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The Deluxe Encyclopedia of Piano Chords is a thorough analysis of chords and how to use them as applied to the piano keyboard. Virtually every conceivable chord in all inversions is shown in bass and treble clef notation as well as in keyboard graphics. This study does not only list chord types; it also explains how each type of chord is constructed. In addition, the text provides information on usage, scales, and rhythm patterns. This valuable volume will enable the keyboardist to effectively use and apply the full diversity of chord possibilities in creating interesting, personal, and colorful musical styles.
A master text explaining and demonstrating popular dance rhythms for the keyboard musician. Rhythm patterns taught include the Waltz, 4/4 March, 4/4 Country, Country Waltz, 6/8 Metre, Swing, R & B, Jazz Waltz, 5/4 Jazz, Triplet Ballad, Boogie Woogie, Gospel Waltz, Rock and Roll Accompaniment, RockBallads, Early Rock, Rock Boogie, Soul, Historic Rock Dance Rhythms, Bossa Nova, Samba, Spanish Tango, Argentine Tango, American Cha Cha, Latin Cha Cha, Beguine, Rhumba, Paso Doble, Bolero plus important information onarranging, playing melodies, playing chords, intros and endings, fills and the creative process
This is Mel Bay's landmark system for playing guitar solos in chord style using popular sheet music. This method is accessible to the intermediate level student and is applicable for pick or fingerstyle performance. In notation and tablature.
Jazz Piano for the Young Beginner is designed specifically for beginning piano students who are looking for fun and modern music material. It begins with chapters on how to find notes on the piano, hand positioning and an introduction to rhythm and musical notation. It discusses posture, explains how to select an appropriate instrument and includes a simple glossary of musical terms. Jazz Piano for the Young Beginner consist of 30 fun piano pieces including Chatter Rag, Friday Boogie, Max's Trot and Blue All the Way, composed by Mel Bay best selling author of Jazz Piano Chords and Jazz Piano Scales, Misha V. Stefanuk. the included CD allows students to enjoy the music and to hear how the pieces should be performed.
Intended for the beginning drum student, this book contains many essential reading and playing skills for the snare and drumset. These studies are integrated in a logical, sequential order. for example, a new rhythm is introduced and studied on the snare drum, then later applied as a beat and then a fill. the same rhythm will appear later in the book for review and then in one of the play-along tunes. This way each concept is reinforced and utilized in different ways. Because of the need to stress the importance of dynamics and their role in the proper execution of playing a piece, dynamic markings are included in many of the snare drum exercises. the author has gone to extreme measures to provide a fun and humorous way of learning to play drums while at the same time implementing the fundamental tools necessary to be a proficient musician. the companion CD presents eight play-along tunes with and without the drums.
A handy photo/diagram chord book which shows, in C tuning, the chords in each key. A special section on moveable chords is also included. The chords are grouped by type, including major, minor, seventh, diminished, augmented, and more. A summary of where the chords lie on the fretboard is also included. This book can be used with either the soprano (standard) or tenor ukulele in G-C-E-A tuning. This book comes with an online instructional video
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
A complete study and reference book which gives string players experience with rhythmic concepts, bowing styles, syncopation, and other jazz violin effects. Includes licks of various lengths. the play-along stereo recording has select examples played at various speeds.
This book is considered to be the largest selling basic guitar chord book ever published! Twelve basic guitar chord types are shown in three ways: photograph, notation, and chord diagram. In addition, a special bonus section is contained showing in photo and diagram the essential moveable rhythm guitar chord forms. This special section contains the basics of Mel Bay's acclaimed Rhythm Chord Playing System showing the guitarist how to finger numerous advanced chord forms with a minimum of hand movement! Chords shown in photo, notation, and diagram form include Major, Minor, Dominant Seventh, Diminished, Augmented, Ninth, Major Seventh, Minor Seventh, Seventh #5, Seventh b5, Sixth and Minor Sixth. Chords are shown in the bonus Moveable Rhythm Chord section include Major, Minor, 7th, Minor 7th, 7sus4, 7b5, 7#5, Minor 7b5, Sixth, Minor 6th, Diminished 7th, Diminished add 9, 9th, Minor 9th, 9b5, 9#5, Minor 9b5, 7th b9, 7th b9#5, 11th, 9 add 6, Minor 9 add 6, 13th, 13sus11, 13 b9, 13th b9 b5. Includes access to an online instructional video.
Made famous by the legendary Jerry Byrd, the C6 tuning [CEGACE] for the non- pedal lap steel guitar has many advantages due to its versatility. The tuning isespecially useful in playing two and three-string chord combinations and for easy single-string passages. Patience, dedication and many hours of practice areneeded to perfect the "slant" bar positions, especially the reverse slants, but the end result is well worth the effort. This excellent text, written by Steel Guitarand Country Music Hall of Fame member DeWitt Scott, is written in standard notation and tablature. Audio download available online.