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Lund demonstrates the significance of Burton's The Anatomy of Melancholy within early modern literary culture, covering religious and medical issues.
The Anatomy of Melancholy, first published in 1621, is one of the greatest works of early modern English prose writing, yet it has received little substantial literary criticism in recent years. This study situates Robert Burton's complex work within three related contexts: religious, medical and literary/rhetorical. Analysing Burton's claim that his text should have curative effects on his melancholic readership, it examines the authorial construction of the reading process in the context of other early modern writing, both canonical and non-canonical, providing a new approach towards the emerging field of the history of reading. Lund responds to Burton's assertion that melancholy is an affliction of body and soul which requires both a spiritual and a corporal cure, exploring the theological complexion of Burton's writing in relation to English religious discourse of the early seventeenth century, and the status of his work as a medical text.
Melancholy is rightly taken to be a central topic of concern in early modern culture, and it continues to generate scholarly interest among historians of medicine, literature, psychiatry and religion. This book considerably furthers our understanding of the issue by examining the extensive discussions of melancholy in seventeenth- and eighteenth- century religious and moral philosophical publications, many of which have received only scant attention from modern scholars. Arguing that melancholy was considered by many to be as much a 'disease of the soul' as a condition originating in bodily disorder, Dr. Schmidt reveals how insights and techniques developed in the context of ancient philosophical and early Christian discussions of the good of the soul were applied by a variety of early modern authorities to the treatment of melancholy. The book also explores ways in which various diagnostic and therapeutic languages shaped the experience and expression of melancholy and situates the melancholic experience in a series of broader discourses, including the language of religious despair dominating English Calvinism, the late Renaissance concern with the government of the passions, and eighteenth-century debates surrounding politeness and material consumption. In addition, it explores how the shifting languages of early modern melancholy altered and enabled certain perceptions of gender. As a study in intellectual history, Melancholy and the Care of the Soul offers new insights into a wide variety of early modern texts, including literary representations and medical works, and critically engages with a broad range of current scholarship in addressing some of the central interpretive issues in the history of early modern medicine, psychiatry, religion and culture.
Lund demonstrates the significance of Burton's The Anatomy of Melancholy within early modern literary culture, covering religious and medical issues.
The Poetics of Melancholy in Early Modern England explores how attitudes toward, and explanations of, human emotions change in England during the late sixteenth and early seventeenth century. Typically categorized as 'literary' writers Edmund Spenser, John Donne, Robert Burton and John Milton were all active in the period's reappraisal of the single emotion that, due to their efforts, would become the passion most associated with the writing life: melancholy. By emphasising the shared concerns of the 'non-literary' and 'literary' texts produced by these figures, Douglas Trevor asserts that quintessentially 'scholarly' practices such as glossing texts and appending sidenotes shape the methods by which these same writers come to analyse their own moods. He also examines early modern medical texts, dramaturgical representations of learned depressives such as Shakespeare's Hamlet, and the opposition to materialistic accounts of the passions voiced by Neoplatonists such as Edmund Spenser.
Illustrates how Oxford scholar Robert Burton used the resources available to a seventeenth century academic: genres and languages, as well as academic disciplines such as medicine and rhetoric. Demonstrates how early modern practices of knowledge and persuasion can offer a model for transdisciplinary scholarship today.
400 years after The Anatomy of Melancholy, this book guides readers through Renaissance medicine's disease of the mind.
Memories are indispensable for individuals as well as social groups. Forgetting not only means loss of functioning but also loss of identity. Memories can also be hurting and cause problems, as research on posttraumatic stress disorders (PTSD) has shown. This is true for individuals as well as social groups and even societies. Memories and especially negative memories can escape the control of the individual. Many political conflicts can only be understood when taking history and memories into account. In this volume a comprehensive scientific overview is given on the development of "hurting memories" in individuals and societies. Consequences are described, i.e. from mental disorders in individuals, like PTSD or other neurotic disorders, to societal tensions and conflicts, from South Africa to Northern Europe. Additionally, "beneficial forgetting" is discussed, from treatments of individuals to reconciliation between social groups. The contrasting of "hurting memories and beneficial forgetting" can help to understand, that memories can have positive and negative results and that it is difficult to decide when to support memories and when forgetting. - Bringing individual and societal memories in coincetion - the benefit is a new perspective on the interactrion between individuals and society - Pointing to possible negative consequences of memory - the benefit is a new perspective of an important but under recognized scientific and clinical problem - Presenting modes of treatment and reconciliation for individuals and social groups - an overview which can't be found elsewhere
Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700 examines the related themes of lovemaking and image-making in the visual arts of Europe, China, Japan, and Persia. The term ‘reflexive’ is here used to refer to images that invite reflection not only on their form, function, and meaning, but also on their genesis and mode of production. Early modern artists often fashioned reflexive images and effigies of this kind, that appraise love by exploring the lineaments of the pictorial or sculptural image, and complementarily, appraise the pictorial or sculptural image by exploring the nature of love. Hence the book’s epigraph—ut pictura amor—‘as is a picture, so is love’.
The Journal of Early Modern Studies is an interdisciplinary, peer-reviewed journal of intellectual history, dedicated to the exploration of the interactions between philosophy, science and religion in Early Modern Europe.