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World War II created much havoc for many people both in Europe and in the United States. From Concentration Camp Dachau to Cuba and the United States, Memoir of a 2G tells the story of what Patricia's parents went through during these times and how these events affected her upbringing. A 2G is a designated moniker given to a person whose parents were in the Holocaust. While growing up, very little if any information and experiences were talked about by her parents about what they had endured. Most everything was a blur for her. Questions were not answered, silence was the norm. Through Patricia's attempt to find out appropriate truths, and while working on her family genealogy, she was able to get some finality. Memoir of a 2G illustrates examples of what a child and as a young adult endured growing up in that type of family environment. In Memoir of a 2G, you will find this is a story that follows Patricia through the many experiences she endured. Patricia has come full circle in her understanding of how in spite of prejudice, survival, secrecy and perfectionism, she was able to create a rich life. Her challenging life events brought about both sorrow and joy. This story will give examples of how she was vulnerable and in some instances how she did not have the nerve to speak up in fear of the obvious and not so obvious consequences and reprisals.
This poignant memoir by Noah Lederman, the grandson of Holocaust survivors, transports readers from his grandparents’ kitchen table in Brooklyn to World War II Poland. In the 1950s, Noah’s grandparents raised their children on Holocaust stories. But because tales of rebellion and death camps gave his father and aunt constant nightmares, in Noah’s adolescence Grandma would only recount the PG version. Noah, however, craved the uncensored truth and always felt one right question away from their pasts. But when Poppy died at the end of the millennium, it seemed the Holocaust stories died with him. In the years that followed, without the love of her life by her side, Grandma could do little more than mourn. After college, Noah, a travel writer, roamed the world for fifteen months with just one rule: avoid Poland. A few missteps in Europe, however, landed him in his grandparents’ country. When he returned home, he cautiously told Grandma about his time in Warsaw, fearing that the past would bring up memories too painful for her to relive. But, instead, remembering the Holocaust unexpectedly rejuvenated her, ending five years of mourning her husband. Together, they explored the memories—of Auschwitz and a half-dozen other camps, the Warsaw Ghetto Uprising, and the displaced persons camps—that his grandmother had buried for decades. And the woman he had playfully mocked as a child became his hero. I was left with the stories—the ones that had been hidden, the ones that offered catharsis, the ones that gave me a second hero, the ones that resurrected a family, the ones that survived even death. Their shared journey profoundly illuminates the transformative power of never forgetting.
How do you talk about and make sense of your life when you grew up with parents who survived the most unimaginable horrors of family separation, systematic murder and unending encounters of inhumanity? Sixteen authors reveal the challenges and gifts of living with the aftermath of their parents’ inconceivable experiences during the Holocaust. The Ones Who Remember: Second-Generation Voices of the Holocaust provides a window into the lived experience of sixteen different families grappling with the legacy of genocide. Each author reveals the many ways their parents’ Holocaust traumas and survival seeped into their souls and then affected their subsequent family lives – whether they knew the bulk of their parents’ stories or nothing at all. Several of the contributors’ children share interpretations of the continuing effects of this legacy with their own poems and creative prose. Despite the diversity of each family's history and journey of discovery, the intimacy of the collective narratives reveals a common arc from suffering to resilience, across the three generations. This book offers a vision of a shared humanity against the background of inherited trauma that is relatable to anyone who grew up in the shadow of their parents’ pain.
Like Anne Frank, Hilde Jacobsthal was born in Germany and brought up in Amsterdam, where the two families became close. Unlike Anne Frank, she survived the war, and Otto Frank was to become godfather to Rita, her first daughter. "I am the child of a woman who survived the Holocaust not by the skin of her teeth but heroically. This book tells the story of my mother's dramatic life before, during and after the Nazi invasion of the Netherlands in 1940. "I wrote Motherland because I wanted to understand a story which had become a kind of family myth. My mother's life could be seen as a narrative of the twentieth century; along with my father she was present and active at many of its significant moments." Rita Goldberg Hilde Jacobsthal was fifteen when the Nazis invaded Holland. After the arrest of her parents in 1943 she fled to Belgium, where she went into hiding and worked with the Resistance at night. She was liberated by the American army in 1944. In April 1945 she volunteered with a British Red Cross Unit to go to the relief of Bergen-Belsen, which had itself been liberated one week before her arrival. The horror and devastation were overwhelming, but despite her shock and grief she stayed at the camp for two years, helping with the enormous task of recovery. Sorrow and exuberance went hand in hand as the young people at Belsen found renewed life and each other. Hilde got to know Hanns Alexander (subject of the recently published Hanns and Rudolf), who was on the British War Crimes Commission, and, eventually, a Swiss doctor called Max Goldberg. Motherland is the culmination of a lifetime of reflection and a decade of research. Rita Goldberg enlarges the story she heard from her mother with historical background. She has talked with her about the minutest details of her life and pored over her papers, exploring not only her mother's life but her own. Complicated feelings are explored lightly as Rita takes the story beyond Bergen-Belsen, where paradoxically her parents met and fell in love; beyond Israel's War of Independence where they both volunteered, and on to the next chapter of their lives in the US. A deeply moving story, Motherland will become an essential text about World War II, the Holocaust and the survival of the spirit.
"I set out to find a group of people who, like me, were possessed by a history they had never lived." The daughter of Holocaust survivors, Helen Epstein traveled from America to Europe to Israel, searching for one vital thin in common: their parent's persecution by the Nazis. She found: • Gabriela Korda, who was raised by her parents as a German Protestant in South America; • Albert Singerman, who fought in the jungles of Vietnam to prove that he, too, could survive a grueling ordeal; • Deborah Schwartz, a Southern beauty queen who—at the Miss America pageant, played the same Chopin piece that was played over Polish radio during Hitler's invasion. Epstein interviewed hundreds of men and women coping with an extraordinary legacy. In each, she found shades of herself.
This collection of new essays examines third-generation Holocaust narratives and the inter-generational transmission of trauma and memory. This collection demonstrates the ways in which memory of the Holocaust has been passed along inter-generationally from survivors to the second-generation—the children of survivors—to a contemporary generation of grandchildren of survivors—those writers who have come of literary age at a time that will mark the end of direct survivor testimony. This collection, in drawing upon a variety of approaches and perspectives, suggests the rich and fluid range of expression through which stories of the Holocaust are transmitted to and by the third generation, who have taken on the task of bearing witness to the enormity of the Holocaust and the ways in which this pronounced event has shaped the lives of the descendants of those who experienced the trauma first-hand. The essays collected—essays written by renowned scholars in Holocaust literature, philosophy, history, and religion as well as by third-generation writers—show that Holocaust literary representation has continued to flourish well into the twenty-first century, gaining increased momentum as a third generation of writers has added to the growing corpus of Holocaust literature. Here we find a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. The third-generation writers, in writing against a contemporary landscape of post-apocalyptic apprehension and anxiety, capture and penetrate the growing sense of loss and the fear of the failure of memory. Their novels, short stories, and memoirs carry the Holocaust into the twenty-first century and suggest the future of Holocaust writing for extended generations.
In 2009, Rachael Cerrotti, a college student pursuing a career in photojournalism, asked her grandmother, Hana, if she could record her story. Rachael knew that her grandmother was a Holocaust survivor and the only one in her family alive at the end of the war. Rachael also knew that she survived because of the kindness of strangers. It wasn’t a secret. Hana spoke about her history publicly and regularly. But, Rachael wanted to document it as only a granddaughter could. So, that’s what they did: Hana talked and Rachael wrote. Upon Hana’s passing in 2010, Rachael discovered an incredible archive of her life. There were preserved albums and hundreds of photographs dating back to the 1920s. There were letters waiting to be translated, journals, diaries, deportation and immigration papers as well as creative writings from various stages of Hana’s life. Rachael digitized and organized it all, plucking it from the past and placing it into her present. Then, she began retracing her grandmother’s story, following her through Central Europe, Scandinavia, and across the United States. She tracked down the descendants of those who helped save her grandmother’s life during the war. Rachael went in pursuit of her grandmother’s memory to explore how the retelling of family stories becomes the history itself. We Share the Same Sky weaves together the stories of these two young women—Hana as a refugee who remains one step ahead of the Nazis at every turn, and Rachael, whose insatiable curiosity to touch the past guides her into the lives of countless strangers, bringing her love and tragic loss. Throughout the course of her twenties, Hana’s history becomes a guidebook for Rachael in how to live a life empowered by grief.
Raised by parents unable to recover from the traumas, pain, and losses of WWII, Ruth Klein had a tumultuous and unusual childhood in a dysfunctional family. Living among other Holocaust survivors in a new country was profoundly difficult for Ruth, and coming through it all showed her the ways in which she was a survivor too.
Most children and grandchildren of Holocaust survivors felt the omnipresence of the Holocaust throughout their childhood and for many, the spectre of the Holocaust continues to loom large through the phenomenon of “intergenerational” or “transgenerational” trauma. In From Generation to Generation: Healing Intergenerational Trauma Through Storytelling, Emily Wanderer Cohen connects the dots between her behaviors and choices and her mother’s Holocaust ex-periences. In a series of vivid, emotional—and sometimes gut-wrenching—stories, she illustrates how the Holocaust continues to have an impact on current and future generations. Plus, the prompts at the end of each chapter enable you to explore your own intergenerational trauma and begin your healing journey. Part memoir and part self-discovery, if you’re a second-generation (2G) or third-generation (3G) Holo-caust survivor—or you’re experiencing intergenerational trauma of any kind—and you’re ready to heal from that trauma, you need to read this book.
From the comedian, actor, and former host of The Late Late Show comes an irreverent, lyrical memoir in essays featuring his signature wit. Craig Ferguson has defied the odds his entire life. He has failed when he should have succeeded and succeeded when he should have failed. The fact that he is neither dead nor in a locked facility (at the time of printing) is something of a miracle in itself. In Craig’s candid and revealing memoir, readers will get a look into the mind and recollections of the unique and twisted Scottish American who became a national hero for pioneering the world’s first TV robot skeleton sidekick and reviving two dudes in a horse suit dancing as a form of entertainment. In Riding the Elephant, there are some stories that are too graphic for television, too politically incorrect for social media, or too meditative for a stand-up comedy performance. Craig discusses his deep love for his native Scotland, examines his profound psychic change brought on by fatherhood, and looks at aging and mortality with a perspective that he was incapable of as a younger man. Each story is strung together in a colorful tapestry that ultimately reveals a complicated man who has learned to process—and even enjoy—the unusual trajectory of his life.