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Memoirs of a Monticello Slave--dictated to Charles Campbell in the 1840's by Isaac, one of Thomas Jefferson's slaves By Isaac Jefferson Contents Foreword Isaac Jefferson's Memoirs Notes Biographical Data concerning Isaac Biographical Data concerning Campbell Excerpt from Chapter I Isaac Jefferson was born at Monticello: his mother was named Usler but nicknamed Queen, because her husband was named George and commonly called King George. She was pastry-cook and washerwoman: stayed in the laundry. Isaac toated wood for her: made fire and so on. Mrs. Jefferson would come out there with a cookery book in her hand and read out of it to Isaac's mother how to make cakes, tarts and so on. Mrs. Jefferson was named Patsy Wayles, but when Mr. Jefferson married her she was the widow Skelton, widow of Batter Skelton. Isaac was one year's child with Patsy Jefferson: she was suckled part of the time by Isaac's mother. Patsy married Thomas Mann Randolph. Mr. Jefferson bought Isaac's mother from Col. William Fleming of Goochland. Isaac remembers John Nelson, an Englishman at work at Monticello: he was an inside worker, a finisher. The blacksmith was Billy Ore; the carriage-maker Davy Watson: he worked also for Colonel Carter of Blenheim, eight miles from Monticello. Monticello-house was pulled down in part and built up again some six or seven times. One time it was struck by lightning. It had a Franklin rod at one end. Old Master used to say, "If it hadn't been for that Franklin the whole house would have gone." They was forty years at work upon that house before Mr. Jefferson... ------------------------------------------------------------------------------------------------------------------------------------------ Windham Press is committed to bringing the lost cultural heritage of ages past into the 21st century through high-quality reproductions of original, classic printed works at affordable prices. This book has been carefully crafted to utilize the original images of antique books rather than error-prone OCR text. This also preserves the work of the original typesetters of these classics, unknown craftsmen who laid out the text, often by hand, of each and every page you will read. Their subtle art involving judgment and interaction with the text is in many ways superior and more human than the mechanical methods utilized today, and gave each book a unique, hand-crafted feel in its text that connected the reader organically to the art of bindery and book-making. We think these benefits are worth the occasional imperfection resulting from the age of these books at the time of scanning, and their vintage feel provides a connection to the past that goes beyond the mere words of the text.
This book, first published in its present form 1951, is a collection of reminiscences by Isaac Jefferson, a tinsmith, blacksmith, and nailer at Monticello, and valued, enslaved artisan of U.S. President Thomas Jefferson. In the 1840 census he was recorded as Isaac Granger, a free man working in Petersburg, Virginia, and it was there that the Rev. Charles Campbell interviewed him and went on to publish his memoirs under the name of Isaac Jefferson in 1847. “The reminiscences are confined to what Isaac saw and heard. They recount the simple events which even an illiterate slave, possessed of normal sight and hearing at the time of the events, could intelligently observe. Isaac Jefferson was obviously not mistreated by his masters. He did not, however, indulge in nostalgia about the “good old days.” The very simplicity of his story is its best watermark of authenticity.”—Introduction by Rayford W. Logan
Memoirs Of A Monticello Slave-As Dictated to Charles Campbell in the 1840's by Issac, one of Thomas Jefferson's Slaves
This collection of essays provides an overview of new scholarship on recipe books, one of the most popular non-fiction printed texts in, and one of the most common forms of manuscript compilation to survive from, the pre-modern era (c.1550–1800). This is the first book to collect together the wide variety of scholarly approaches to pre-modern recipe books written in English, drawing on varying approaches to reveal their culinary, medical, scientific, linguistic, religious and material meanings. Ten scholars from the fields of culinary history, history of medicine and science, divinity, archaeology and material culture, and English literature and linguistics contribute to a vibrant mapping of the aspirations invested in, and uses of, recipes and recipe books. By exploring areas as various as the knowledge economies of medicine, Anglican feasting and fasting practices, the material culture of the kitchen and table, London publishing and concepts of authorship and the aesthetics of culinary styles, these eleven essays (including a critical introduction to recipe books and their historiography) position recipe texts in the wider culture of the sixteenth, seventeenth and eighteenth centuries. They illuminate their importance to both their original compilers and users, and modern scholars and graduate students alike.
"King provides a jarring snapshot of children living in bondage. This compellingly written work is a testament to the strength and resilience of the children and their parents".--"Booklist". "King's deeply researched, well-written, passionate study places children and young adults at center stage in the North American slave experience".--"Choice". 16 photos.
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How Black women’s reproduction became integral to white supremacy, capitalism, and heteropatriarchy—and remains key to their dismantling In the United States, slavery relied on the reproduction and other labors of unfree Black women. Nearly four centuries later, Black reproductivity remains a vital technology for the creation, negotiation, and transformation of sexualized and gendered racial categories. Yet even as Black reproduction has been deployed to resolve the conflicting demands of white supremacy, capitalism, and heteropatriarchy, Sara Clarke Kaplan argues that it also holds the potential to destabilize the oppressive systems it is supposed to maintain. The Black Reproductive convenes Black literary and cultural studies with feminist and queer theory to read twentieth- and twenty-first-century texts and images alongside their pre-emancipation counterparts. These provocative, unexpected couplings include how Toni Morrison’s depiction of infanticide regenders Orlando Patterson’s theory of social death, and how Mary Prince’s eighteenth-century fugitive slave narrative is resignified through the representational paradoxes of Gayl Jones’s blues novel Corregidora. Throughout, Kaplan offers new perspectives on Black motherhood and gendered labor, from debates over the relationship between President Thomas Jefferson and Sally Hemings, to the demise of racist icon Aunt Jemima, to discussions of Black reproductive freedom and abortion. The Black Reproductive gives vital insight into the historic and ongoing conditions of Black unfreedom, and points to the possibilities for a Black feminist practice of individual and collective freedom.
An award-winning author's deep exploration of pivotal moments in Texas history through multiple generations of her own family, and a ruthless reexamination of our national and personal myths Seven generations of Jessica Goudeau’s family have lived in Texas, and her family’s legacy—a word she heard often growing up—was rooted in faith, right-living, and the hard work that built their great state. It wasn’t until her aunt mentioned a stowaway ancestor and she began to dig more deeply into the story of the land she lives on today in suburban Austin, that Goudeau discovered her family’s far more complicated role in Texas history: from a swindling land grant agent in the earliest days of Anglo settlement that brought slavery to Mexican land, up through her Texas Ranger great-uncle, who helped a sociopathic sheriff cover up mass murder. Tracking her ancestors’ involvement in pivotal moments from before the Texas Revolution through today, We Were Illegal is at once an intimate and character-driven narrative and an insider’s look at a state that prides itself on its history. It is an act of reckoning and recovery on a personal scale, as well as a reflection of the work we all must do to dismantle the whitewashed narratives that are passed down through families, communities, and textbooks. And it is a story filled with hope—by facing these hypocrisies and long-buried histories, Goudeau explores with us how to move past this fractured time, take accountability for our legacy, and learn to be better, more honest ancestors.