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Harmonic Development and Contrapuntal Techniques for the Jazz Pianist serves as a guide for harmonic expansion and development for jazz piano, offering pianists both a rationale and methods to improve contrapuntal hand techniques. The text focuses on the relationship between theory and execution and both of those components’ usefulness in creating a jazz sound at the piano. This kinaesthetic method provides the learner with a systematic approach to harmonic movement, revealing options that may not have been otherwise apparent. This method will allow pianists to add depth and dimension to their chord voicings in the same way that vocalists and wind instrumentalists give character and shape to the notes they create. Key features include musical examples ranging from singular chord construction to sophisticated harmonic progressions and song application. Performance exercises are provided throughout the text. Learners and instructors are encouraged to create their own exercises. Related ancillaries at harmoniccounterpoint.com include: Musical examples Audio tracks Performance exercises Written assignments Intended for the learner who is reasonably familiar with essential jazz harmony, this textbook will be both a significant resource for the advanced player and a fundamental component for the learner in a structured academic musical setting.
(Keyboard Instruction). This keyboard instruction book is designed for the person who was trained classically but wants to expand into the very exciting yet very different world of jazz improvisation. Author Dominic Alldis provides clear explanations and musical examples of: pentatonic improvisation; the blues; rock piano; rhythmic placement; scale theory; major, minor and pentatonic scale theory applications; melodic syntax; the language of bebop; left-hand accompaniment; walking bass lines; thematic development; performance tips; and more.
Jazz pianist, recording artist, educator, and author Michael Orta provides effective tools to develop and improve your jazz piano solos. Taking the melody and chord changes of standard songs in every jazz musician's repertoire, Michael walks the pianist through the following steps: a familiar melody rephrased so that it swings, two solo choruses on the chord changes, and an analysis of the solo with regard to voice leading, phrase linking, and sequences. For intermediate to advanced pianists with some knowledge of chord scale theory.
This collection of interviews with nine of the world's greatest living musicians shines light on the jazz piano trio, one of the genre's most enduring formats. Interviewed musicians include Jeff Hamilton, Richard Davis, Joanne Brackeen, Jeff Ballard, Fred Hersch, Chuck Israels, Peter Erskine, Eric Reed, and Rufus Reid. There is also a lengthy analysis section comparing the diverse responses given by these intriguing individuals.
The contents of this textbook are training exercises and practical examples. the training sections include various combinations and patterns which will help in developing a jazz-like approach. These exercises can be considered as source material for developing your own ad-lib phrases. As for the practical examples, the phrases included here are not taken literally from any particular jazz pianist, but rather embody well known patterns typical of the bebop and post-bebop eras. Aimed at intermediate students to develop their potential of ad-lib solos, but is also good for beginners to train their fingers and ears for the future.
For an aspiring jazz instrumentalist, playing piano is one of the most important skills for developing a jazz vocabulary. Bob Mintzer is a renowned jazz composer, arranger, saxophonist, pianist, bandleader, educator and member of the group, the Yellowjackets. His new book is designed for the instrumentalist who is not an accomplished piano player but wants to acquire basic jazz piano skills and jazz vocabulary. The book includes etudes that make players aware of the sound, texture, cause, effect and function of jazz chords and harmony. The 22 piano etudes feature a variety of styles, tempos, chord progressions and a the book also includes a chord voicing glossary. Mintzer offers a practical guide with a realistic approach.
From Bud Powell in the early 1950s to Michael Wollny in 2013, via Ahmad Jamal, Duke Ellington, Brad Mehldau, and The Bad Plus, these are all outstanding jazz piano trio recordings, a perfect selection for someone discovering jazz for the first time or the collector looking for something fresh. Nine professional musicians discuss one of the most popular formats, the jazz piano trio. Interviewed musicians include: -Fred Hersch -Peter Erskine -Rufus Reid -Chuck Israels -Jeff Ballard -Eric Reed -Joanne Brackeen -Richard Davis -Jeff Hamilton * Legendary trio musicians answer these probing questions: -What's the difference between piano trios and rhythm sections? -Which piano trios influenced you most? -Why do you like playing in trios? -What makes a piano trio unique? -How do you hire another trio member? -What goes into playing a set of trio music? -What changes because of repertoire? -How much trio music is pre-arranged -Do you rehearse and, if so, how?
Robert Vandall combines elements of jazz and blues in these highly popular works for one piano, six hands. Titles are "Blue Threesome" and "In the Groove."