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One of The Wall Street Journal’s best political books of 2022 An eye-opening new history of American political conflict, from Alexander Hamilton to Alexandria Ocasio-Cortez. These days it seems that nobody is satisfied with American democracy. Critics across the ideological spectrum warn that the country is heading toward catastrophe but also complain that nothing seems to change. At the same time, many have begun to wonder if the gulf between elites and ordinary people has turned democracy itself into a myth. The urges to defend the country’s foundations and to dismantle them coexist—often within the same people. How did we get here? Why does it feel like the country is both grinding to a halt and falling to pieces? In Realigners, the historian Timothy Shenk offers an eye-opening new biography of the American political tradition. In a history that runs from the drafting of the Constitution to the storming of the Capitol, Shenk offers sharp pen portraits of signal characters from James Madison and Charles Sumner to Phyllis Schlafly and Barack Obama. The result is an entertaining and provocative reassessment of the people who built the electoral coalitions that defined American democracy—and a guide for a time when figures ranging from Alexandria Ocasio-Cortez to MAGA-minded nationalists seek to turn radical dreams into political realities. In an era when it seems democracy is caught in perpetual crisis, Realigners looks at earlier moments in which popular majorities transformed American life. We’ve had those moments before. And if there’s an escape from the doom loop that American politics has become, it’s because we might have one again.
For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.