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When her family's noisy ways send her in search of a new home, a little mynah bird discovers that being on her own can be a lonely and scary experience.
Complaints about the Surf Rats' naughty behavior at Waikiki Beach reach the mayor of Honolulu who decides they have to leave.
Why did dance and dancing became important to the construction of a new, modern, Jewish/Israeli cultural identity in the newly formed nation of Israel? There were questions that covered almost all spheres of daily life, including “What do we dance?” because Hebrew or Eretz-Israeli dance had to be created out of none. How and why did dance develop in such a way? Dance Spreads Its Wings is the first and only book that looks at the whole picture of concert dance in Israel studying the growth of Israeli concert dance for 90 years—starting from 1920, when there was no concert dance to speak of during the Yishuv (pre-Israel Jewish settlements) period, until 2010, when concert dance in Israel had grown to become one of the country’s most prominent, original, artistic fields and globally recognized. What drives the book is the impulse to create and the need to dance in the midst of constant political change. It is the story of artists trying to be true to their art while also responding to the political, social, religious, and ethnic complexities of a Jewish state in the Middle East.
For the first time, a native Hawaiian photographer has combined her photographs with traditional Hawaiian references taken from native historians, lending the volume a cultural context drawn from a period before the arrival of foreigners in Hawaii.
Haseko presents this Honouliuli study in an effort to advance the goal of educating the Honouliuli community about the land's history in order to preserve it. This book is a brief overview of a study that incorporates a wide range of historical literature describing Honouliuli Ahupua'a that has been gathered over the last 20 years by Kepa and Onaona Maly.
The majority of the archaeological information is based on the work of M.D. Monsarrat, John N. Cobb, George P. Cooke, John F. G. Stokes, Kenneth P. Emory, Bruce Cartwright, and James M. Dunn.
Few Pacific history books have stood the test of time as well as They Came for Sandalwood, but Dorothy Shineberg's book, first published in 1967, has never been bettered. This fascinating account of the sandalwood trade describes the first regular contact between Europeans and the Melanesians of New Caledonia, the Loyalty Islands, and the New Hebrides (now Vanuatu). Shineberg studied the relationships and rivalries between European traders and European missionaries, between trader and trader, and between tribe and tribe among the indigenous peoples. Her book documents the details and color of these interactions. Unseaworthy ships, bloody battles, the hazards of sea and reef, and the firepower and inadequacies of European weapons all provide a gripping picture of the 1830s to 1860s. Valuable appendices list the ships involved, their cargoes and the location of the sandalwood stations. They Came for Sandalwood remains the only detailed account of the sandalwood trade, its routes, marketing problems and profits, and of the ships, merchants and seamen involved. It is a sharp, perceptive analysis of the confrontation of the two cultures, approached from the standpoint of Pacific history rather than a mere extension of European history into the PacificIslands.