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Rattlesnakes and ornery horses, the dreaded Texas Itch, midnight rambles in graveyards, trips to Mexico, and hard riding on the last open range: George Philip recounts all these adventures and more with wit and humour. George Phillip arrived in South Dakota from Scotland in 1899. For the next four years, he rode as a cowboy for his uncle's L-7 cattle outfit during the heyday of the last open range. But the cowboy era was a brief one, and in 1903 Philip turned in his string of horses and hung up his saddle to enter law school in Michigan. In these candid letters, Philip provides fascinating insights into the development of the West and of South Dakota. His writing details the cowboy's day-to-day work, from branding and roping to navigating across the palins by stars and buttes, as the great open ranges slowly closed up.
Cowboy and drifter Frank Clifford lived a lot of lives—and raised a lot of hell—in the first quarter of his life. The number of times he changed his name—Clifford being just one of them—suggests that he often traveled just steps ahead of the law. During the 1870s and 1880s his restless spirit led him all over the Southwest, crossing the paths of many of the era’s most notorious characters, most notably Clay Allison and Billy the Kid. More than just an entertaining and informative narrative of his Wild West adventures, Clifford’s memoir also paints a picture of how ranchers and ordinary folk lived, worked, and stayed alive during those tumultuous years. Written in 1940 and edited and annotated by Frederick Nolan, Deep Trails in the Old West is likely one of the last eyewitness histories of the old West ever to be discovered. As Frank Clifford, the author rode with outlaw Clay Allison’s Colfax County vigilantes, traveled with Charlie Siringo, cowboyed on the Bell Ranch, contended with Apaches, and mined for gold in Hillsboro. In 1880 he was one of the Panhandle cowboys sent into New Mexico to recover cattle stolen by Billy the Kid and his compañeros—and in the process he got to know the Kid dangerously well. In unveiling this work, Nolan faithfully preserves Clifford’s own words, providing helpful annotation without censoring either the author’s strong opinions or his racial biases. For all its roughness, Deep Trails in the Old West is a rich resource of frontier lore, customs, and manners, told by a man who saw the Old West at its wildest—and lived to tell the tale.
Cowboys and Indian: A Doctor's First Year in Texas is an exciting and entertaining account of a doctor's first year of practice in an underserved Texas hospital. Besides the challenges of being an immigrant and a husband and father, the doctor manages medical emergencies like cardiac arrests, collapsed lungs, industrial accidents, lacerations, and other traumas--all with minimal resources. In the course of that fateful first year, the heart-warming and often hilarious events show medical science at its best. This book shows a doctor's life at an intimate level, with its many rewards, struggles, and exchanges. This memoir reveals that humor, compassion, and humility make the practice of medicine fulfilling and inspiring.
"I've known about Ike Blasingame all my life, knew many of his fellow punchers, white and Indian. Ike was certainly a salty representative of the Texas bronc twister when he came North with that most romantic of cow outfits, the British-owned Matador. . . . [He] takes the reader across the treacherous Missouri River as the spring-softened ice goes out under the horses' feet, into the still wild cow towns, through the round-ups, the prairie fires. . . . There is the authentic smell and feel of the Northern cow country of fifty years ago in the story Ike Blasingame tells."-Mari Sandoz"Here is one of the most gripping Western tales since Andy Adams' The Log of a Cowboy was published in 1903. The telling is considerably like Adams'-warm, human, flavorful. The author, a one-time Matador ranch cowboy, . . . lived his story, and he tells it straight in the language of the cow country without contrivance."-New York Times"Many of the cowboys who have written about their experiences never really looked at any wider segment of the cattle business than was visible between their horses' ears, but Ike Blasingame did. He paints a big picture without omitting details."-New York Herald-Tribune
The humble man from Throckmorton, Texas, often called "the greatest defensive tackle in NFL history," shares his life's journey for the first time in "A Cowboy's Life." Bob Lilly recounts his beginnings in Texas, being the first player ever drafted by the Dallas Cowboys in 1961, his induction into the Ring of Honor and the Pro Football Hall of Fame, as well as his passion for photography.
