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The classic resonator guitar sound is currently popping up in all types of music ranging from country to bluegrass to blues to rock. Resonator Guitar is a fun instrument to play. Janet Davis has taught people of all ages to play resonator guitar and in her own words, They all have a good time pickin' and grinnin'. This is a very easy method to follow and it will teach you basics of resonator performance including both chording and single note playing using the slide bar. Also, you will play bluegrass, old-time country, blues, Hawaiian, fiddle tunes, folk songs and more. This method covers an extremely wide and diverse array of topics. If you want to play Dobro, this book will show you how! In tablature only.
This rousing solo collection for resonator guitar contains 90 solos in notation and tablature representing an eclectic array of styles. Selections range from American and British fiddle tunes to Celtic, Western Swing, and Blues
Learn from the master of bluegrass mandolin - Jethro Burns. More than 70 tunes and two dozen exercises are found in this bluegrass bonanza. The Complete Jethro Burns Mandolin Book and online audio is an incomparable resource of bluegrass mandolin repertoire - all in standard notation and tablature, just the way the maestro played them - with chord symbols for an accompaniment instrument. Presents some of Jethro's finest and most challenging solos, in addition to a special section on Jethro's mandolin techniques. Ample performance notes and performance notes and mandolin lore are provided, along with many photographs of Jethro in the latter half of a career lasting more than half a century. The recording presents 52 of the tunes in the book available online for download
Packed with information, this wall chart contains a complete fingerboard/notation diagram and shows fingering grid diagrams for major and minor scales (harmonic, melodic and Hungarian), pentatonic and blues scales and modes. Note: The sample for this product is an image of the entire chart. It may take a while to load.
A reference chart for the 10-hole major diatonic harmonica and chromatic harmonica. Includes for the diatonic harmonica: 1) A chart of notes for all major keys and relative positions; 2) Note layout for standard draw and blow bending; 3) Note layout for over-bending; 4) Lee Oskar Altered Tunings; and 5) The most common scales. For chromatic harmonica, the chart shows 1) Note layout for 10, 12 and 16 hole chromatic harmonicas; and 2) Complete major and minor scales along with common modes.
This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.
Dubbed by his fellow Futurists the "King of Time," Velimir Khlebnikov (1885-1922) spent his entire brief life searching for a new poetic language to express his convictions about the rhythm of history, the correspondence between human behavior and the "language of the stars." The result was a vast body of poetry and prose that has been called hermetic, incomprehensible, even deranged. Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured. This first volume of the Collected Works, an edition sponsored by the Dia Art Foundation, will do much to establish the counterimage of Khlebnikov as an honest, serious writer. The 117 letters published here for the first time in English reveal an ebullient, humane, impractical, but deliberate working artist. We read of the continuing involvement with his family throughout his vagabond life (pleas to his smartest sister, Vera, to break out of the mold, pleas to his scholarly father not to condemn and to send a warm overcoat); the naive pleasure he took in being applauded by other artists; his insistence that a young girl's simple verses be included in one of the typically outrageous Futurist publications of the time; his jealous fury at the appearance in Moscow of the Italian Futurist Marinetti; a first draft of his famous zoo poem ("O Garden of Animals!"); his seriocomic but ultimately shattering efforts to be released from army service; his inexhaustibly courageous confrontation with his own disease and excruciating poverty; and always his deadly earnest attempt to make sense of numbers, language, suffering, politics, and the exigencies of publication. The theoretical writings presented here are even more important than the letters to an understanding of Khlebnikov's creative output. In the scientific articles written before 1910, we discern foreshadowings of major patterns of later poetic work. In the pan-Slavic proclamations of 1908-1914, we find explicit connections between cultural roots and linguistic ramifications. In the semantic excursuses beginning in 1915, we can see Khlebnikov's experiments with consonants, nouns, and definitions spelled out in accessible, if arid, form. The essays of 1916-1922 take us into the future of Planet Earth, visions of universal order and accomplishment that no longer seem so farfetched but indeed resonate for modern readers.
With the thoroughness of a book by Mel Bay, this method presents mandolin technique and note-reading in a progressive, step-by-step fashion. Given the diverse applications of this versatile instrument, this method was carefully written to build the musicianship and technique needed to play both classical and contemporary mandolin styles. Music theory concepts and additional playing techniques are introduced as needed. Exercises and tunes are presented in all keys, many in duet format to be played by teacher and student. In notation only.
This is the standard-bearer for pedal steel instruction books. It is extremely comprehensive in scope. Written by DeWitt Scott, founder of the International Pedal Steel Guitar Convention and member of the Pedal Steel Guitar Hall of Fame, this course teaches E9 tuning, Nashville set-up pedal steel with three floor and three knee levers. If you want to learn pedal steel, this book will show you how. the accompanying CD is in split-track format, allowing the student to play with the rhythm accompaniment, the pedal-steel solo parts, or both.
Made famous by the legendary Jerry Byrd, the C6 tuning [CEGACE] for the non- pedal lap steel guitar has many advantages due to its versatility. The tuning isespecially useful in playing two and three-string chord combinations and for easy single-string passages. Patience, dedication and many hours of practice areneeded to perfect the "slant" bar positions, especially the reverse slants, but the end result is well worth the effort. This excellent text, written by Steel Guitarand Country Music Hall of Fame member DeWitt Scott, is written in standard notation and tablature. Audio download available online.