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In an abridged translation that retains the grace and passion of the original, Klots and Ufberg present the stunning memoir of a young woman who became an actress in the Gulag. Tamara Petkevich had a relatively privileged childhood in the beautiful, impoverished Petrograd of the Soviet regime's early years, but when her father—a fervent believer in the Communist ideal—was arrested, 17-year-old Tamara was branded a "daughter of the enemy of the people." She kept up a search for her father while struggling to support her mother and two sisters, finish school, and enter university. Shortly before the Russian outbreak of World War II, Petkevich was forced to quit school and, against her better judgment, she married an exiled man whom she had met in the lines at the information bureau of the NKVD (People's Commissariat of Internal Affairs). Her mother and one sister perished in the Nazi siege of Leningrad, and Petkevich was herself arrested. With cinematic detail, Petkevich relates her attempts to defend herself against absurd charges of having a connection to the Leningrad terrorist center, counter-revolutionary propaganda, and anti-Semitism that resulted in a sentence of seven years' hard labor in the Gulag. While Petkevich became a professional actress in her own right years after her release from the Gulag, she learned her craft on the stages of the camps scattered across the northern Komi Republic. The existence of prisoner theaters and troupes of political prisoners such as the one Petkevich joined is a little-known fact of Gulag life. Petkevich's depiction not only provides a unique firsthand account of this world within a world but also testifies to the power of art to literally save lives. As Petkevich moves from one form of hardship to another she retains her desire to live and her ability to love. More than a firsthand record of atrocities committed in Stalinist Russia, Memoir of a Gulag Actress is an invaluable source of information on the daily life and culture of the Soviet Union at the time. Russian literature about the Gulag remains vastly underepresented in the United States, and Petkevich's unforgettable memoir will go a long way toward filling this gap. Supplemented with photographs from the author's personal archive, Petkevich's story will be of great interest to general readers, while providing an important resource for historians, political scientists, and students of Russian culture and history.
Intro -- Contents -- Foreword -- Translators' Note -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 8 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- In Place of an Epilogue -- Glossary -- Index.
Elena Gorokhova’s A Mountain of Crumbs is the moving story of a Soviet girl who discovers the truths adults are hiding from her and the lies her homeland lives by. Elena’s country is no longer the majestic Russia of literature or the tsars, but a nation struggling to retain its power and its pride. Born with a desire to explore the world beyond her borders, Elena finds her passion in the complexity of the English language—but in the Soviet Union of the 1960s such a passion verges on the subversive. Elena is controlled by the state the same way she is controlled by her mother, a mirror image of her motherland: overbearing, protective, difficult to leave. In the battle between a strong-willed daughter and her authoritarian mother, the daughter, in the end, must break free and leave in order to survive. Through Elena’s captivating voice, we learn not only the stories of Russian family life in the second half of the twentieth century, but also the story of one rebellious citizen whose curiosity and determination finally transport her to a new world. It is an elegy to the lost country of childhood, where those who leave can never return.
