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70 Memoirs containing poems/poetry of a revolution experience in the lives of many colored people living in this southwestern town of Georgia during the 1950s and 1960s were dominated by the Jim Crow laws. This were a form of segregation and separatism—mildly racism! Many young students and other coloreds/Negroes/blacks took a stand against hatred, blatant persecution perpetrated by militants, Southern whites, supremacists groups, and racists. This book is written in hopes of sharing the true history of a thirteen-year-old in the articulation of a firsthand experience during the 1960s Civil Rights movement in which the atrocities, the jails, the beatings, and suffering of many children, students, families, and others that lived during this time there grew up out of an innocent experience—a changing of laws and voting rights came out of this revolution.
Lal Singh Dil is a legend in Punjab, famed as much for his rousing poetry as for the brew of his tea stall. Born into the 'untouchable' Dalit community in the years before partition, he bravely challenged deep-rooted social prejudices through his crisp and stirring verses. His struggle led him to join the Naxalite movement – an experience that culminated in three horrifying years of torture at the hands of the police. In his later years, much to the dismay of his comrades, he converted to Islam because he believed that its tenets could be reconciled with theegalitarian and inclusive principles of communism. A powerful indictment of caste violence and discrimination, Poet of the Revolution describes dil’s most turbulent years in his clear, fiery voice. Translated into English for the first time, this book also includes a selection of his most memorable poems.
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
In 1969, poet and revolutionary Margaret Randall was forced underground when the Mexican government cracked down on all those who took part in the 1968 student movement. Needing to leave the country, she sent her four young children alone to Cuba while she scrambled to find safe passage out of Mexico. In I Never Left Home, Randall recounts her harrowing escape and the other extraordinary stories from her life and career. From living among New York's abstract expressionists in the mid-1950s as a young woman to working in the Nicaraguan Ministry of Culture to instill revolutionary values in the media during the Sandinista movement, the story of Randall's life reads like a Hollywood production. Along the way, she edited a bilingual literary journal in Mexico City, befriended Cuban revolutionaries, raised a family, came out as a lesbian, taught college, and wrote over 150 books. Throughout it all, Randall never wavered from her devotion to social justice. When she returned to the United States in 1984 after living in Latin America for twenty-three years, the U.S. Immigration and Naturalization Service ordered her to be deported for her “subversive writing.” Over the next five years, and with the support of writers, entertainers, and ordinary people across the country, Randall fought to regain her citizenship, which she won in court in 1989. As much as I Never Left Home is Randall's story, it is also the story of the communities of artists, writers, and radicals she belonged to. Randall brings to life scores of creative and courageous people on the front lines of creating a more just world. She also weaves political and social analyses and poetry into the narrative of her life. Moving, captivating, and astonishing, I Never Left Home is a remarkable story of a remarkable woman.
Affordable e-book of volume honored as one of Library Journal's "Poetry Books of the Year."
A daughter’s “tender and unflinching portrait of her complex, privileged, wildly talented mother” (Louise Erdrich) evolves beautifully into a narrative of the far-reaching changes in women’s lives in the twentieth century. With the sweep of an epic novel, Our Revolution follows charismatic and brilliant Jenny Moore, whose life changed as she became engaged in movements for peace and social justice. Decades after Jenny’s early death, acclaimed poet and memoirist Honor Moore forges a new relationship with the seeker and truth teller she finds in her mother’s writing. Our Revolution is a daughter’s vivid, absorbing account of the mother who shaped her life as an artist and a woman, “beautifully recorded, documented, and envisioned as feminist art and American history” (Margo Jefferson).
A powerful and thought-provoking Civil Rights era memoir from one of America’s most celebrated poets. Looking back on her childhood in the 1950s, Newbery Honor winner and National Book Award finalist Marilyn Nelson tells the story of her development as an artist and young woman through fifty eye-opening poems. Readers are given an intimate portrait of her growing self-awareness and artistic inspiration along with a larger view of the world around her: racial tensions, the Cold War era, and the first stirrings of the feminist movement. A first-person account of African-American history, this is a book to study, discuss, and treasure.
A collection of poetry by the world-renowned LGBTQ poet and spoken-word artist dealing with themes of identity and love. Crossfire brings together Staceyann Chin’s empowering, feminist-LGBTQ-Caribbean, activist-driven poetry for the first time in a single book. According to The New York Times, Chin is “sassy, rageful and sometimes softly self-mocking.” The Advocate says that her poems, “combine hilarious one-liners with a refusal to conform” and note “Chin is out to confront more than just the straight world.” Winner of the American Book Award Features a foreword by Jaqueline Woodson Praise for Crossfire “A remarkable collection from a dynamic and talented writer, whose urgent storytelling and commanding voice feel vital for our times.” —Edwidge Danticat “With this astounding new collection of poems, Crossfire, it is evident that Staceyann Chin has come into her raw, sexual, revolutionary, poetic power. These poems are jet fuel from the hot center of the body—from rage, from sorrow, from pure, unmitigated life-force.” —Eve Ensler “We’ve all been waiting for this collection—all of us that know the brilliance, the heartbreaking truth telling, and the magic of Staceyann’s cadences. Now all of us who have been lucky enough to have seen her on stage, heard her from the ramparts, can be joined at last by readers in the quiet spaces to properly celebrate this remarkable voice and watch her take her place in American letters.” —Walter Mosley
"At the funeral / the priest said, our sister enters the gates of paradise / in a company of angels. Mom, were you waiting? / I have no mother, your mother's gone, and / the you that lives on, me, I must learn she is / enough. From this room I see snow. Snow. Tomorrow is your / birthday. This is for you. The snow is melting. I've built / a fire. Mom, the fingers of the dead / woman play as if in some paradise, paradise, and / your mouth pinkens to breathing red and smiles. I am here, / your daughter, wanting. When there are gray / clouds, I don't mind the gray clouds. I'm all for you. All from you" Honor Moore's first collection of poetry, Memoir, shows her dazzling talent to turn her real-life experiences into universal emotions. First published in 1988, the collection takes the reader through the heart of strong experience in the shadow of AIDS, sexual abuse, the struggle for accommodation between the sexes, nuclear threat--the multilayered fabric of modern life and love. The poems include sapphics, sestinas, and even a hendecasyllabic arrangement, showing Moore's power to breathe new life into traditional forms. Memoir is part of the Carnegie Mellon Classic Contemporaries Series, which reissues significant early books by important contemporary poets. Moore's book is the one hundredth title in the series.
Describes the author's deep friendship with a mysterious intellectual who introduced her to the culture and people of El Salvador in the 1970s, a tumultuous period in the country's history, inspiring her work as an unlikely activist.