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Quotations by the great statesman who helped lead Britain through two world wars: “Magisterial . . . Should be in the library of every Churchill aficionado” (American Spectator). We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender . . . Millions have been moved by these words—and by the hundreds of speeches given by Winston S. Churchill to rally the British public, spur its government to armament against Hitler, and defend the causes for which he believed. Churchill by Himself is the first collection of quotations from a leader who had as much talent for wit as he had for inspiration and exhortation. Edited by renowned Churchill scholar Richard Langsworth, this volume is the definitive collection of important quotes from one of the twentieth century’s most persuasive and brilliant orators, whose writings earned him a Nobel Prize in Literature in 1953.
Twenty-five years after her passing, Audrey Hepburn remains the most beloved of all Hollywood stars, known as much for her role as UNICEF ambassador as for films like Roman Holiday and Breakfast at Tiffany's. Several biographies have chronicled her stardom, but none has covered her intense experiences through five years of Nazi occupation in the Netherlands. According to her son, Luca Dotti, "The war made my mother who she was." Audrey Hepburn's war included participation in the Dutch Resistance, working as a doctor's assistant during the "Bridge Too Far" battle of Arnhem, the brutal execution of her uncle, and the ordeal of the Hunger Winter of 1944. She also had to contend with the fact that her father was a Nazi agent and her mother was pro-Nazi for the first two years of the occupation. But the war years also brought triumphs as Audrey became Arnhem's most famous young ballerina. Audrey's own reminiscences, new interviews with people who knew her in the war, wartime diaries, and research in classified Dutch archives shed light on the riveting, untold story of Audrey Hepburn under fire in World War II. Also included is a section of color and black-and-white photos. Many of these images are from Audrey's personal collection and are published here for the first time.
The first book to offer a complete story of the extraordinary proliferation of Dutch clandestine literature under the Nazi occupation. Clandestine literature was published in all countries under Nazi occupation, but nowhere else did it flourish as it did in the Netherlands. This raises important questions: What was the content of this literature? What were the risks of writing, printing, selling, and buying it? And why the Netherlands? Traditionally, the combative Dutch "spirit of resistance" has been cited, a reaction not only to German oppression but to German propaganda: while the Germans hoped to build bonds with their "Germanic" Dutch "brothers," clandestine literature insisted on their incompatibility. However, when reading clandestine literature, one should not forget that this "spirit of resistance" came rather late and did not prevent the transportation of seventy-three percent of the Netherlands' Jewish population to Nazi death camps -- the largest percentage in Western Europe. The Dutch case is complex: while the country proved to be remarkably resistant to Nazi propaganda, little was done to prevent the actual execution of Nazi policies. The complete story of Dutch clandestine literature therefore combines resistance and complicity, victory and defeat, pride and shame. Jeroen Dewulf is Queen Beatrix Professor of Dutch Studies in the Department of German at the University of California, Berkeley.
The Axis on the Air, first published in 1943, is a fascinating look at the use of radio for propaganda purposes by the Nazis, Japanese, and Italians during World War II. Author Harold Ettlinger, a columnist for the Chicago Sun, provides insight and numerous examples of Nazi Propaganda Minister Goebbels, famous traitors such as “Lord Haw Haw,” Jane Anderson, and Ezra Pound, and Axis broadcasts to its own citizens as well as efforts to create unrest and lower morale in England and the United States. The book also examines Allied radio services such as the BBC and Voice of America, plus radio stations in some of the smaller European countries such as Sweden and Finland. A vivid, authentic description of how the Axis, led by Goebbels, has used the radio as a weapon for subjugating its enemies.
First Published in 1998. Initially written in the period between 1942 and 44, with additional notes in the appendices of 1945, this volume looks at the areas of the secret Police, the secret control as developed by Fascism and National Socialism as laid on the Third Reich and the relationship between the law and the Political Police and their co-ordination with propaganda and the impact of the instrument of terror on the people.
It's a story that made Dutch painter Han van Meegeren famous worldwide when it broke at the end of World War II: A lifetime of disappointment drove him to forge Vermeers, one of which he sold to Hermann Goering in mockery of the Nazis. And it's a story that's been believed ever since. Too bad it isn't true. Jonathan Lopez has drawn on never-before-seen documents from dozens of archives to write a revelatory new biography of the world's most famous forger. Neither unappreciated artist nor antifascist hero, Van Meegeren emerges as an ingenious, dyed-in-the-wool crook--a talented Mr. Ripley armed with a paintbrush. Lopez explores a network of illicit commerce that operated across Europe: Not only was Van Meegeren a key player in that high-stakes game in the 1920s and '30s, landing fakes with famous collectors such as Andrew Mellon, but he and his associates later cashed in on the Nazi occupation. The Man Who Made Vermeers is a long-overdue unvarnishing of Van Meegeren's legend and a deliciously detailed story of deceit in the art world.
In 1933, thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. Including such figures as Walter Benjamin, Ernst Bloch, Bertolt Brecht and Heinrich Mann they were "the best of Germany," refusing to remain citizens in this new state that legalized terror and brutality. They emigrated all across the globe, to Paris, Amsterdam, Prague, Oslo, Vienna, New York, Los Angeles, Shanghai, Mexico, Jerusalem, Moscow. Often distrusted as Germans in the countries they arrived in, they struggled to survive - and some committed suicide in despair. But throughout their exile they strove to give expression to the fight against Nazism through their work, in prose, poetry and painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to the return to their ruined homeland, retracing their stories, struggles, setbacks and rare victories. In this absorbing and magisterial work Jean-Michel Palmier provides a compelling and detailed history of those whose dignity in exile is a moving counterpoint top the story of Germany under the Nazis