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From ghost hunter to ghost, haunted. Barrett has a plan-help Austin regain his memory, surround him with his friends and loved ones, and lead him into the light. Unfortunately, the tragic investigation of a melancholy ghost derails everything. As new lead investigator, Thai struggles to maintain the high ratings SCI has always enjoyed. After a few subpar investigations, the network execs demand results, even if it means the team must put their lives on the line for a house more deadly than its dead occupants. There are worse things than being dead. Austin knows something is wrong. Most people ignore him, time eludes him, and his hands are basically worthless. If only he could remember what happened, he would have the answers he so desperately seeks. He's sick of Barrett's lies and Casey's deflections. Austin will have to figure this one out on his own. Will the truth set him free, or destroy his soul?
Ghost stories tap into our most primal emotions as they encourage us to confront the timeless question: What comes after death? Here, in tales that are by turn scary, funny, philosophic, and touching, you’ll find that question sharpened, split, reconsidered—and met with a multitude of answers. A spirit who is fated to spend eternity reliving the exact moment she lost her chance at love, ghostly trees that haunt the occupant of a wooden house, specters that snatch anyone who steps into the shadows, and parakeets that serve as mouthpieces for the dead: these are just a few of the characters in this extraordinary compendium of one hundred ghost stories. Kevin Brockmeier’s fiction has always explored the space between the fantastical and the everyday with profundity and poignancy. As in his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive—or, as it happens, not to be.
This book traces the concept of melancholy in Walter Benjamin's early writings. Rather than focusing on the overtly melancholic subject matter of Benjamin's work or the unhappy circumstances of his own fate, Ferber considers the concept's implications for his philosophy. Informed by Heidegger's discussion of moods and their importance for philosophical thought, she contends that a melancholic mood is the organizing principle or structure of Benjamin's early metaphysics and ontology. Her novel analysis of Benjamin's arguments about theater and language features a discussion of the Trauerspiel book that is amongst the first in English to scrutinize the baroque plays themselves. Philosophy and Melancholy also contributes to the history of philosophy by establishing a strong relationship between Benjamin and other philosophers, including Leibniz, Kant, Husserl, and Heidegger.
What are ghosts? Can anyone become one? How do they interact with time and space? Stripping away the sensationalism and fraud linked to this contentious topic, J. Allan Danelek presents a well-researched study of a phenomenon that has fascinated mankind for centuries. Analyzing theories that support and debunk these supernatural events, Danelek objectively explores hauntings, the ghost psyche, spirit communication, and spirit guides. He also investigates spirit photography, EVP, ghost-hunting tools, ouija boards, and the darker side of the ghost equation-malevolent spirits and demon possession. Whether you're a ghost enthusiast or a skeptic, The Case for Ghosts promises amazing insights into the spirit realm.
Tilting the English Renaissance against the present moment, The Melancholy Assemblage examines how the interpretive experience of emotion produces social bonds. Placing readings of early modern painting and literature in conversation with psychoanalytic theory and assemblage theory, this book argues that, far from isolating its sufferers, melancholy brings people together.
This collection highlights the complexities of fatherhood and how to raise young kids while bearing witness to the charged movements of social injustice and inequities of race in America. Memory, culpability, and our very humanness course through this book and strip us down to find joy and inspiration amid the darkness.
What does race feel like? What does race make people feel? Ghost People traces the haunting feelings that constitute race as a structural, social, and psychic experience in modern European history by focusing on the case of Jewish racialization. From Enlightenment constructions of rational humanism, to nineteenth-century colonialism, antisemitism and the racialization of Jews in Europe, to the construction of Judaism as a religion and the disavowal of racial categories in liberal secularism, Nahme asks after the enduring problem of race for Jewish identity, and for how Jews have remained haunted by the specter of race in the modern world.
Things that go bump in the night are just the beginning when a summer film project becomes a real-life ghost story! Avery is looking forward to another summer at Grandma’s farm, at least until her brother says he’s too old for “Kingdom,” the imaginary world they’d spent years creating. Lucky for her, there’s a new kid staying in the cottage down the road: a city boy with a famous dad, Julian’s more than a little full of himself, but he’s also a storyteller like Avery. So when he announces his plan to film a ghost story, Avery is eager to join in. Unfortunately, Julian wants to film at Hilliard House, a looming, empty mansion that Grandma has absolutely forbidden her to enter. As terrified as Avery is of Grandma’s wrath, the allure of filmmaking is impossible to resist. As the kids explore the secrets of Hilliard house, eerie things begin to happen, and the “imaginary” dangers in their movie threaten to become very real. Have Avery and Julian awakened a menacing presence? Can they turn back before they go too far?
A daring cultural and literary studies investigation, Cultural Melancholy explores the legacy of unresolved grief produced by ongoing racial oppression and resistance in the United States. Using acute analysis of literature, drama, musical performance, and film, Singleton demonstrates how rituals of racialization and resistance transfer and transform melancholy discreetly across time, consolidating racial identities and communities along the way. He also argues that this form of impossible mourning binds racialized identities across time and social space by way of cultural resistance efforts. Singleton develops the concept of "cultural melancholy" as a response to scholarship that calls for the separation of critical race studies and psychoanalysis, excludes queer theoretical approaches from readings of African American literatures and cultures, and overlooks the status of racialized performance culture as a site of serious academic theorization. In doing so, he weaves critical race studies, psychoanalysis, queer theory, and performance studies into conversation to uncover a host of hidden dialogues—psychic and social, personal and political, individual and collective—for the purpose of promoting a culture of racial grieving, critical race consciousness, and collective agency. Wide-ranging and theoretically bold, Cultural Melancholy counteracts the racial legacy effects that plague our twenty-first century multiculture.