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"Thoughtfully written, drawing on her own life experience as well as her anthropological training, Prébin provides us with a new window into the complex world of trans-national adoption. She weaves together kinship, media, and globalization as well as recent Korean history to offer us lessons about today's adoption practices." —Barbara Katz Rothman, author of Weaving A Family: Untangling Race and Adoption A great mobilization began in South Korea in the 1990s: adult transnational adoptees began to return to their birth country and meet for the first time with their birth parents—sometimes in televised encounters which garnered high ratings. What makes the case of South Korea remarkable is the sheer scale of the activity that has taken place around the adult adoptees' return, and by extension the national significance that has been accorded to these family meetings. Informed by the author’s own experience as an adoptee and two years of ethnographic research in Seoul, Meeting Once More sheds light on an understudied aspect of transnational adoption: the impact of adoptees on their birth country, and especially on their birth families. The volume offers a complex and fascinating contribution to the study of new kinship models, migration, and the anthropology of media. Elise Prébin was born in South Korea in 1978, was raised in France, and is now living in New York City with her husband and daughter. In 2006 she obtained her PhD at University of Paris X-Nanterre in social anthropology, was a postdoc and lecturer at Harvard University from 2007 to 2009 and served as Assistant Professor at Hanyang University (South Korea) from 2010 to 2011. She is now an independent scholar.
No organization made up of human beings is immune from the all-too-common meeting gripes: those that fail to engage, those that inadvertently encourage participants to tune out, and those that blatantly disregard participants' time. In The Surprising Science of Meetings, Steven G. Rogelberg draws from extensive research, analytics and data mining, and survey interviews to share the proven techniques that help managers and employees change the way they run meetings and upgrade the quality of their working hours.
Last in the RAF trilogy, this story charts the exploits of world-class fighter pilot Dicken Quinney. It is the summer of 1939 and when war breaks out, Quinney finds himself flying through the skies of France, shot down over a cemetery and forced to make a breath-taking escape across Nazi Europe, into the hands of his nemesis, General Lee Tse Liu.
Why do so many women with gambling addiction relapse? Lifelong recovery requires much more than to just stop gambling. Women’s groups provide long-term benefits and support and have proven to be highly successful in promoting recovery from gambling addiction. By following the story of a real women’s group for problem gambling over the course of a year, Liz Karter explains how, for women, both the cause of and the cure for gambling addiction lies in relationship. Karter shows clearly how learning to face and cope with real life situations and relationships is essential to maintain recovery. She shares the themes which run through each women’s group, such as fear of trusting others, and the guilt, shame and risk associated with being truly seen and heard. Women’s Groups for Problem Gambling shows that with a combination of specialist intervention, women’s group support, courage and compassion, women can learn to stop running from their addiction and instead find joy and support in building relationships and communities. This highly accessible book provides a unique opportunity to gain a very personal insight into the group process, both for therapists and clinicians and for women wishing to better understand their addiction.
An in depth look at demonology throughout western history that includes a good deal of Biblical and Middle Eastern references and mythology. Many works from ancient Babylon, Greek tragedies and the epic play Faust are used to form together a tangible history of demons in the present day. Although many conclusions can logically be found to be erroneous, the author makes a good attempt to bring together different lines of thought into one cohesive argument. Now in larger print!
100$ REWARD ON MY HEAD Powerful & Unflinching Memoirs Of Former Slaves: 28 Narratives in One Volume is a monumental anthology that sets a cornerstone in the exploration of American slavery, freedom, and resilience. This collection spans a wide range of literary stylesfrom raw, unedited testimonies to meticulously crafted memoirsencompassing the profoundly personal experiences of individuals who endured the unimaginable. The anthology stands out for its diversity, presenting a polyphony of voices that together articulate the inhuman complexities of slavery. Each narrative, while deeply rooted in the personal, serves as a testament to the collective struggle for freedom and dignity, making the anthology a significant compilation in both literary and historical contexts. The editors have meticulously curated stories that not only recount horrors but also illuminate the indomitable spirit of resistance and survival, embodying a crucial piece of the mosaic that is American history. The assembled authors and editors are a formidable collective of voices, hailing from vastly differing backgrounds yet united by their shared experiences of enslavement. Their narratives correspond with important historical, cultural, and literary movements, spanning from the late 18th century to the post-Civil War era. This anthology aligns with the broader discourse of abolitionism and the fight for civil rights, presenting a nuanced exploration of these movements through personal recollections. The diversity of the authors ranging from renowned figures like Frederick Douglass and Sojourner Truth to lesser-known yet equally impactful individuals provides a rich, multi-faceted perspective on the realities of slavery. This collective contribution deepens the reader's understanding of slaverys impact on individuals and society, showcasing the powerful human capacity for resilience and the relentless pursuit of freedom. 100$ REWARD ON MY HEAD is an indispensable read for those seeking to comprehend the full scope of slaverys legacy. It offers readers a unique opportunity to engage with a diverse array of memoirs, each contributing a distinct voice to the chorus calling for recognition, remembrance, and reflection. By delving into this collection, readers are invited to not only bear witness to the harsh realities of the past but also to appreciate the nuances of human strength and spirit. This anthology is a vital resource for educators, students, and anyone interested in the enduring quest for justice and equality, providing a profound educational value and fostering a deeper, more nuanced dialogue about Americas fraught history.
In 1755 Benjamin Franklin observed "a man without a wife is but half a man" and since then historians have taken Franklin at his word. In Citizen Bachelors, John Gilbert McCurdy demonstrates that Franklin's comment was only one side of a much larger conversation. Early Americans vigorously debated the status of unmarried men and this debate was instrumental in the creation of American citizenship. In a sweeping examination of the bachelor in early America, McCurdy fleshes out a largely unexamined aspect of the history of gender. Single men were instrumental to the settlement of the United States and for most of the seventeenth century their presence was not particularly problematic. However, as the colonies matured, Americans began to worry about those who stood outside the family. Lawmakers began to limit the freedoms of single men with laws requiring bachelors to pay higher taxes and face harsher penalties for crimes than married men, while moralists began to decry the sexual immorality of unmarried men. But many resisted these new tactics, including single men who reveled in their hedonistic reputations by delighting in sexual horseplay without marital consequences. At the time of the Revolution, these conflicting views were confronted head-on. As the incipient American state needed men to stand at the forefront of the fight for independence, the bachelor came to be seen as possessing just the sort of political, social, and economic agency associated with citizenship in a democratic society. When the war was won, these men demanded an end to their unequal treatment, sometimes grudgingly, and the citizen bachelor was welcomed into American society. Drawing on sources as varied as laws, diaries, political manifestos, and newspapers, McCurdy shows that in the course of the seventeenth and eighteenth centuries the bachelor was a simultaneously suspicious and desirable figure: suspicious because he was not tethered to family and household obligations yet desirable because he was free to study, devote himself to political office, and fight and die in battle. He suggests that this dichotomy remains with us to this day and thus it is in early America that we find the origins of the modern-day identity of the bachelor as a symbol of masculine independence. McCurdy also observes that by extending citizenship to bachelors, the founders affirmed their commitment to individual freedom, a commitment that has subsequently come to define the very essence of American citizenship.
If you have seen Ricky Gervais in 'The Office', you will know how much comedy and pathos occurs in apparently mundane locations. In 'The Lesser Bourgeoisie', Honore de Balzac turns his sharp eye on the intrigues of the white-collar world. Spinster Marie-Jeanne-Brigitte Thuillier has made money from selling her bank business. She dedicates her life to supporting her brother, an attractive but mediocre man with an illegitimate daughter, Celeste. Celeste's mother, Flavie, is a social climber who takes lovers to advance her husband's career - and to find a rich husband for her daughter. The murky waters are further muddied by the arrival of the lawyer Theodose de La Peyrade, who targets the hand of Celeste (and her inheritance). It is all rather unbecoming as the vultures circle around Celeste, and Balzac exposes the greed that exists at this level of French society. If you like office intrigue, try 'The Way We Live Now' by Anthony Trollope. Honoré de Balzac (1799-1850) was a French novelist and playwright, most famous for a sequence of novels, collectively called 'The Human Comedy'. His signature style was a warts-and-all representation of post-Napoleonic French life, rich in detail and featuring complex, unfiltered characters. The style means Balzac is regarded as one of the pioneers of European literary realism. He is named as an influence on writers including Emile Zola, Henry James, Charles Dickens, and Gustave Flaubert. The first novel he published under his own name was 'Les Chouans' in 1829. In 1834 he hit upon the idea of grouping his novels together to record all of society. The result, over a period of years, was 'The Human Comedy', which comprised three categories: 'Analytic Studies'; 'Philosophical Studies'; and 'Studies of Manners'.