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Through examples, writing assignments, and clear expository text, this landmark book teaches the novice or professional musician to create solo arrangements for fingerstyle jazz guitar. the book is divided in three main sections: Beginning fingerstyle guitar, Creating fingerstyle jazz solos, and Professional fingerstyle guitar. Kent Murdick systematically presents clear explanations of fingerstyle technique, blues basics, harmonized scales, advanced jazz harmony, various arranging and accompaniment concepts, a discussion of the expressive devices used in jazz, and several full-length solos. Futhermore, the author communicates this information with an engaging off-the-wall, self-deprecating sense of humor. Written in standard notation and tablature.
Pianists are the main sources of inspiration for new developments in jazz guitar comping. Yet guitarists have been slow to develop a comping vocabulary with harmonic sophistication, subtle voiceleading, and rhythmic flexibility on the level of the best contemporary pianists. This book seeks to remedy the situation by articulating a comping vocabulary in the context of six of the most often played tunes in jazz: 12-bar blues, rhythm changes, minor blues, a modal tune, and a couple of standards. The comps are written out in notation and tablature and include rhythms with forward motion, chords built in fourth intervals, parallel constant structure voicings, polychords, slash chords, etc. The focus is on developing a contemporary approach to rhythm, phrasing, chord voicings, voiceleading, chord substitution, and reharmonization. A play-along audio recording of the guitar comps with bass and drums helps get the sounds and rhythms in your ear. The theory of how the comping concepts are applied to the music is explained, with ideas on how to use them creatively. Includes access to online audio.
A varied collection of masterpieces respectfully arranged for solo jazz guitar. from the readily playable to the fiendishly virtuosic, there are challenges for all ability levels including syncopation, jazz chords and 'Lenny Breau style' cascading harmonics.• Selection of universally acknowledged masterpieces• Modern yet historically respectful arrangements• Challenges all ability levels• Arrangements feature syncopation, jazz chords and 'Lenny Breau style' arpeggios in harmonics• Playable both finger style and/or pick and finger combinations• Essential material for both study and performance• Enjoyable and rewarding pieces to play
" One of the easiest and most practical approaches to jazz guitar on the market today, this method thoroughly covers the basics for jazz guitar solo performance, including: theory, scales, chords, phrasing, passing tones, and much more. This highly acclaimed study of jazz rhythm chords and their application contains extensive instruction on jazz chord accompaniment and chord substitution. The ""user-friendly"" text utilizes a ""lesson style format"" which makes it perfect for both individual study and as a classroom text. Penned by professional jazz guitarist Ronny Lee, this text is highly recommended to anyone who desires a thorough, well-graded course of study for jazz guitar. Written in standard notation with chord symbols and diagrams. "
A very well-written book teaching the popular fingerstyle bass/chord walking jazz guitar technique. This book is made to order for the novice fingerstyle jazz guitarist who wants to tie chord progressions together with great sounding bass lines. Through short exercises and original compositions, Paul Musso establishes theoretical ground rules for a systematic approach to playing creative bass lines. Technical and harmonic concepts are gradually introduced with the goal that students are able to lay down authoritative bass lines of their own invention. In notation and tablature.
A collection of 20 different 4-bar patterns and 10 original solo compositions by one of Europe's finest guitarists. Designed for the serious fingerstyle guitar student, this book presents rhythm patterns in a wide range of moods written in standard notation and tablature, along with new concepts about blues and jazz. In the solos, beautiful and impressive melodies are paired with alternate and walking basses. an accompanying audio CD includes a demonstration of each concept and a performance of each solo.
Through examples, writing assignments, and clear expository text, this landmark book teaches the novice or professional musician to create solo arrangements forfingerstyle jazz guitar. The book is divided in three main sections: Beginning fingerstyle guitar, Creating fingerstyle jazz solos, and Professional fingerstyle guitar. Kent Murdick systematically presents clear explanations of fingerstyle technique, blues basics, harmonized scales, advanced jazz harmony, variousarranging and accompaniment concepts, a discussion of the expressivedevices used in jazz, and several full-length solos. Futhermore, the author communicates this information with an engaging off-the-wall, self-deprecating sense of humor. Written in standard notation and tablature. Includes access toonline audio
Mentored by three legendary guitarists, Michael O’Dorn is the living repository of not only the Merle Travis thumbstyle technique, but also the fingerstyle legacies of Chet Atkins and French guitarist, Marcel Dadi. This book contains a discussion of the differences between fingerstyle and thumbstyle technique, plus the most advanced exercises and tunes of any of the author’s three books for Mel Bay Publications — a must-have for any serious fingerstyle guitarist! The book begins with a series of progressive picking patterns with practice points that guide the player through intermediate and advanced licks and techniques. The harmony of each exercise was intentionally left unresolved so that it can be repeated to perfection. Soon, you will be playing O’Dorn’s challenging Travis/Atkins/Dadi-inspired licks and compositions using the left-hand hammer-on, pull-off, and thumb-over techniques, and the right-hand thumb rake and palm mute. While the purpose of this book is to help you establish study habits that enhance your performance abilities, the exercises can also be used as intros, outros or springboards to kickstart your own compositions. At the end, as a payoff for completing the book’s lessons, the author presents three original compositions for player and audience enjoyment. Learn the evolutionary, often unconventional fingerstyle techniques of Travis, Atkins, Dadi, and O’Dorn with Killer Technique®: Fingerstyle Guitar! Includes access to an outstanding online audio recording of the book’s 47 exercises and solos.