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Evangelical Dissent in the early eighteenth century had to address a variety of intellectual challenges. How reliable was the Bible? Was traditional Christian teaching about God, humanity, sin and salvation true? What was the role of reason in the Christian faith? Philip Doddridge (1702-51) pastored a sizeable evangelical congregation in Northampton, England, and ran a training academy for Dissenters which prepared men for pastoral ministry. Philip Doddridge and the Shaping of Evangelical Dissent examines his theology and philosophy in the context of these and other issues of his day and explores the leadership that he provided in evangelical Dissent in the first half of the eighteenth century. Offering a fresh look at Doddridge’s thought, the book provides a criticial examination of the accepted view that Doddridge was influenced in his thinking primarily by Richard Baxter and John Locke. Exploring the influence of other streams of thought, from John Owen and other Puritan writers to Samuel Clarke and Isaac Watts, as well as interaction with contemporaries in Dissent, the book shows Doddridge to be a leader in, and shaper of, an evangelical Dissent which was essentially Calvinistic in its theology, adapted to the contours and culture of its times.
In John Bunyan's The Pilgrim's Progress, the pilgrims cannot reach the Celestial City without passing through Vanity Fair, where everything is bought and sold. In recent years there has been much analysis of commerce and consumption in Britain during the long eighteenth century, and of the dramatic expansion of popular publishing. Similarly, much has been written on the extraordinary effects of the evangelical revivals of the eighteenth century in Britain, Europe, and North America. But how did popular religious culture and the world of print interact? It is now known that religious works formed the greater part of the publishing market for most of the century. What religious books were read, and how? Who chose them? How did they get into people's hands? Vanity Fair and the Celestial City is the first book to answer these questions in detail. It explores the works written, edited, abridged, and promoted by evangelical dissenters, Methodists both Arminian and Calvinist, and Church of England evangelicals in the period 1720 to 1800. Isabel Rivers also looks back to earlier sources and forward to the continued republication of many of these works well into the nineteenth century. The first part is concerned with the publishing and distribution of religious books by commercial booksellers and not-for-profit religious societies, and the means by which readers obtained them and how they responded to what they read. The second part shows that some of the most important publications were new versions of earlier nonconformist, episcopalian, Roman Catholic, and North American works. The third part explores the main literary kinds, including annotated bibles, devotional guides, exemplary lives, and hymns. Building on many years' research into the religious literature of the period, Rivers discusses over two hundred writers and provides detailed case studies of popular and influential works.