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Finalist for the Man Booker International Prize 2015 Outlandish, surreal and compelling, a murderous porcupine tells all: 'For years I was the double of Kibandi . . . He died the day before yesterday, so here is my confession' All human beings, says an African legend, have an animal double. Some are benign, others wicked. When Kibandi, a boy living in a Congolese village, reaches the age of eleven, his father takes him out into the night, and forces him to drink a vile liquid from a jar which has been hidden for years in the earth. This is his initiation and, from this point on, he, and his double, a porcupine, become murderers, attacking neighbours, fellow villagers, and anyone unfortunate enough to cross their path. But now Kibandi is dead, and the porcupine, free of his master, is free to tell their story at last.
All human beings, says an African legend, have an animal double. Some doubles are benign, others wicked. This legend comes to life in Alain Mabanckou’s outlandish, surreal, and charmingly nonchalant Memoirs of a Porcupine. When Kibandi, a boy living in a Congolese village, reaches the age of 11, his father takes him out into the night and forces him to drink a vile liquid from a jar that has been hidden for years in the earth. This is his initiation. From now on, he and his double, a porcupine, become accomplices in murder. They attack neighbors, fellow villagers, and people who simply cross their path, for reasons so slight that it is virtually impossible to establish connection between the killings. As he grows older, Kibandi relies on his double to act out his grizzly compulsions, until one day even the porcupine balks and turns instead to literary confession. Winner of the Prix Renaudot, France’s equal to the National Book Award, Alain Mabanckou is considered one of the most talented writers today. He was selected by the French journal Lire as one of fifty writers to watch this coming century. And as Peter Carey suggests, he “positions himself at the margins, tapping the tradition founded by Celine, Genet, and other subversive writers.” In this superb and striking story, Mabanckou brings new power to magical realism, and is sure to excite American audiences nationwide.
His story begins with the arrival of his father, Howard Kantner, to the remote Arctic of the 1950s and ends with him as a grown man settled in the same landscape. Through a series of moving essays and vivid photographs, ranging in subject from family histories to hunting stories, celebrations of people and places to a lament over a majestic wilderness rapidly disappearing, Shopping for Porcupine provides a compelling, intimate view of America's last frontier -- the same place that captivated so many readers of Ordinary Wolves.
A porcupine hatches a prickly plan to bring his animal friends together on Valentine’s Day in this humorous, heartwarming tale where everyone gets a happily ever after. Love is in the air this Valentine’s Day—or it will be if Porcupine has any say. He uses his quills like Cupid’s arrows, hoping to bring the sweet and sentimental spirit of the holiday to all his forest friends. But with every poke! that Porcupine gives, he gets a hey!, ouch!, or yowser! in return. It seems Porcupine’s mission isn’t turning out quite like he planned, but with some quick thinking he might just be able to save the day…and maybe find a valentine of his very own.
A porcupine named Fluffy is happier with his name after he meets a similarly misnamed rhinoceros. OThe humor is just absurd enough to make the picture-book set howl along with Hippo and Fluffy."N"The New York Times Book Review." Full color.
An irreverent, allusive, scatalogical, tragicomic masterpiece that centers on the patrons of a run-down bar as they try to document the details of their lives in a country that appears to have forgotten the importance of remembering. In Republic of the Congo, in the town of Trois-Cents, in a bar called Credit Gone West, a former schoolteacher known as Broken Glass drinks red wine and records the stories of the bar and its regulars for posterity: Stubborn Snail, the owner, who must battle church people, ex-alcoholics, tribal leaders, and thugs set on destroying him and his business; the Printer, who had his respectable life in France ruined by a white woman, his wife; Robinette, who could outdrink and outpiss any man; and Broken Glass himself, whose own tale involves as much heartbreak, squalor, disappointment, and delusion. But Broken Glass fails spectacularly at staying out of trouble as one denizen after another wants to rewrite history in an attempt at making sure his portrayal will properly reflect their exciting and dynamic lives. Despondent over this apparent triumph of self-delusion over self-awareness, Broken Glass drowns his sorrows and riffs on the great books of Africa and the West. Brimming with life, death, and literary allusions, Broken Glass is Mabanckou's finest novel--a mocking satire of the dangers of artistic integrity.
“Mabanckou dazzles with technical dexterity and emotional depth” in his debut novel, winner of the Grand Prix Littéraire de l’Afrique Noire (Publishers Weekly, starred review). This tale of wild adventure reveals the dashed hopes of Africans living between worlds. When Moki returns to his village from France wearing designer clothes and affecting all the manners of a Frenchman, Massala-Massala, who lives the life of a humble peanut farmer after giving up his studies, begins to dream of following in Moki’s footsteps. Together, the two take wing for Paris, where Massala-Massala finds himself a part of an underworld of out-of-work undocumented immigrants. After a botched attempt to sell metro passes purchased with a stolen checkbook, he winds up in jail and is deported. Blue White Red is a novel of postcolonial Africa where young people born into poverty dream of making it big in the cities of their former colonial masters. Alain Mabanckou’s searing commentary on the lives of Africans in France is cut with the parody of African villagers who boast of a son in the country of Digol. Praise for Alain Mabanckou and Blue White Red “Mabanckou counts as one of the most successful voices of young African literature.” —Internationales Literaturfestival Berlin “The African Beckett.” —The Economist “Blue White Red stands at the beginning of the author’s remarkable and multifaceted career as a novelist, essayist and poet . . . this debut novel shows much of his style and substance in remarkable ways . . . Dundy’s translation is excellent.” —Africa Book Club “Mabanckou’s provocative novel probes the many facets of the ‘migration adventure.’” —Booklist
Innovative and refreshing strategies for how to love, understand, and communicate with difficult people—at home, at work, and in your community Most of us know someone who, for whatever reason, always seems to cause problems, irritate others, or incite conflict. Often, these people are a part of our daily lives. The truth is that these troublemakers haven’t necessarily asked to be this way. Sometimes we need to learn new approaches to deal with people who are harder to get along with or love. How to Hug a Porcupine explains that making peace with others isn’t as tough or terrible as we think it is—especially when you can use an adorable animal analogy and apply it to real-life problems. Whether you want to calm the quills of parents, children, siblings, or strangers, How to Hug a Porcupine provides useful tips for your encounters with “prickly” people, such as: • Three easy ways to end an argument • How to spot the porcupine in others • How to spot the porcupine in ourselves With a foreword by noted psychotherapist Dr. Debbie Ellis, widow of Dr. Albert Ellis, How to Hug a Porcupine is a truly special book.
With charm, humour and a generous smattering of musical history, cellist Ian Hampton takes readers into the cello section of the London Symphony Orchestra, performing The Rite of Spring under the baton of Pierre Monteux; into a ubiquitous Bombardier snow-machine tracking across the Arctic, late for a concert with members of the CBC Radio Orchestra; to a basement party where Ian plays Schubert with Stradivarius-wielding cellist Jacqueline du Pré; and on to the stage at Wigmore Hall in London, premiering the works of innovative Canadian composers with the Purcell String Quartet. Structured as if it were a concert, Jan in 35 Pieces revolves around thirty-five compositions that have influenced the course of Ian’s long career. Jan in 35 Pieces is more than a memoir—it is an extravaganza of music history in which Hampton offers smart, playful glimpses into the world of a professional musician.