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This collection of essays presents a variety of scholarly explorations of the nature and role of the Mounties in the Prairie Provinces from the formation of the North West Mounted Police in 1873-74 to its transformation into the Royal Canadian Mounted Police in 1919-20. The essays are grouped into five broad themes: relations with First Nations; law enforcement; social issues, including relations with minority groups and labour movements; characteristics of the police force; and crisis and change (police-immigrant relations, response to labour unrest, and the origins of domestic intelligence and counter-subversion). An epilogue presents the case for the dramatic change of the force after 1919-20 and the new force's use of the positive image created by the old force.
With his high brow and chiseled features, his combed-back hair and 6-foot-3-inch lanky frame, Gary Cooper (1901-1961) was handsome in a way that personified Hollywood--and Hollywood glamour--in its heyday. He was the seamless actor who became our Sheriff Kane or Lou Gehrig or Sergeant York. Gary Cooper was, in short, an American icon when actors still seemed to personify the hopes and ambitions of a thriving nation.
An intimate early novel from James A. Michener, now remembered as the beloved master of the historical epic, The Fires of Spring unfolds with the bittersweet drama of a boy’s perilous journey into manhood. David Harper is an orphan, seemingly doomed to loneliness and poverty. As an adolescent con artist and petty thief, David spends his days grifting at an amusement park, the place where he first learns about women and the mysteries of love. Soon he discovers that his longing to embrace the world is stronger than the harsh realities that constrain him. Featuring autobiographical touches from Michener’s own life story, The Fires of Spring is more than a novel: It’s a rich slice of American life, brimming with wisdom, longing, and compassion. BONUS: This edition includes an excerpt from James A. Michener's Hawaii. Praise for The Fires of Spring “A warm-hearted, readable story, crammed with lively incident and remarkable characters.”—The Atlantic “Heartfelt . . . immensely readable . . . Michener is a born writer.”—The New York Times “Michener is a gifted storyteller.”—Kirkus Reviews “Brilliantly done.”—Library Journal
#1 NEW YORK TIMES BESTSELLER • We all have dreams—things we fantasize about doing and generally never get around to. This is the story of Azar Nafisi’s dream and of the nightmare that made it come true. For two years before she left Iran in 1997, Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. They were shy and uncomfortable at first, unaccustomed to being asked to speak their minds, but soon they began to open up and to speak more freely, not only about the novels they were reading but also about themselves, their dreams and disappointments. Their stories intertwined with those they were reading—Pride and Prejudice, Washington Square, Daisy Miller and Lolita—their Lolita, as they imagined her in Tehran. Nafisi’s account flashes back to the early days of the revolution, when she first started teaching at the University of Tehran amid the swirl of protests and demonstrations. In those frenetic days, the students took control of the university, expelled faculty members and purged the curriculum. When a radical Islamist in Nafisi’s class questioned her decision to teach The Great Gatsby, which he saw as an immoral work that preached falsehoods of “the Great Satan,” she decided to let him put Gatsby on trial and stood as the sole witness for the defense. Azar Nafisi’s luminous tale offers a fascinating portrait of the Iran-Iraq war viewed from Tehran and gives us a rare glimpse, from the inside, of women’s lives in revolutionary Iran. It is a work of great passion and poetic beauty, written with a startlingly original voice. Praise for Reading Lolita in Tehran “Anyone who has ever belonged to a book group must read this book. Azar Nafisi takes us into the vivid lives of eight women who must meet in secret to explore the forbidden fiction of the West. It is at once a celebration of the power of the novel and a cry of outrage at the reality in which these women are trapped. The ayatollahs don’ t know it, but Nafisi is one of the heroes of the Islamic Republic.”—Geraldine Brooks, author of Nine Parts of Desire
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
A portrait of five Concord, Massachusetts, writers whose works were at the center of mid-nineteenth-century American thought and literature evaluates their interconnected relationships, influence on each other's works, and complex beliefs.
Back in print for the first time in decades—and featuring a new interview with the author, in celebration of her centennial birthday—the delectable escapades of Hollywood legend Olivia de Havilland, who fell in love with a Frenchman—and then became a Parisian In 1953, Olivia de Havilland—already an Academy Award-winning actress for her roles in To Each His Own and The Heiress—became the heroine of her own real-life love affair. She married a Frenchman, moved to Paris, and planted her standard on the Left Bank of the River Seine. It has been fluttering on both Left and Right Banks with considerable joy and gaiety from that moment on. Still, her transition from Hollywood celebrity to parisienne was anything but easy. And in Every Frenchman Has One, her skirmishes with French customs, French maids, French salesladies, French holidays, French law, French doctors, and above all, the French language, are here set forth in a delightful and amusing memoir of her early years in the “City of Light.” Paraphrasing Caesar, Ms. de Havilland says, “I came. I saw. I was conquered.”