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There's no better way to meet someone from over a hundred years ago than through an old memoir. It's 1928, a memoir of Thomas Leforge has been released for print. A self-described Ohio born American becomes an Army scout as a white Crow Indian.He's in charge of the Crow scouts riding with Custer at the Little Big Horn. He's not there for the fight but witnesses the aftermath. He talks about things most have never heard of. He not only becomes a soldier scout, but understands the Crow tongue and Indian sign-language so he interprets. He marries into the Crow family, respects their culture, and becomes a Crow warrior in every sense of the word. While there he learns about a life of the purest form; freedom. Thomas LaForge is so vivid while telling his stories he encapsulates your mind's eye putting you in the moment. Giving you no choice but to be a witness of every word spoken, every action taken. He'll make you smell the buckskins, see the sky, smell the smoke of each campfire, you'll feel the quiet lying in the grass while evading discovery. With each word you will feel the adrenaline like you are there with him. His stories breathe; taking you to the very center of that instant. You'll leave the page thinking I'm glad I'm out of there, as though it just happened.... You won't want to put this book down. Not only will you not want to put this book down but in many instances you'll witness some of the very "actors", places, and things he describes throughout his vast saga. A concentrated effort was made to search out as many individuals' images as possible to make his story complete while placing them strategically as able. Except for one 'surprise' image that most have always said had never been taken before. This fully indexed volume will be a great addition to anyone's historical library. Definition: memoir; noun, a narrative composed from personal experience "every memoir reminds us of the faraway and long ago, of loss and change, of persons and places beyond recall" Abigail McCarthy
Tom Leforge was a legend in his time. Interpreter and scout, he lived among the Crow Indians, as a Crow, for decades. If not for a broken collar bone, Leforge would have been with the six Crow scouts that accompanied General George Armstrong Custer to the Little Bighorn. Instead, he watched from a hospital wagon as the troops marched off to their destiny. Days later, he interpreted Crow scout Curly's account of the battle for Lt. James Bradley of General John Gibbon's Montana column.This is one of the most important memoirs of early Montana and the Indian Wars. Compiled by Leforge's friend, Dr. Thomas Marquis, this is a modest, self-deprecating, and often humorous account of a white man who was fully accepted into Indian life.Leforge's observations on Crow culture and the vanishing way of life that he was a part of is fascinating and detailed. Though he left the tribe for two decades to live among whites, he returned to the Crow reservation in his later years as the place where he felt most comfortable.Every memoir of the American West provides us with another view of a time that changed the country forever.
Thomas H. Leforge was "born an Ohio American" and chose to "die a Crow Indian American." His association with his adopted tribe spanned some of the most eventful years of its history--from the Indian Wars to the reservation period—and as interpreter, agency employee, chief of Crow scouts for the 1876 campaign (he was with Terry at the Little Big Horn), bona fide Crow "wolf," and husband of a Crow woman, he was usually in the midst of the action. His story, first published in 1928, remains a remarkably accurate source of historical and ethnological information on this relatively little known tribe.
Crazy Horse was as much feared by tribal foes as he was honored by allies. His war record was unmatched by any of his peers, and his rout of Custer at the Little Bighorn reverberates through history. Yet so much about him is unknown or steeped in legend. Crazy Horse: A Lakota Life corrects older, idealized accounts—and draws on a greater variety of sources than other recent biographies—to expose the real Crazy Horse: not the brash Sioux warrior we have come to expect but a modest, reflective man whose courage was anchored in Lakota piety. Kingsley M. Bray has plumbed interviews of Crazy Horse’s contemporaries and consulted modern Lakotas to fill in vital details of Crazy Horse’s inner and public life. Bray places Crazy Horse within the rich context of the nineteenth-century Lakota world. He reassesses the war chief’s achievements in numerous battles and retraces the tragic sequence of misunderstandings, betrayals, and misjudgments that led to his death. Bray also explores the private tragedies that marred Crazy Horse’s childhood and the network of relationships that shaped his adult life. To this day, Crazy Horse remains a compelling symbol of resistance for modern Lakotas. Crazy Horse: A Lakota Life is a singular achievement, scholarly and authoritative, offering a complete portrait of the man and a fuller understanding of his place in American Indian and United States history.
