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Excerpt from Memories of My Life The method of that most useful volume, the Index and E pitome of t/ze Dictionary of tile National Bz'ogmp/zy, has been adopted, of adding to each name the dates of birth and death. They serve for identification and for giving a correct idea of the age of each man as compared with those with whom he was associated. The dates are mostly taken from the Dictionary, so the reader will nearly always find in that work a biography of the person in question. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Wallace Fowlie is known to three generations of students at Duke University for his course in Proust. His observations on the changing interests of college students (Bob Dylan to Jim Morrison, Fellini to Pasolini) are part of this fourth memoir. In Memory, Fowlie brings us once more into his broad range of vision as he examines the offerings of memory, more real to him he tells us than the town in which he now lives. the reader follows his search for words, his early more mystical search for a father-son relationship, his remembering of the small acts that determine life.
Peg Meier's candid interpretation of the joys and pains of childhood through the decades--at home, at school, at play--reminds us that we were all children once, too.
Collects leading scholars' insight on the plays, production, music, audiences, and political and aesthetic concerns of modern Yiddish theater. While Yiddish theater is best known as popular entertainment, it has been shaped by its creators' responses to changing social and political conditions. Inventing the Modern Yiddish Stage: Essays in Drama, Performance, and Show Business showcases the diversity of modern Yiddish theater by focusing on the relentless and far-ranging capacity of its performers, producers, critics, and audiences for self-invention. Editors Joel Berkowitz and Barbara Henry have assembled essays from leading scholars that trace the roots of modern Yiddish drama and performance in nineteenth-century Eastern Europe and span a century and a half and three continents, beyond the heyday of a Yiddish stage that was nearly eradicated by the Holocaust, to its post-war life in Western Europe and Israel. Each chapter takes its own distinct approach to its subject and is accompanied by an appendix consisting of primary material, much of it available in English translation for the first time, to enrich readers' appreciation of the issues explored and also to serve as supplementary classroom texts. Chapters explore Yiddish theater across a broad geographical span--from Poland and Russia to France, the United States, Argentina, and Israel and Palestine. Readers will spend time with notable individuals and troupes; meet creators, critics, and audiences; sample different dramatic genres; and learn about issues that preoccupied both artists and audiences. The final section presents an extensive bibliography of book-length works and scholarly articles on Yiddish drama and theater, the most comprehensive resource of its kind. Collectively these essays illuminate the modern Yiddish stage as a phenomenon that was constantly reinventing itself and simultaneously examining and questioning that very process. Scholars of Jewish performance and those interested in theater history will appreciate this wide-ranging volume.
William Somerset Maugham was one of the most popular and successful British writers of his time. From October 1897, when he completed his medical education at St. Thomas's Hospital in London, until his death in December 1965, Maugham wrote twenty novels, filled nine volumes with his short stories, wrote thirty-one plays, and published seven volumes of prose nonfiction. His writings reflect the tensions of the Boer War, World War I, and World War II; the lavishness of the highest levels of British and American society during the first six decades of the 20th century; the glamor of Hollywood, Paris, New York, San Francisco, and London; and the romance of China, Malaya, Borneo, and India. His popularity brought him prosperity. At a 1962 auction, 35 of his paintings sold for nearly $1.5 million; bequests in his will totaled $280,000; his royalties during the last ten years of his life averaged $50,000 per year; and his Riviera estate, purchased in 1927 for $48,000, sold for $730,000 in 1967. This reference book is a guide to Maugham's fascinating life and career. The volume begins with a brief discussion of the importance of Maugham's life and work, followed by a detailed chronology of important biographical and literary events. Through several hundred alphabetically arranged entries, the encyclopedia overviews Maugham's drama, fiction, and prose nonfiction; his family; the persons whom he knew and with whom he associated; the places where he lived and to which he journeyed, particularly the cities and villages that he inserted into his works; and the historical, cultural, social, and political issues that governed his life and career. Each entry closes with a brief bibliography, and the volume includes a selected bibliography of critical studies.
A captivating history of folk traditions, beliefs, and culturally diverse customs in the early homesteading era on the Canadian Prairies. The homesteading era on the Canadian Prairies (1867–1914) was a dynamic period of history, when hundreds of thousands of men, women, and children, migrating primarily from northwestern and eastern Europe, descended nascent provinces of Alberta, Saskatchewan, and Manitoba. Some were lured by the promise of prosperity and land ownership, while others were fleeing war, famine, and persecution. Homesteaders have been studied and written about extensively, often within the context of “settling” the Canadian West and the displacement of Indigenous populations. These narratives, while crucial to our understanding of Canada’s national identity and colonial past, tend to obscure the personal stories, beliefs, and mindsets of those individuals who came to this part of the world and made a life there. Drawing on a treasure trove of archival sources, historian Sandra Rollings-Magnusson presents a vivid and deeply personal collection of Prairie folklife, revealing stories full of humour, superstition, fear, and hope. She gives insight into homesteaders’ daily lives, including instances of water-witching, signs of good and bad luck, neighbourly practical jokes, and popular pastimes. Through adaptation, hardship, homesickness, and a sense of adventure, they built communities with others from different backgrounds, creating a unique culture that blended the old with the new. "
"This work covers the entire sweep of Milner's career, exploring fully in themselves overlooked areas, including Milner's place in the newspaper "information milieu," his attempts to bring working men into the Unionist fold (before, during, and after the Great War), his conspiratorial role in the 1914 Ulster Crisis, his key, but mostly forgotten, place in the First World War, the Peace of Paris and, throughout, his private life. The book reveals, as has no other, relationships with Margot Tennant (later Asquith), to whom Milner first proposed marriage, his mistress Cecile Duval, the novelist Elinor Glyn, and his two-decades-long liaison with Violet Cecil, who became his wife in 1921, only four years before Milner's death."--BOOK JACKET.