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"Here are brilliantly contemporary poems in traditional forms, the work of a stunning new voice."—Charles Martin
A NEW YORK TIMES BEST POETRY BOOK OF 2018 A transfiguration of Mennonite hymns into heartbreaking lyric poems, Years, Months, and Days is a moving “meditation on the possibility of translation.” Bridging secular spirituality and holy reverence with the commonalities of life, death, love, and hope, Jernigan explores the connection between hymn and poem, recalling the spare beauty of Marilynne Robinson’s novels or the poems of Jan Zwicky and Robert Bringhurst. The sparse and tender phrasing of Years, Months, and Days is “an offering of words to music,” made in the spirit of a shared love—for life, for a particular landscape and its rhythms—that animates poem and prayer alike.
A CBC Best Poetry Book of 2022 Hail, The Invisible Watchman is haunted poetry—Oliver’s formal schemes are as tidy as a picket-fence and as suggestive; behind the charm of rhyme is a vibrant, dark exploration of domestic and social alienation. The poems in Hail, the Invisible Watchman are as tidy as a picket-fence—and as suggestive. Behind the charms of iambs lurks a dark exploration of domestic and social alienation. Metered rhyme sets the tone like a chilling piano score as insidiousness creeps into the neighbourhood. A spectral narrator surveils social gatherings in the town of Sherbet Lake; community members chime in, each revealing their various troubles and hypocrisies; an eerie reimagining of an Ethel Wilson novel follows a young woman into a taboo friendship with an enigmatic divorcée. In taut poetic structures across three succinct sections, Alexandra Oliver’s conflation of the mundane and the phantasmagoric produces a scintillating portrait of the suburban uncanny.
Larger-than-life lyrics, rich in wit and tinged with woe, examine what it means to alternately own and defy one's past.
A collection of 99 Canadian sonnets from the 19th Century to the present.
God’s power is alive today! Let’s face it: church can be too boring—too predictable. People have never been so hungry for an authentic manifestation of God’s power. Missionary stories of profound miracles in other nations abound, but what about in my nation, my city, or my home? Testimonies of past miracles are prolific, but where are they in my generation? Miracle Invasion includes modern examples of spiritual gifts in action and true stories that will rekindle expectation that the Holy Spirit is still alive and well, working in our time, on our continent, whenever we welcome his presence. In Miracle Invasion, you’ll see:God is at work for your good—today!All things are possible with God.God is no respecter of persons. You matter to God.You are on the brink of a miracle, so don’t give up. The Holy Spirit has not forgotten about the twenty-first century church. People in North America are experiencing God’s power in authentic demonstrations of the Spirit. We serve an extraordinary God who loves to act supernaturally on behalf of ordinary people.
Drugs, weapons, migrant labour, women — these are just a few of the many goods that effortlessly cross national borders in this globalized age, often without the knowledge or permission of the nations concerned. How is this remarkable criminal feat managed?From gun runners in the Ukraine, to money launderers in Dubai, cyber criminals in Brazil, racketeers in Japan, and the booming marijuana industry in western Canada, McMafia builds a breathtaking picture of a secret and bloody business.Internationally celebrated writer Misha Glenny crafts a fascinating, highly readable, and impressively well-researched account of the emergence of organized crime as a globalized phenomenon and shows how its secret and bloody business mirrors both the methods and the rewards of the legitimate world economy. Employing his journalistic talent and his prior experience covering organized crime in Eastern Europe, Glenny reports on his travels around the planet to investigate this worrying and worsening situation. After comprehensively surveying the criminal scene, Glenny ends by considering the future of organized crime. McMafia is an important book that assembles all the pieces of this worldwide puzzle for the first time.
Guest editor Rob Taylor, author of the widely acclaimed collection The News, brings a passionate ear for rhythm, an eye for narrative compression, an appetite for vital subject matter, and an affinity for warmth and wit to his selections for Best Canadian Poetry 2019. The fifty ruggedly independent poems gathered here tackle themes of emergence, defiance, ferocious anger, gratitude, and survival. They are alive with acoustic energy, precise in their language, and moving in their use of the personal to explore fraught political realities. They emit a cloud of invisible energy, a charge. Featuring work by: Colleen Baran • Gary Barwin • Billy-Ray Belcourt • Ali Blythe • Marilyn Bowering • Julie Bruck • Sara Cassidy • Sue Chenette • Chelsea Coupal • Kayla Czaga • Sadiqa de Meijer • Adebe DeRango-Adem • Chris Evans • Beth Follett • Stevie Howell • Danielle Hubbard • Dallas Hunt • Catherine Hunter • Sonnet L’Abbé • Ben Ladouceur • Tess Liem • D.A. Lockhart • Jessie Loyer • Annick MacAskill • Domenica Martinello • Laura Matwichuk • Katie McGarry • Jimmy McInnes • A.F. Moritz • Alexandra Oliver • Alycia Pirmohamed • Marion Quednau • Claudia Coutu Radmore • Shazia Hafiz Ramji • Shaun Robinson • Yusuf Saadi • Rebecca Salazar • Ellie Sawatzky • David Seymour • Kevin Spenst • Mallory Tater • Souvankham Thammavongsa • Russell Thornton • Daniel Scott Tysdal • William Vallières • Katherena Vermette • Douglas Walbourne-Gough • Cara Waterfall • Gillian Wigmore • Ian Williams
"I’d like to think that I’m polarizing the way a battery is," explains Michael Lista in his introduction to Strike Anywhere, "energizing the flashlight by which you read in the dark only because it has a negative and a positive side. Collected here, under one cover, are my cathodes and my anodes." In his self-described ‘arsons’, Lista assesses with equal fire our literary darlings (Anne Carson, Don McKay), talented veterans (Steven Heighton, David McGimpsey) and promising newcomers (Stevie Howell, Aisha Sasha John) of the poetic genre. He depicts a literary institution pathologically averse to the sustenance of a traditional repertoire and addicted to the empty calories of poetic experiments. Television, too, falls prey to his jaundiced eye, from the militant sincerity of The Bachelorette to the receptacle of American anxieties that is The Walking Dead. But beyond passing judgment on the contemporary Literary Industrial Complex, Strike Anywhere acknowledges the inherent contradiction of poetic expression—that its power lies in its uselessness—and recognizes that poets are, nonetheless, the happy few, the unacknowledged legislators of the world. With thoughtfulness, wit and considerable humor, Michael Lista offers a refreshingly candid take on the moral and aesthetic implications of storytelling in all its forms, from boob-tube blockbusters to the latest volume of verse.