As a child growing up in rural Oklahoma, Donald Fixico often heard “hvmakimata”—“that’s what they used to say”—a phrase Mvskokes and Seminoles use to end stories. In his latest work, Fixico, who is Shawnee, Sac and Fox, Mvskoke (as “Muskogee” is spelled in the Mvskoke language), and Seminole, invites readers into his own oral tradition to learn how storytelling, legends and prophecies, and oral histories and creation myths knit together to explain the Indian world. Interweaving the storytelling and traditions of his ancestors, Fixico conveys the richness and importance of oral culture in Native communities and demonstrates the power of the spoken word to bring past and present together, creating a shared reality both immediate and historical for Native peoples. Fixico’s stories conjure war heroes and ghosts, inspire fear and laughter, explain the past, and foresee the future—and through them he skillfully connects personal, familial, tribal, and Native history. Oral tradition, Fixico affirms, at once reflects and creates the unique internal reality of each Native community. Stories possess spiritual energy, and by summoning this energy, storytellers bring their communities together. Sharing these stories, and the larger story of where they come from and how they work, “That’s What They Used to Say” offers readers rare insight into the oral traditions at the very heart of Native cultures, in all of their rich and infinitely complex permutations.
Includes biographical information on 4,500 individuals associated with the frontier
About 1875 the Crows abandoned their own Sun Dance, but they continued to carry out other traditional rites despite opposition from missionaries and the federal government. In 1941, Crow Indians from Montana sought out leaders of the Sun Dance among the Wind River Shoshonis in Wyoming and under the direction of John Truhujo, made the ceremony a part of their lives. In The Shoshoni-Crow Sun Dance, Fred W. Voget draws on forty years of fieldwork to describe the people and circumstances leading to this singular event, the nature of the ceremony, the reconciliation’s with Christianity and peyotism, the role of the Sun Dance as a catalyst for the reassertion of Crow cultural identity, and the place the Sun Dance now holds in Crow life and culture. Voget’s description includes photographs and diagrams of the Sun Dance.
In the decades following the Civil War, the principal task facing the United States Army was that of subduing the hostile western Indians and removing them from the path of white settlement. Indian scouts and auxiliaries played a central role in the effort, participating in virtually every campaign. In this comprehensive account of the "wolves" (as scouts were designated in sign language), Thomas W. Dunlay describes how and why they served the army, how they were viewed by the military and their own tribes, and what wider implications their service held.
In 1869, Jay Cooke, the brilliant but idiosyncratic American banker, decided to finance the Northern Pacific, a transcontinental railroad planned from Duluth, Minnesota, to Seattle. M. John Lubetkin tells how Cooke’s gamble reignited war with the Sioux, rescued George Armstrong Custer from obscurity, created Yellowstone Park, pushed frontier settlement four hundred miles westward, and triggered the Panic of 1873. Staking his reputation and wealth on the Northern Pacific, Cooke was soon whipsawed by the railroad’s mismanagement, questionable contracts, and construction problems. Financier J. P. Morgan undermined him, and the Crédit Mobilier scandal ended congressional support. When railroad surveyors and army escorts ignored Sioux chief Sitting Bull’s warning not to enter the Yellowstone Valley, Indian attacks—combined with alcoholic commanders—led to embarrassing setbacks on the field, in the nation’s press, and among investors. Lubetkin’s suspenseful narrative describes events played out from Wall Street to the Yellowstone and vividly portrays the soldiers, engineers, businessmen, politicians, and Native Americans who tried to build or block the Northern Pacific.