A poignant, inspirational account of women’s suffering and resilience in Stalin’s forced labor camps—diligently transcribed in the kitchens and living rooms of 9 survivors. “A worthy addition to the literature of the gulag that also features intimate glimpses of the author of Doctor Zhivago.” —Kirkus Reviews The pain inflicted by the gulags has cast a long and dark shadow over Soviet-era history. Zgustová’s collection of interviews with former female prisoners not only chronicles the hardships of the camps, but also serves as testament to the power of beauty in face of adversity. Where one would expect to find stories of hopelessness and despair, Zgustová has unearthed tales of the love, art, and friendship that persisted in times of tragedy. Across the Soviet Union, prisoners are said to have composed and memorized thousands of verses. Galya Sanova, born in a Siberian gulag, remembers reading from a hand-stitched copy of Little Red Riding Hood. Irina Emelyanova passed poems to the male prisoner she had grown to love. In this way, the arts lent an air of humanity to the women’s brutal realities. These stories, collected in the vein of Svetlana Alexievich’s Nobel Prize-winning oral histories, turn one of the darkest periods of the Soviet era into a song of human perseverance, in a way that reads as an intimate family history. “We see the darkest years of Soviet history illuminated, again and again, by small yet radiant flashes of humanity, of art, of beauty.” —Olga Grushin, author of The Dream Life of Sukhanov
Marek Hlasko's literary autobiography is a vivid, first-hand account of the life of a young writer in 1950s Poland and a fascinating portrait of the ultimately short-lived rebel generation. Told in a voice suffused with grit and morbid humor, Hlasko's memoir was a classic of its time. In it he recounts his adventures and misadventures, moving swiftly from one tale to the next. Like many writers of his time, Hlasko also worked in screen writing, and his memoir provides a glimpse into just how markedly the medium of film affected him from his very earliest writing days. The memoir details his relationships with such giants of Polish culture as the filmmaker Roman Polanski and the novelist Jerzy Andrzejewski. Hlasko is the most prominent example of a writer who broke free from the Socialist-Realist formulae that dominated the literary scene in Poland since it fell under the influence of the Soviets. He made his literary debut in 1956 and immediately became a poster boy for Polish Literature. He subsequently worked at some of the most important newspapers and magazines for intellectual life in Warsaw. Hlasko was sent to Paris on an official mission in 1958, but when he published in an émigré Parisian press his novel of life in post-War Poland, he was denied a renewal of his passport. In effect, he was called back to Poland, and when he refused to return he was stripped of his Polish citizenship. He spent the rest of his life working in exile. Marek Hlasko was a rebel whose writing and iconoclastic way of life became an inspiration to those of his generation and after. Here, in the first English translation of his literary memoir, Ross Ufberg deftly renders Hlasko's wry and passionate voice.
From the author of the multi-million copy bestseller The Tattooist of Auschwitz comes a new novel based on a riveting true story of love and resilience. Her beauty saved her — and condemned her. Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp in 1942, where the commandant immediately notices how beautiful she is. Forcibly separated from the other women prisoners, Cilka learns quickly that power, even unwillingly taken, equals survival. When the war is over and the camp is liberated, freedom is not granted to Cilka: She is charged as a collaborator for sleeping with the enemy and sent to a Siberian prison camp. But did she really have a choice? And where do the lines of morality lie for Cilka, who was send to Auschwitz when she was still a child? In Siberia, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she meets a kind female doctor, Cilka is taken under her wing and begins to tend to the ill in the camp, struggling to care for them under brutal conditions. Confronting death and terror daily, Cilka discovers a strength she never knew she had. And when she begins to tentatively form bonds and relationships in this harsh, new reality, Cilka finds that despite everything that has happened to her, there is room in her heart for love. From child to woman, from woman to healer, Cilka's journey illuminates the resilience of the human spirit—and the will we have to survive.
WINNER OF THE 2018 READ RUSSIA PRIZE AND THE PUSHKIN HOUSE BEST BOOK IN TRANSLATION IN 2017 Considered Teffi’s single greatest work, Memories: From Moscow to the Black Sea is a deeply personal account of the author’s last months in Russia and Ukraine, suffused with her acute awareness of the political currents churning around her, many of which have now resurfaced. In 1918, in the immediate aftermath of the Russian Revolution, Teffi, whose stories and journalism had made her a celebrity in Moscow, was invited to read from her work in Ukraine. She accepted the invitation eagerly, though she had every intention of returning home. As it happened, her trip ended four years later in Paris, where she would spend the rest of her life in exile. None of this was foreseeable when she arrived in German-occupied Kiev to discover a hotbed of artistic energy and experimentation. When Kiev fell several months later to Ukrainian nationalists, Teffi fled south to Odessa, then on to the port of Novorossiysk, from which she embarked at last for Constantinople. Danger and death threaten throughout Memories, even as the book displays the brilliant style, keen eye, comic gift, and deep feeling that have made Teffi one of the most beloved of twentieth-century Russian writers.
