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"Employing a broad historical perspective that forces the reevaluation of historical and literary commonplaces, Soufas artfully illuminates the complex responses of Spanish Golden Age authors to major shifts in European intellectual outlook during the late sixteenth and early seventeenth century."--Publishers website.
In Knowing Subjects, Barbara Simerka uses an emergent field of literary study-cognitive cultural studies-to delineate new ways of looking at early modern Spanish literature and to analyze cognition and social identity in Spain at the time. Simerka analyzes works by Cervantes and Gracían, as well as picaresque novels and comedias. Employing an interdisciplinary approach, she brings together several strands of cognitive theory and details the synergies among neurological, anthropological, and psychological discoveries that provide new insights into human cognition. Her analysis draws on Theory of Mind, the cognitive activity that enables humans to predict what others will do, feel, think, and believe. Theory of Mind looks at how primates, including humans, conceptualize the thoughts and rationales behind other people's actions and use those insights to negotiate social relationships. This capacity is a necessary precursor to a wide variety of human interactions-both positive and negative-from projecting and empathizing to lying and cheating. Simerka applies this theory to texts involving courtship or social advancement, activities in which deception is most prevalent-and productive. In the process, she uncovers new insights into the comedia (especially the courtship drama) and several other genres of literature (including the honor narrative, the picaresque novel, and the courtesy manual). She studies the construction of gendered identity and patriarchal norms of cognition-contrasting the perspectives of canonical male writers with those of recently recovered female authors such as María de Zayas and Ana Caro. She examines the construction of social class, intellect, and honesty, and in a chapter on Don Quixote, cultural norms for leisure reading at the time. She shows how early modern Spanish literary forms reveal the relationship between an urbanizing culture, unstable subject positions and hierarchies, and social anxieties about cognition and cultural transformation.
The essays in this collection provide new material to enable the continuing recuperation of the complex social ambiance that both created and was reflected in the literature of Spain's Golden Age.
Understanding the novel as both the document and the agent of social change, Impotent Fathers studies how writers in eighteenth-century Britain at once recorded and helped to define a major demographic crisis suffered by the landed elite from 1650 to 1740. To questions about patriarchy, property, and gender in the early novel, it brings recent work on demographics by the Cambridge Group for the History of Population Studies (E. A. Wrigley, R. S. Schofield, Lloyd Bonfield, and others) and by Lawrence F. and Jeanne C. Fawtier Stone. Impotent Fathers proposes that the early novel was an important means for readers and writers to work through anxieties about family, property, and succession created by failures in patrilinear succession.
This book explores the work of Cervantes in relation to the ideas about the mind that circulated in early modern Europe and were propelled by thinkers such as Juan Luis Vives, Juan Huarte de San Juan, Oliva Sabuco, Andrés Laguna, Andrés Velásquez, Marsilio Ficino, and Gómez Pereira. The editors bring together humanists and scientists: literary scholars and doctors whose interdisciplinary research integrates diverse types of sources (philosophical and medical treatises, natural histories, rhetoric manuals, pharmacopoeias, etc.) alongside Cervantes’s works to examine themes and areas including emotion, human development, animal vs. human consciousness, pathologies of the mind, and mind-altering substances. Their chapters trace the cognitive themes and points of inquiry that Cervantes shares with other early modern thinkers, showing how he both echoes and contributes to early modern views of the mind.
The subject matter is topical: madness has universal and enduring appeal. The positive aspects of the irrational, particularly its potential for cultural renewal, are given more prominence than has been the case in the past. The coverage is wide-ranging: new critical angles enrich our understanding of major writers while the appeal of lesser-known figures is highlighted, often by means of a comparative perspective.
The history of women in early modern Spain is a largely untapped field. This book opens the field substantially by examining the position of women in religious, political, literary, and economic life. Drawing on both historical and literary approaches, the contributors challenge the portrait of Spanish women as passive and marginalized, showing that despite forces working to exclude them, women in Golden Age Spain influenced religious life and politics and made vital contributions to economic and cultural life. The contributors seek to incorporate the study of Spanish women into the current work on literary criticism and on the intersection of private and public spheres. The authors integrate women into subfields of Spanish history and literature, such as Inquisition studies, the Spanish monarchy, Spain's economic and political decline, and Golden Age drama. The essays demonstrate the necessity and value of incorporating women into the study of Golden Age Spain.
"She's hysterical." For centuries, the term "hysteria" has been used by physicians and laymen to diagnose and dismiss the extreme emotionality and mysterious physical disorders presumed to bedevil others—especially women. How did this medical concept assume its power? What cultural purposes does it serve? Why do different centuries and different circumstances produce different kinds of hysteria? These are among the questions pursued in this absorbing, erudite reevaluation of the history of hysteria. The widely respected authors draw upon the insights of social and cultural history, rather than Freudian psychoanalysis, to examine the ways in which hysteria has been conceived by doctors and patients, writers and artists, in Europe and North America, from antiquity to the early years of the twentieth century. In so doing, they show that a history of hysteria is a history of how we understand the mind. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
Drawing on the groundbreaking Spanish scholarship and editions of earlier generations and relying on research conducted in Spanish archives, this pioneering group of English-speaking scholars offers a new treatment of familiar material. The editors yoke together widely varying critical practices, including incisive New Critical readings and far-reaching explorations that draw on the most current European critical thought. In addition to these more strictly literary studies, there are interdisciplinary essays focusing on seventeenth- and twentieth-century reception and the social makeup of the comedia audience. The whole thus presents a balanced picture of the many ways in which the comedia can be viewed, and the contributors complement each other's work in often surprising ways, illuminating the same corpus from a number of perspectives.
"Heavenly bodies is the first book in English dedicated to an analysis of La estrella de Sevilla (The Star of Seville) since the 1930s when Sturgis A. Leavitt set out to prove that this Spanish Golden Age play was written by Andres de Claramonte. In this reevaluation of La estrella de Sevilla, the question of authorship is once again discussed, but it is not the main focus of this collection of essays. The eighteen essayists in this book set out to reexamine the play in order to understand the fascination that this puzzling and problematic work has exerted over critics, theatergoers, and readers over the last three and a half centuries." "Throughout La estrella de Sevilla, its eponymous heroine serves as an object of other characters' perceptions, constructions, and manipulations. King Sancho, his advisor Don Arias, Sancho Ortiz, and even Estrella's brother Busto Tabera repeatedly define her from their own perspectives and on their own terms. In her material aspect, Estrella is Sancho's subject, a human inhabitant of Castile. Celestially speaking, the King first identifies Estrella with Saturn, then later in the play refers to her instead as a fixed star. Thus, in the eyes of those who attempt to define her, Estrella Tabera occupies multiple realms: she partakes of generation and corruption in the sublunary spheres, but at the same time she is assigned to both the seventh and eight ptolemaic spheres." "The contributors to this volume both perceive and fashion multiple contexts for La estrella de Sevilla, echoing the multiplicity of realms in which she abides within the text. The essays range from studies of how the play was performed to analyses of specific figures and themes. The many approaches utilized, including theories by Derrida, Foucault, Iser, Kermode, Lacan, Ong, and Said, serve to point to the richness and complexity of this comedia from the Spanish Golden Age."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved