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Near the end of his second term as president of France, Francois Mitterrand decided to talk openly about his life, both personal and political. President for fourteen years, longer than anyone else in the history of the French Republic, Mitterrand was interested not in constructing an elaborate memorial to himself in words but in leaving behind a living testament. He therefore turned to someone whom he knew and trusted, Nobel laureate Elie Wiesel, a close friend of many years, to join him in a vibrant, vigorous exchange. The topics they discuss in these pages are childhood, faith, war, power, writing, and those moments - however and whenever they arrive - that shape and sometimes define us as people. Mitterrand and Wiesel's dialogue is spontaneous, thoughtful, lyrical, blunt, far-reaching, and candid, whether it involves controversial moments in Mitterrand's political career, Wiesel's memories of Auschwitz, the importance of family and religion in their lives, or simply their favorite books and walks. Here is an unobstructed view into the lives and times of two of the greatest figures of conscience of our century, an inspiring memoir in two voices.
Near the end of his second term as president of France, François Mitterrand decided to talk openly about his life, both personal and political. President for fourteen years, longer than anyone else in the history of the French Republic, Mitterrand was interested not in constructing an elaborate memorial to himself in words but in leaving behind a living testament. He therefore turned to someone whom he knew and trusted, Nobel laureate Elie Wiesel, a close friend of many years, to join him in a vibrant, vigorous exchange. The topics they discuss in these pages are childhood, faith, war, power, writing, and those moments––however and whenever they arrive––that shape and sometimes define us as people. Mitterrand and Wiesel's dialogue is spontaneous, thoughtful, lyrical, blunt, far-reaching, and candid, whether it involves controversial moments in Mitterrand's political career, Wiesel's memories of Auschwitz, the importance of family and religion in their lives, or simply their favorite books and walks. Here is an unobstructed view into the lives and times of two of the greatest figures of conscience of our century, an inspiring memoir in two voices.
A dazzling and devastating memoir exploring breakdown and obsessive love, in a voice unlike any other
Now in paperback—Angie Martinez, the “Voice of New York,” candidly recounts the story of her rise to become an internationally celebrated hip hop radio icon. In her current reign at Power 105.1 and for nearly two decades at New York’s Hot 97, Angie Martinez has had one of the highest rated radio shows in the country. After working her way up as an intern, she burst on the scene as a young female jock whose on-air “Battle of the Beats” segment broke records and became a platform for emerging artists like a young Jay Z. Angie quickly became known for intimate, high-profile interviews, mediating feuds between artists, and taking on the most controversial issues in hip hop. At age twenty-five, at the height of the East Coast/West Coast rap war, Angie was summoned by Tupac Shakur for what would be his last no-holds-barred interview—which has never aired in its entirety and which she’s never discussed in detail—until now. Angie shares stories from behind-the-scenes of her most controversial conversations, from onetime presidential hopeful Barack Obama to superstars like Mary J. Blige and Chris Brown, and describes her emotional, bittersweet final days at Hot 97 and the highly publicized move to Power 105.1. She also opens up about her personal life—from her roots in Washington Heights and her formative years being raised by a single mom in Brooklyn to exploring the lessons that shaped her into the woman she is today. From the Puerto Rican Day Parade to the White House—Angie is universally recognized as a powerful voice in the Latino and hip hop communities. My Voice gives an inside look at New York City’s one-of-a-kind urban radio culture, the changing faces of hip hop music, and Angie’s rise to become the Voice of New York.
This timeless memoir documents two sisters’ bravery leading up to WWII—a singular historical account that shines a light on one of humanity’s darkest hours. Ida and Louise Cook are two ordinary Englishwomen, seemingly destined never to stray from their quiet London suburb and comfortable jobs—Ida as a budding romance novelist and Louise as a civil service typist. But in 1923, a chance hearing of an aria from Madame Butterfly sparked a passion for opera in the sisters that led to the formation of friendships with some of Europe’s leading singers and their network, many of them Jewish. As the Nazis rose to power, Ida and Louise began working with the opera world’s insiders to save members of the community from persecution and death. Through ingenuity, thrift and bottomless goodwill, the sisters eluded the suspicion of the Nazis and helped secure safe passage for dozens of refugees. No one would have predicted such daring lives for Ida and Louise Cook—but that underestimation is exactly how they were able to save lives. First published in 1950, Ida’s memoir of the adventures she and Louise shared remains as fresh, vital and entertaining as the woman who wrote it, and is a moving testament to the extraordinary acts of courage by two everyday heroes.
"Linda Clarke and Michael Cusimano wrote In Two Voices together: it is the intimate account of Linda's surgery with Michael as her surgeon. For a decade, they had offices across from one another at St. Michael's Hospital in Toronto. She worked in Clinical Ethics and he was a staff neurosurgeon. They knew one another to say hello. Ten years into her work, Linda got sick; she left her job and, in the blink of an eye, she was a neurosurgery patient and he was her surgeon. The story builds a piece at a time as Linda and Michael tell each other their experience and then respond to one another's writing. Here is an unprecedented view into the experiences of illness, care, and compassion, an intimate picture of the experiences, challenges, skills, and commitment of a surgeon. The worlds of both surgeon and patient are framed by a most critical and delicate surgical procedure."--
“A candid, inspiring memoir of cultural and historical importance” from an Eritrean-Ethiopian War refugee (Michael Bloomberg). Dawit Gebremichael Habte fled his homeland of Eritrea as a teenager. In the midst of the ongoing Eritrean-Ethiopian war, Dawit and his sisters crossed illegally into Kenya. Without their parents or documents to help their passage, they experienced the abuse and neglect known by so many refugees around the world. But Dawit refused to give up. He stayed resilient and positive. Journeying to the United States under asylum—and still a boy—Dawit found a new purpose in an unfamiliar land. Against impossible odds, he studied hard and was accepted to Johns Hopkins University, eventually landing a job as a software engineer at Bloomberg. After a few years, with the support of Michael Bloomberg himself, Dawit returned to his homeland to offer business opportunities for other Eritreans. Dawit found a way to help his ancestral land emerge from thirty years of debilitating war. Gratitude in Low Voices is about how one man was marginalized, but how compassion and love never abandoned him. It’s about learning how to care for family, and how to honor those who help the helpless. This account reminds us that hope is not lost. “An inspiring memoir by Dawit Gebremichael Habte, who poignantly portrays his childhood in Africa and his struggles as a refugee to the United States . . . This book is a reaffirmation of the good that people can do and how one young man succeeded despite the odds against him.”—Foreword Reviews
Growing up African American in segregated Arkansas in the 1950s, Barbara Hendricks witnessed firsthand the painful struggle for civil rights. After graduation from the Juilliard School of Music, Hendricks immediately won a number of important international prizes, and began performing in recitals and operas throughout the world. A Goodwill Ambassador for the United Nations High Commission for Refugees, she is as devoted to humanitarian work as she is to her music. Always the anti-diva, Hendricks is a down-to-earth and straightforward woman, whether singing Mozart or black spirituals. She challenges stereotypes and puts the music first and presents a warm, engaging, and honest self-portrait of one of the great women of music.
One of the greatest mezzo-sopranos of postwar opera, Christa Ludwig recalls her long and lustrous career singing for two generations of adoring audiences, under the batons of such conductors as Klemperer, Karajan, Solti, and Bernstein, in the great opera houses of the world. Her memoirs make clear why Bernstein said of her, "She is simply the best, and the best of all possible human beings."
A posthumously published self-assessment by the former president of the Academy of Arts and Letters includes coverage of such topics as his father's depression and the dynamics of life inside and outside of his society circles. By the author of The Rector of Justin.