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Amongst the many memoirs of the Napoleonic period, there are a number that stand out not just for their historical value, but also for their actual written style, however in this sense Lejeune stands alone. Lejeune was by nature an artist and is still a famous as a noted painter of scenes of battles, most of which he witnessed. As such his scenes are like his painting filled with evocative detail. The narrative in Vol. II runs from the Napoleon’s divorce of the Empress Josephine and his subsequent marriage to Marie-Louise of Austria with the attendant balls and festivities. As the war in Spain drags on, he is sent on an important mission to collect information for the Emperor, during which he is ambushed and captured by partisans. His subsequent imprisonment and transfer to Britain are painted in vivid colours and are surpassed only by his subsequent escape to France and evasion of the dread smuggler “Brick”. Lejeune was on the staff of Marshal Berthier and, thereafter Marshal Davout, during the Russian campaign of 1812, and was witness to the bloody struggle to Moscow and the disastrous retreat back to Prussia. His numerous vignettes of the retreat are often quoted due to their detail and incisive nature, his description of his purchase of a bearskin from its unwilling seller, a colonel swaddled in furs, on the retreat is priceless. Lejeune also served on in the twilight of the Empire, at the battles of Lützen, Bautzen, and Leipzig. His military career was ended by wounds from a shell fragment the day after the battle of Hanau in 1813. Lejeune was witness to some of the great events of the Napoleonic period, and moved with the grace of a courtier through them, his eye catches the human actors in his pen portraits beautifully. Highly Recommended. Author: Général de Brigade Baron Louis François Lejeune, (1775-1848;) Translator: Mrs Arthur Bell [D'Anvers, N.], ????-1933 Foreword: Major-General Maurice, John Frederick, Sir, 1841-1912 Annotations – PP-Publishing
Amongst the many memoirs of the Napoleonic period, there are a number that stand out not just for their historical value, but also for their actual written style; however, in this sense Lejeune stands alone. He was by nature an artist and is still famous as a noted painter of scenes of battles, most of which he witnessed. As such his scenes are like his paintings, filled with evocative detail. The narrative in Vol. I runs from his earliest recollections of a chance encounter with Marie Antoinette to his joining the republican movement and a battalion of national volunteers. As the consulate dawns, we find him as an aide-de-camp with the army of reserve in 1800 and fought at the battle of Marengo. He was present at the battles of Austerlitz, Jena, Eylau, Friedland, Landshut, Eckmühl, Aspern-Essling and Wagram. A substantial part of this volume revolves around the vicious and protracted second siege of Saragossa, which even in the Peninsular War stands out for the courage and fierceness of both sides. His treatment of the siege and the forces engaged is the best of its genre by some distance. Lejeune was witness to some of the great events of the Napoleonic period, and moved with the grace of a courtier through them, his eye catches the human actors in his pen portraits beautifully. Highly Recommended. Author: Général de Brigade Baron Louis François Lejeune, (1775-1848) Translator: Mrs Arthur Bell [D'Anvers, N.],( ????-1933 ) Foreword: Major-General Maurice, John Frederick, Sir, 1841-1912 Annotations – PP-Publishing
This is a bold, painstakingly researched and wide-ranging assessment of the British Cheer in the Napoleonic era. Reference to the Cheer in accounts of the time is virtually ubiquitous and repeatedly the claim was made for cheering as an integral part of British offensive operations. However, more recent historians have tended to overlook this evidence. Based upon a vast range of contemporary sources, this book suggests that the Cheer wielded genuine power as a true 'weapon of war'. This book first surveys the history of acclamations in battle worldwide and British battle-cries from all periods, before addressing the question of what the British Cheer actually sounded like. Issues of acoustics, physics and the psychology of battlefield morale are considered, along with commentaries from significant military scholars throughout history. Examination of the Napoleonic-era Cheer then reveals the practically invincible 'recipe' of volley-cheer-charge that propelled the British Army to victory upon victory. Comparison is drawn with French and other national patterns of vocalizing, along with analysis of those occasions when the Cheer might be suppressed. Finally, the attitude of the Duke of Wellington towards cheering is reconsidered, with surprising results. This study encompasses a vast canvas of place and time in pursuit of the elusive yet galvanizing Cheer: from the Mahratta wars in India, through campaigns in Egypt, the Mediterranean, Flanders, the Caribbean and South America, as well as the war of 1812. The Peninsular and Waterloo campaigns feature prominently as the Cheer is heard thrillingly from Vimeiro to Talavera, Salamanca to Vitoria, Orthez to Toulouse and the shocking siege of Badajoz to the charge of the Scots Greys on the ridge of Mont Saint Jean. Anyone interested in the wars of Revolutionary France and Napoleon, the British army, the career of the Duke of Wellington, or indeed the wider questions of the psychological motivations of combat will find this book illuminating and thought-provoking.
From the author of The Battle: A novel that brings French history to life as Napoleon moves in on Russia—where the ultimate test awaits. The French army stands at the gates of Moscow. Exhausted and demoralized, Napoleon’s men are a mere fraction of the four-hundred-thousand-strong force that crossed the river Niemen in the summer, just three months earlier. Still, the sight of this famous city feels like a triumph and a chance, at last, to enjoy a conqueror’s spoils. The emperor expects to be met by city elders bearing tokens of surrender, but no one appears—Moscow has been evacuated. Napoleon, oblivious to the predicament before him, sends to Paris for comic novels and imagines that it is only a matter of time before Tsar Alexander sues for peace . . . In a novel that “brings a keen immediacy to the harrowing events” (Publishers Weekly, starred review), what follows is a waiting game—and, ultimately, a decision—that will brutally test the survival of twenty thousand soldiers and the resolve of a man hell-bent on power.
A fictional re-creation of the 1809 battle of Essling captures the events of the conflict, Napoleon's first major defeat, through the experiences of real-life people of the time.