Buy a pair of Levi’s, lose the Russian accent, become an American… how hard could it be? Moscow, 1988. After years of antisemitic harassment, countless hours waiting in line for toilet paper, and having zero access to cool jeans, Margarita decides it’s time to get the hell out of the Soviet Union. While dreaming of buying the boat-sized Buick she’d seen in a pirated VHS of Miami Vice and getting a taste of whatever it is Bruce Springsteen is singing about, she comes up with a plan to escape Mother Russia for good. When Margarita arrives in the US with her family, she has one objective – become fully American as soon as possible, and leave her Soviet past behind. But she soon learns that finding her new voice is harder than avoiding the KGB. Because, how do you become someone else completely? Is it as simple as changing your name, upgrading your wardrobe and working on your pronunciation of the word ‘sheet’? Can you let go of old habits (never, ever throw anything away), or learn to date without hang-ups (‘there is no sex in the Soviet Union’ after all)? Will you ever stop disappointing your parents, who expect you to become a doctor, a lawyer, an investment banker and a classical pianist – all at the same time? And can you still become the person you dreamed you’d be, while learning to embrace parts of yourself you’ve wanted to discard for good when you immigrated? Absolutely hilarious, painfully honest and sometimes heart-breaking, the award-winning I Named My Dog Pushkin will have fans of David Sedaris and Samantha Irby howling with laughter at Margarita’s failures, her victories and the life lessons she learns as she grows as both a woman and an immigrant, in a world that often doesn’t appreciate either. What readers are saying about I Named My Dog Pushkin: ‘Hilariously funny, whip-smart and absolutely fascinating… Silver shows that the only person she needs to ever become is herself. Just amazing.’ Caroline Leavitt, New York Times bestselling author of Pictures of You and With or Without You ‘Laugh-out-loud funny... a particular pleasure to see our splintered country through the eyes of this determined and appreciative emigree.’ NPR Books ‘An eye-opener… a whole other brand of Jewish humor… The book's wit, drama and erudition appear to me wholly miraculous. Margarita deserves a literary prize.’ Alicia Bay Laurel, New York Times bestselling author of Living on the Earth ‘Hysterically funny and thought-provoking… perfect for anyone fascinated with the USSR’ FangirlNation ‘I thoroughly enjoyed Margarita's witty and acerbic voice. This book was a delight!’ Jen Mann, New York Times bestselling author of People I Want to Punch in the Throat ‘Hilarious… From one USSR immigrant to another... I related a lot.’ Margarita Levieva, HBO's The Deuce ‘Hilarious and thought-provoking.’ California Bookwatch ‘A memoir like this is so very rare, one in which you learn a great deal, while laughing throughout. Highly, highly recommended.’ Wandering Educators ‘Plunges the reader into a world in which Coca-Cola is synonymous with freedom… riveting… moving… Gokun Silver is a gifted, witty writer.’ Los Angeles Review of Books ‘Sure to delight while tugging at your heartstrings.’ Jewish Book Council ‘Had me laughing and smiling all the way through… a perfect balance of wit and seriousness… Superb.’ Goodreads reviewer ‘Laughed my socks off!’ Goodreads reviewer ‘I loved this book so much… I just could not stop reading.’ NetGalley reviewer ‘A sharp, witty memoir… Margarita captured Jewish joy and grief together perfectly.’ Goodreads reviewer ‘Darkly funny… reminiscent of other acerbic comedian authors like Sara Barron… fascinating.’ NetGalley reviewer
A vast system of prisons, camps, and exile settlements, the Gulag was one of the defining attributes of the Stalinist Soviet Union and one of the most heinous examples of mass incarceration in the twentieth century. It combined a standard prison system with the goal of isolating and punishing alleged enemies of the Soviet regime. More than 25 million people passed through the Gulag from its creation in 1930 to its dismantling in the 1950s. By presenting both the everyday experiences of ordinary prisoners and the overall political and economic background of the system, The Gulag: A Very Short Introduction offers a succinct and comprehensive study of the Gulag and its legacy in the former USSR.
Caught up in one of the many purges that swept the Soviet Union during the Great Terror, Leonid Petrovich Bolotov (1906-1987) was one of 86 engineers arrested at Leningrad's Red Triangle Rubber Factory and sent to the Gulag as "enemies of the people." He would be the only one to survive and return to his family after enduring two decades in the infamous Kolyma labor camps. Translated into English and published here for the first time, Bolotov's memoir narrates with growing intensity his arrest, imprisonment and interrogation, his "confession" and trial, his exile to hard labor in Arctic Siberia, and his rehabilitation in 1956 following the official end of Stalin's personality cult.