E. C. Abbott was a cowboy in the great days of the 1870's and 1880's. He came up the trail to Montana from Texas with the long-horned herds which were to stock the northern ranges; he punched cows in Montana when there wasn't a fence in the territory; and he married a daughter of Granville Stuart, the famous early-day stockman and Montana pioneer. For more than fifty years he was known to cowmen from Texas to Alberta as "Teddy Blue." This is his story, as told to Helena Huntington Smith, who says that the book is "all Teddy Blue. My part was to keep out of the way and not mess it up by being literary.... Because the cowboy flourished in the middle of the Victorian age, which is certainly a funny paradox, no realistic picture of him was ever drawn in his own day. Here is a self-portrait by a cowboy which is full and honest." And Teddy Blue himself says, "Other old-timers have told all about stampedes and swimming rivers and what a terrible time we had, but they never put in any of the fun, and fun was at least half of it." So here it is—the cowboy classic, with the "terrible" times and the "fun" which have entertained readers everywhere. First published in 1939, We Pointed Them North has been brought back into print by the University of Oklahoma Press in completely new format, with drawings by Nick Eggenhofer, and with the full, original text.
A retired Texas Ranger recalls a career that took him from shootouts in South Texas to film sets in Hollywood. When his picture appeared on the cover of Texas Monthly, Joaquin Jackson became the icon of the modern Texas Rangers. Nick Nolte modeled his character in the movie Extreme Prejudice on him. Jackson even had a speaking part of his own in The Good Old Boys with Tommy Lee Jones. But the role that Jackson has always played the best is that of the man who wears the silver badge cut from a Mexican cinco peso coin, a working Texas Ranger. Legend says that one Ranger is all it takes to put down lawlessness and restore the peace: one riot, one Ranger. In this adventure-filled memoir, Joaquin Jackson recalls what it was like to be the Ranger who responded when riots threatened, violence erupted, and criminals needed to be brought to justice across a wide swath of the Texas-Mexico border from 1966 to 1993. Jackson has dramatic stories to tell. Defying all stereotypes, he was the one Ranger who ensured a fair election—and an overwhelming win for La Raza Unida party candidates—in Zavala County in 1972. He followed legendary Ranger Captain Alfred Y. Allee Sr. into a shootout at the Carrizo Springs jail that ended a prison revolt and left him with nightmares. He captured “The See More Kid,” an elusive horse thief and burglar who left clean dishes and swept floors in the houses he robbed. He investigated the 1988 shootings in Big Bend’s Colorado Canyon and tried to understand the motives of the Mexican teenagers who terrorized three river rafters and killed one. He even helped train Afghan mujahedin warriors to fight the Soviet Union. Jackson’s tenure in the Texas Rangers began when older Rangers still believed that law need not get in the way of maintaining order, and concluded as younger Rangers were turning to computer technology to help solve crimes. Though he insists, “I am only one Ranger. There was only one story that belonged to me,” his story is part of the larger story of the Texas Rangers becoming a modern law enforcement agency that serves all the people of the state. It’s a story that’s as interesting as any of the legends. And yet, Jackson’s story confirms the legends, too. With just over a hundred Texas Rangers to cover a state with 267,399 square miles, any one may become the one Ranger who, like Joaquin Jackson in Zavala County in 1972, stops one riot. “A powerful, moving read . . . One Ranger is as fascinating as the memoirs of nineteenth-century Rangers James Gillett and George Durham, and the histories by Frederick Wilkins and Walter Prescott Webb—and equally as important.” —True West “A straight-shooting book that blow[s] a few holes in the Ranger myth while providing more ammunition for the myth’s continuation. . . . Reads more like a novel than [an] autobiography.” —Austin American-Statesman
In Making Circles, Barney Nelson unveils working-class cowboy culture through the eyes of one who has lived the life she chronicles. From living on ranch camps to surviving both cowboy school and graduate school, Nelson’s story is a journey through time and place, pointing out that cowboys inhabit every continent and century, from Lakota Indians and Hawaiian paniolos to Argentine gauchos and Australian ringers, from Pegasus to Cervantes and Tolstoy. Even Thoreau called himself a cowboy. Nelson's story is both personal and expansive, guiding the reader in circles around the modern West, from Montana to Mexico. Along the way, she celebrates the many characters she has encountered and considers role models. Unafraid to challenge the status quo, Nelson fearlessly defends embattled ranchers as well as the humanities, while speaking truth to the powerful forces of environmentalism, tourism, and urban voters. Both a primer for aspiring journalists and an insider’s reflection on horse and ranching cultures, this tour de force memoir honors the practice of writing and its manifold benefits: embracing solitude, avoiding boredom, and accepting aging and death as part of human and animal life. Full of valuable tips, lessons learned and taught, and far-ranging musings on philosophy and poetry, Making Circles demonstrates brilliantly the value and meaning of the term “cowboy journalist.”