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Why is Cookie Monster feeling worried? What makes Abby feel proud? Who sings when he feels joyful? Identifying and labeling the emotions of their feathered and furry friends can help children learn to express their own feelings—and be more empathetic to the feelings of others.
Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.
It's the night before Christmas, and Cookie Monster is dozing peacefully, until a miniature sleigh and eight tiny reindeer land on Sesame Street. Cookie Monster is delighted to have a visit from Santa, but there's just one problem: he's already eaten all of Santa's cookies Luckily, Elmo and the rest of the Sesame Street friends are ready to help
Two neighbors like family; one mistake that could ruin everything. Neighbors Julia Herrick and Lindsay Moore have enjoyed a decade of joint vacations, family dinners, and holiday parties with their two families practically melding into one. So when Lindsay off-handedly announces the Moores are moving in a week’s time for her job, Julia is shocked and devastated. A mess of emotions, she turns to Lindsay’s husband, Denny, for comfort. But as reassuring touches turn to gentle caresses, Julia can’t tell if her feelings for Denny are real or merely a desperate attempt to distract herself from the pain of losing her best friend. Denny can’t understand why Lindsay suddenly wants to move from the idyllic development where they’ve raised their kids, alongside the Herrick kids, for the past decade. With his marriage already on the verge of collapse, their impending move becomes the tipping point for Denny to act on his illicit feelings towards Julia. But what happens if she returns his affections? Are they both willing to give up the lives they’ve known (and thought they loved) to take a chance on each other? Because no matter how it turns out, no one will escape the aftermath of their decisions.
We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music.
It's the first day of school! Join the Sesame Street gang for art time, recess, snacktime, and more!
The New York Times Bestseller! Love is infinite. Love is giggles. Love is cookies. Explore all the definitions of love with your friends from Sesame Street! In this illustrated picture book, children will delight in seeing their favorite characters share what love means to them. This warm and uplifting story will show children to look for love in new ways in their everyday lives―and will brighten their day!
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.