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Nora's memoirs describe her time spent training during her tour of duty through WWI France. Nora dutifully recorded her experiences, emotions and her growing relationship with the man who would eventually become her husband.
During 1945, the author found herself in the monsoon-drenched jungles of Assam, caring for soldiers in the China-Burma-India theater of war. Nothing in her training had prepared her for the tropical diseases or the thatched-roof hospital where men spat on the floor, rats were pervasive, and patients used handguns to chase gigantic cockroaches (and wereas likely to sell their medicine as swallow it). The experience was made tolerable by Nurse Camp's romance with one of the airmen who flew the Hump, supplying O.S.S. troops behind Japanese lines and carrying General Joseph Stilwell's Chinese troops to fight the battle of North Burma. She accompanied her future husband on some of his missions. Based in part on letters she wrote to her parents, this is the poignant story of one nurse's experience in World War II.
Nurse Memoirs from the Great War in Britain, France, and Germany examines an understudied corpus of memoirs in English, French, and German stemming from the unprecedented involvement of women in the war effort. Jerry Palmer considers the memoirs in relationship to public opinion, collective memory and other women’s writing about the war. Through close-readings of the memoirs and their contexts, the book identifies themes present in the texts and considers the nurse memoir as rhetoric—examining to what extent the texts are promoting or countering arguments in the public sphere about their involvement or more widely about women’s position in society. Palmer explores the multiple contexts related to the nurse memoirs, including public response to volunteer wartime nursing, the organisation of the military health services of the three nations and their conduct in the war, and changes in the post-war organization of public health services and the professionalization of nursing.
Starring Oona Chaplin as a V.A.D. (Voluntary Aid Detachment), and Suranne Jones and Hermione Norris as trained nurses, The Crimson Field is a gripping drama set in a tented hospital on the coast of France, where plucky real-life V.A.D. Olive Dent served two years of the Great War, and kept this extraordinarily vivid diary of day-to-day life – ever cheerful through the bitter cold, the chilblains, hunger and exhaustion. Resilient, courageous and resourceful, nurses, doctors and patients alike do their best to support each other. A Christmas fancy-dress ball, a concert performed by a stoic orchestra covered in bandages, church services held in a marquee and letters from Blighty all keep spirits up in camp, as wounded soldiers suffer terribly with quiet dignity on the makeshift wards, and nurses rush round tirelessly to make them as comfortable as possible. With original illustrations throughout by fellow V.A.D.s, Olive’s memoir is a fascinating period piece, a rare first-hand account of this little-known story, which will resonate very strongly with viewers of The Crimson Field.
An autobiographical account of a young nurse's involvement in World War I
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The First World War was the first ‘total war’. Its industrial weaponry damaged millions of men and drove whole armies underground into dangerously unhealthy trenches. Many were killed. Many more suffered terrible, life-threatening injuries: wound infections such as gas gangrene and tetanus, exposure to extremes of temperature, emotional trauma and systemic disease. In an effort to alleviate this suffering, tens of thousands of women volunteered to serve as nurses. Of these, some were experienced professionals, while others had undergone only minimal training. But regardless of their preparation, they would all gain a unique understanding of the conditions of industrial warfare. Until recently their contributions, both to the saving of lives and to our understanding of warfare, have remained largely hidden from view. By combining biographical research with textual analysis, Nurse writers of the great war opens a window onto their insights into the nature of nursing and the impact of warfare.
A eloquent pair of observers illuminate the role of women in wartime and add significantly to the literature on the Great War.
In our collective memory, the First World War is dominated by men. The sailors, soldiers, airmen and politicians about whom histories are written were male, and the first half of the twentieth century was still a time when a woman's place was thought to be in the home. It was not until the Second World War that women would start to play a major role both in the armed forces and in the factories and the fields. Yet there were some women who were able to contribute to the war effort between 1914 and 1918, mostly as doctors and nurses. In Women in the War Zone, Anne Powell has selected extracts from first-hand accounts of the experiences of those female medical personnel who served abroad during the First World War. Covering both the Western and the Eastern Fronts, from Petrograd to Basra and from Antwerp to the Dardanelles, they include nursing casualties from the Battle of Ypres, a young doctor put in charge of a remote hospital in Serbia and a nurse who survived a torpedo attack, albeit with serious injuries. Filled with stories of bravery and kindliness, it is a book that honours the often unsung contribution made by the female doctors and nurses who helped to alleviate some of the suffering of the First World War.
The true story of Allied nursing in the First World War, offering a compelling account of nurses' wartime experiences and a clear appraisal of their work and its contribution to the Allied cause.
Tired of the pace and noise of life near London and longing for a better place to raise their young children, Mary J. MacLeod and her husband encountered their dream while vacationing on a remote island in the Scottish Hebrides. Enthralled by its windswept beauty, they soon were the proud owners of a near-derelict croft house—a farmer’s stone cottage—on “a small acre” of land. Mary assumed duties as the island’s district nurse. Call the Nurse is her account of the enchanted years she and her family spent there, coming to know its folk as both patients and friends. In anecdotes that are by turns funny, sad, moving, and tragic, she recalls them all, the crofters and their laird, the boatmen and tradesmen, young lovers and forbidding churchmen. Against the old-fashioned island culture and the grandeur of mountain and sea unfold indelible stories: a young woman carried through snow for airlift to the hospital; a rescue by boat; the marriage of a gentle giant and the island beauty; a ghostly encounter; the shocking discovery of a woman in chains; the flames of a heather fire at night; an unexploded bomb from World War II; and the joyful, tipsy celebration of a ceilidh. Gaelic fortitude meets a nurse’s compassion in these wonderful true stories from rural Scotland.