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In the final instalment of The Home of Clouds series, Megan, Frits and Princess Elavuarasi find themselves in a strange land where roots form bridges and weird twig men are hard at work. Will Megan and Frits ever get back home?
Even though she thinks Caleb's mom blames her for his accidental death two months ago, Jessa agrees to pack up her ex-boyfriend's bedroom, but every item she touches makes Jessa question what she knows about his death, his family, and their year-long relationship.
Originally published in hardcover in 2021 by Aladdin.
Two childhood friends from Scotland and two illegitimate half-brothers from the south suffer and enjoy all manner of bizarre adventures that are somehow interconnected.
A master of the personal essay candidly explores love, death, and the counterfeit rituals of American life in this "brave, funny compendium" (Slate) Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a powerful collection of ten new works. Where her previous collection explores what it is to be a struggling twenty-something urban dweller with an overdrawn bank account and oversized ambition, The Unspeakable contends with parental death, the decision not to have children, and more-a new set of challenges tackled by a writer at her best, investigated in the same uncompromising voice that made Daum one of the most engaging thinkers writing today. In The Unspeakable, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of the contemporary American experience. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of-mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.
Powerful, personal observations on fear and courage—that touch on art, faith, academia, the internet, and more—from “a masterful essayist” (Roxane Gay, New York Times–bestselling author of Hunger). In this poignant and thoughtful collection of literary essays, Megan Stielstra tells stories to ward off fears both personal and universal as she grapples toward a better way to live. In “The Wrong Way to Save Your Life,” she answers the question of what has value in our lives—a question no longer rhetorical when the apartment above her family’s goes up in flames. “Here is My Heart” sheds light on Megan’s close relationship with her father, whose continued insistence on climbing mountains despite a series of heart attacks leads the author to dissect deer hearts in a poetic attempt to interrogate her own feelings about mortality. Whether she’s imagining the implications of open-carry laws on college campuses, recounting the story of going underwater on the mortgage of her first home, or revealing the unexpected pains and joys of marriage and motherhood, Stielstra’s work informs, impels, enlightens, and embraces us all. The result is something beautiful—this story, her courage, and, potentially, our own. “Sensitive and funny . . . She has a flair for nostalgia and for cultural criticism that is never pretentious.” —Publishers Weekly “When Megan Stielstra writes you can actually feel her beautiful heart pumping blood through every sentence.” —Samantha Irby, New York Times–bestselling author of We Are Never Meeting in Real Life “A life-enriching collection of essays.” —Kirkus Reviews (starred review) “Reading this book is like listening to stories from a wise, compassionate, and irrepressibly funny friend.” —Esme Weijun Wang, award-winning author of The Border of Paradise
Once I Was Cool contrasts past aspirations with the mess and magic of the present. In her younger days, essayist Megan Stielstra saw Jane’s Addiction at the Aragon Ballroom and fantasized about living on the same block, right in the thick of music and revelry. As an adult, she lives in a turreted condo across the street, with her husband, a child, and an onerous mortgage. It’s just the home her young, cool self imagined. And it isn’t what she expected, either. With conversational flourishes and on-the-mark descriptions, Stielstra’s essays evoke the richness of her everyday life and the memories that are never far away. She remembers learning how to shoot a gun, a cancer scare, and—in a piece that was anthologized in The Best American Essays 2013—the time she eavesdropped on another new mother using her son’s baby monitor. “I shouldn’t have listened,” she writes. “But it was the first time since my son was born that I didn’t feel alone.” Combining footnotes, electric sentences, and uproariously funny anecdotes (have you ever run into an ex while rolling on ecstasy?), Stielstra shows us that maturity is demanding, but its rewards are a gift.
Saru elsker å leke ved dammen og skogen. En dag finner hun et skadet dyr. I denne søte boken kan du lese om hva som skjer med Saru og det lille dyret.
One Australian woman is hospitalised every three hours and two more lose their lives each week as a result of family violence. But for some women, there is a punishment far more enduring than injury or their own death. Look What You Made Me Do, is a timely exploration of the evil inflicted by vengeful fathers who have killed their own flesh and blood simply to punish partners for ending unrewarding - often abusive - relationships. Focussing on ten different, but equally harrowing cases of ‘spousal revenge’ dating back thirty years, award winning author Megan Norris, draws upon her own experience as a former court and crime reporter, to examine the horrific murders of eighteen children who were the collateral damage in crimes where the real target of their angry dad's rage was their mother. From the 2018 cold-blooded shooting murders of Sydney teenagers, Jack and Jennifer Edwards, whose abusive businessman father was granted a licence to kill by the NSW Firearms Registry, despite a shocking history of family violence dating back three decades, to the heinous premeditated homicides of Queensland mum, Hannah Clarke, who succumbed to her own horrific injuries after watching her three young children burn to death at the hands of their violent father, this book shows it is not only women who are at risk when family violence turns deadly. Now recognised as the ultimate act of domestic violence a man could inflict on his partner, Norris’s award-winning book shines a light on the disturbing connection between family violence and retaliatory homicide and explores the shattering legacy of grief that such crimes have on surviving mothers. A book that allows these serious crimes to be better understood and ultimately informs and advocates for new approaches to managing these complex and deadly situations.
The stories in Everyone Remain Calm reveal landscapes where the surreal and the familiar clash, to visceral effect. A woman yearns for—and dreads—the snowfall that arrives whenever her ex-boyfriend returns to the home she shares with their son. Another character reassures herself after breakups by seeking out the monster under her bed, the Incredible Hulk himself, for rebound sex that can be hot, heavy, and unnerving. Marching bands blare all the way from New Orleans to the Midwest. There are wild shootouts, rising tides, and perils embedded in the act of storytelling itself. “There are words that can kill you if you’re not careful,” Stielstra writes. And the stories we tell ourselves are the most fantastic tales of all. Everyone Remain Calm is eerie, hilarious, moving, and down-to-earth, even as its characters defy the rules—sometimes in the ways we wish we could.