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Citizens of Vanuatu (ni-Vanuatu) perceive stringband music as a marker of national identity, an indicator of their cultural, stylistic, and musical heritage. Through extensive field and ethnographic research, Melanesian Mainstream offers a detailed historical record of the roots, context, evolution, and impact of stringband music. Beyond chronicling the genre’s history and cultural significance, this thorough monograph positions the genre’s musical hybridity, communal lyrics, and unique organizational structures as key factors in the anthropological understanding of ni-Vanuatu socio-cultural history.
Citizens of Vanuatu (ni-Vanuatu) perceive stringband music as a marker of national identity, an indicator of their cultural, stylistic, and musical heritage. Through extensive field and ethnographic research, Melanesian Mainstream offers a detailed historical record of the roots, context, evolution, and impact of stringband music. Beyond chronicling the genre’s history and cultural significance, this thorough monograph positions the genre’s musical hybridity, communal lyrics, and unique organizational structures as key factors in the anthropological understanding of ni-Vanuatu socio-cultural history.
Mainstream as metaphor: imagining dominant culture - Teenybop and the extraordinary particularities of mainstream practice - Historicizing mainstream mythology: the industrial organization of archives - Lesbian musicalities, queer strains and celesbian pop: the poetics and polemics of women-loving women in mainstream popular music - The positioning of the mainstream in punk - Kill the static: temporality and change in the hip-hop mainstream - The contraditions of the mainstream: Australian views of grunge and commercial success - Elvis goes to Hollywood: authenticity, resistance, commodification and the mainstream - Walking in Memphis?: Elvis heritage between fan fantasy and built environment - 'Following in mother's silent footsteps': revisiting the construction of femininities in 1960s popular music - Music from abroad: the internationalization of the US mainstream music market, 1940-90 - 'Sounds like an official mix': the mainstream aesthetics of mash-up production - Chasing an aesthetic tail: latent technological imperialism in mainstream production - The hobbyist majority and the mainstream fringe: the pathways of independent music-making in Brisbane, Australia - Off the beaten track: the vernacular and the mainstream in New Zealand tramping club songs - Musical listening at work: mainstream musical listening practices in the office - Cheesy listening: popular music and ironic listening practices.
Garry Winston Trompf (b.1940) in his outstanding academic career has inspired scholars in the fields of Stduies in Religion and the History of Ideals. In this volume his collegues and students critique and expand upon the world of this outstanding academic. The book is divided into four parts, Melanesia, Ancient World Studies, Philosophical and Methodological Considerations and Historiography. Authors address Trompf's research in works such as "The Idea of Historical Recurrence in Western Thought," "Early Christian Historiography" and themes of Melanesian religion that Trompf address in "Payback." No study in the religions of oceania or ideals of millenialism should ignore this critical assessment of Garry Trompf's work.
This wide-ranging volume captures the diverse range of societies and experiences that form what has come to be known as Melanesia. It covers prehistoric, historic and contemporary issues, and includes work by art historians, political scientists, geographers and anthropologists. The chapters range from studies of subsistence, ritual and ceremonial exchange to accounts of state violence, new media and climate change. The ‘Melanesian world’ assembled here raises questions that cut to the heart of debates in the human sciences today, with profound implications for the ways in which scholars across disciplines can describe and understand human difference. This impressive collection of essays represents a valuable resource for scholars and students alike.
This book, first published in 2000, is a companion volume to An Introduction to the Anthropology of Melanesia (1998). It gives a clear and absorbing account of social change in Melanesia since the arrival of Europeans covering the history of the colonial period and the new postcolonial states. Paul Sillitoe deals with economic and technological change, labour migration and urbanisation, and formation of the modern state, but he also describes the sometimes violent reactions to these dramatic transformations, in the form of cargo cults, secession movements, and insurrections against multinational companies. He discusses development projects but brings out associated policy dilemmas, reviews developments that threaten the environment, and implications for local identity, such as romanticises 'primitive culture'. This fascinating account of social change in the pacific is addressed to students with little or no background in the region's history and development.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Moments in Melanesia is a collection of short stories written by Melanesian writers. The book aims to encourage students to enjoy reading, to learn about the world around them and to gain a better understanding of the value of literature.Written from various perspectives and in different and contrasting styles, the writers deal with a wide range of social and personal issues - marriage, adolescence, isolation, revenge and crime.It is hoped that by bringing these stories before a new, large, young audience, these stories will help foster the writing of more stories from Melanesia - stories that deal with Melanesian realities and dreams and give voice to more Melanesian moments.