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Princess Yekaterina Romanovna Vorontsova-Dashkova (1743 – 1810) was a leading figure of the Russian Enlightenment and the closest female friend of Empress Catherine the Great. By her own account, she played a critical role in the coup d'état by which the autocratic Peter III was overthrown and Catherine was raised to the throne. In her travels abroad, she met Diderot, Voltaire and Benjamin Franklin. Catherine later named her the first female head of the Imperial Academy of Arts and Sciences, and then the Russian Academy.
The life of Taj al-Saltana, daughter of the ruler of Iran, Naser al-Din Shah Qajar, epitomized the predicaments of her changing era. Overcoming her limited edu-cation within the harem walls, Taj chronicled a thirty-year span in the life of a generation that witnessed a shift from traditional order to revolutionary flux. It is as though she had chosen this moment to recall her personal history--a tale filled with "wonder and anguish"--in order to record a cultural and political leap, symbolic of her time, from the indulgent, sheltered, and often petty world of her father's harem to the puzzling and exposed, yet emotionally and intellectually challenging world of a new Iran.Now almost one hundred years later Taj's memoirs are relevant and qualify her not only as a feminist by her society's standards but also in comparison with feminists of her generation in Europe and America. Beyond her fascination for the material glamors of the West at the turn of the twentieth century--fashion, architecture, furniture, the motorcar--she was also influenced by Western cul-ture's painting, music, history, literature and language. And yet throughout this time she kept her bond with her own literary and cultural heritage and what she calls her "Persianness."
"Thoroughly enjoyable and never dull. Brinda comes to life on each page in a manner seldom found in a story of a contemporary being. Elaine Williams deserves credit for an excellent job of writing. She has retained in every chapter a wealth of the maharani’s charm and personality."—The Houston Chronicle "A moving and muted account of a life in a transitional generation where East and West met . . . Touching and strange, this memoir gives fine glimpses into the Hindu culture, of worlds apart moving together, not without grief."—The Kirkus Bulletin
Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, form one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, depicting a court life Shakespearean in its pathos, drama, and grandeur. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman. JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.
Written shortly before her death and based on the diaries that she kept throughout her life, this book documents the activities of a Muslim princess who rebelled against societal conventions to take an active public role, first, as heir-apparent and chief secretary of an Indian princely state, then as diplomat and dissident in independent Pakistan.