex, power and popular journalism in an age that bears remarkable similarities to our own . . . Frances Wilson is not only a first-rate scholar but also a wonderful storyteller who manages to get inside her namesake's famously creamy skin and tell her story with wit and understanding.' Kathryn Hughes, Mail on Sunday 'Lively and stylish . . . Reveals how dangerous the courtesan who operated at the heart of the political world was thought to be.' Anne Sebba, Spectator 'Harriette's story is deftly and stylishly told. It beats most novels with its rich ingredients.' Frances Spalding, Daily Mail
The earliest known prison memoir by an African American writer—recently discovered and authenticated by a team of Yale scholars—sheds light on the longstanding connection between race and incarceration in America. “[A] harrowing [portrait] of life behind bars . . . part confession, part jeremiad, part lamentation, part picaresque novel (reminiscent, at times, of Dickens and Defoe).”—Michiko Kakutani, The New York Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent most of his early life ricocheting between forced labor in prison and forced labor as an indentured servant. Lost for more than one hundred and fifty years, the handwritten document is the first known prison memoir written by an African American. Corroborated by prison records and other documentary sources, Reed’s text gives a gripping first-person account of an antebellum Northern life lived outside slavery that nonetheless bore, in its day-to-day details, unsettling resemblances to that very institution. Now, for the first time, we can hear Austin Reed’s story as he meant to tell it. He was born to a middle-class black family in the boomtown of Rochester, New York, but when his father died, his mother struggled to make ends meet. Still a child, Reed was placed as an indentured servant to a nearby family of white farmers near Rochester. He was caught attempting to set fire to a building and sentenced to ten years at Manhattan’s brutal House of Refuge, an early juvenile reformatory that would soon become known for beatings and forced labor. Seven years later, Reed found himself at New York’s infamous Auburn State Prison. It was there that he finished writing this memoir, which explores America’s first reformatory and first industrial prison from an inmate’s point of view, recalling the great cruelties and kindnesses he experienced in those places and excavating patterns of racial segregation, exploitation, and bondage that extended beyond the boundaries of the slaveholding South, into free New York. Accompanied by fascinating historical documents (including a series of poignant letters written by Reed near the end of his life), The Life and the Adventures of a Haunted Convict is a work of uncommon beauty that tells a story of nineteenth-century racism, violence, labor, and captivity in a proud, defiant voice. Reed’s memoir illuminates his own life and times—as well as ours today. Praise for The Life and the Adventures of a Haunted Convict “One of the most fascinating and important memoirs ever produced in the United States.”—Annette Gordon-Reed, The Washington Post “Remarkable . . . triumphantly defiant . . . The book’s greatest value lies in the gap it fills.”—O: The Oprah Magazine “Reed displays virtuosic gifts for narrative that, a century and a half later, earn and hold the reader’s ear.”—Thomas Chatterton Williams, San Francisco Chronicle “[The book’s] urgency and relevance remain undiminished. . . . This exemplary edition recovers history without permanently trapping it in one interpretation.”—The Guardian “A sensational, novelistic telling of an eventful life.”—The Paris Review “Vivid and painful.”—NPR “Lyrical and graceful in one sentence, burning with fury and hellfire in the next.”—Columbus Free Press
This collection of twelve essays discusses the principles and practices of women's autobiographical writing in the United States, England, and France from the eighteenth to the twentieth centuries. Employing feminist and poststructuralist methodologies, t
During the course of the nineteenth century, a small group of women rose from impoverished obscurity to positions of great power, independence, and wealth. In doing so they took control of their lives -- and those of other people -- and made the world do their will. Extremely accomplished, well-educated, and unusually literate, courtesans exerted an incredible influence as leaders of society. They were not received at court, but inhabited their own parallel world -- the demimonde -- complete with its own hierarchies, etiquette, and protocol. They were queens of fashion, linguists, musicians, accomplished at political intrigue, and, of course, possessors of great erotic gifts. Even to be seen in public with one of the great courtesans was a much-envied achievement.
From the author of the New York Times Well Blog series, My Fat Dad Every story and every memory from my childhood is attached to food… Dawn Lerman spent her childhood constantly hungry. She craved good food as her father, 450 pounds at his heaviest, pursued endless fad diets, from Atkins to Pritikin to all sorts of freeze-dried, saccharin-laced concoctions, and insisted the family do the same—even though no one else was overweight. Dawn’s mother, on the other hand, could barely be bothered to eat a can of tuna over the sink. She was too busy ferrying her other daughter to acting auditions and scolding Dawn for cleaning the house (“Whom are you trying to impress?”). It was chaotic and lonely, but Dawn had someone she could turn to: her grandmother Beauty. Those days spent with Beauty, learning to cook, breathing in the scents of fresh dill or sharing the comfort of a warm pot of chicken soup, made it all bearable. Even after Dawn’s father took a prestigious ad job in New York City and moved the family away, Beauty would send a card from Chicago every week—with a recipe, a shopping list, and a twenty-dollar bill. She continued to cultivate Dawn’s love of wholesome food, and ultimately taught her how to make her own way in the world—one recipe at a time. In My Fat Dad, Dawn reflects on her colorful family and culinary-centric upbringing, and how food shaped her connection to her family, her Jewish heritage, and herself. Humorous and compassionate, this memoir is an ode to the incomparable satisfaction that comes with feeding the ones you love.
Father Henson's Story of His Own Life is an autobiographical account of the life of Josiah Henson, an African American man who was born into slavery in Maryland in the late 18th century. Henson's story is a testament to the resilience and strength of the human spirit in the face of adversity. Despite being subjected to the cruelty of slavery, Henson was able to escape and establish himself as a respected member of the free black community in Canada. The book chronicles Henson's life from his early years as a slave on a plantation to his eventual escape to freedom. Along the way, Henson describes the various hardships he faced, including the separation from his family, the brutal treatment of his fellow slaves, and the constant threat of violence from his white masters. Despite these challenges, Henson was able to maintain his faith and his determination to be free.Henson's story is also a valuable historical document that sheds light on the realities of slavery in the United States. Through his vivid descriptions of plantation life, Henson gives readers a glimpse into the brutal and dehumanizing nature of the institution. He also provides insight into the various strategies that slaves used to resist their oppressors, including acts of rebellion and escape.Overall, Father Henson's Story of His Own Life is a powerful and inspiring account of one man's journey from slavery to freedom. It is a testament to the resilience and strength of the human spirit, and a valuable historical document that sheds light on the realities of slavery in the United States.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.