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For many communities around the world, the revitalization or at least the preservation of an indigenous language is a pressing concern. Understanding the issue involves far more than compiling simple usage statistics or documenting the grammar of a tongue—it requires examining the social practices and philosophies that affect indigenous language survival. In presenting the case of Kaska, an endangered language in an Athabascan community in the Yukon, Barbra A. Meek asserts that language revitalization requires more than just linguistic rehabilitation; it demands a social transformation. The process must mend rips and tears in the social fabric of the language community that result from an enduring colonial history focused on termination. These “disjunctures” include government policies conflicting with community goals, widely varying teaching methods and generational viewpoints, and even clashing ideologies within the language community. This book provides a detailed investigation of language revitalization based on more than two years of active participation in local language renewal efforts. Each chapter focuses on a different dimension, such as spelling and expertise, conversation and social status, family practices, and bureaucratic involvement in local language choices. Each situation illustrates the balance between the desire for linguistic continuity and the reality of disruption. We Are Our Language reveals the subtle ways in which different conceptions and practices—historical, material, and interactional—can variably affect the state of an indigenous language, and it offers a critical step toward redefining success and achieving revitalization.
In 1845, an estimated 2,500 emigrants left Independence and St. Joseph, Missouri, for the Willamette Valley in what was soon to become the Oregon Territory. It was general knowledge that the route of the Oregon Trail through the Blue Mountains and down the Columbia River to The Dalles was grueling and dangerous. About 1,200 men, women, and children in over two hundred wagons accepted fur trapper and guide Stephen Meek's offer to lead them on a shortcut across the trackless high desert of eastern Oregon. Those who followed Meek experienced a terrible ordeal when his memory of the terrain apparently failed. Lost for weeks with little or no water and a shortage of food, the Overlanders encountered deep dust, alkali lakes, and steep, rocky terrain. Many became ill and some died in the forty days it took to travel from the Snake River in present-day Idaho to the Deschutes River near Bend, Oregon. Stories persist that children in the group found gold nuggets in a small, dry creek bed along the way. From 2006 to 2011, Brooks Ragan and a team of specialists in history, geology, global positioning, metal detecting, and aerial photography spent weeks every spring and summer tracing the Meek Cutoff. They located wagon ruts, gravesites, and other physical evidence from the most difficult part of the trail, from Vale, Oregon, to the upper reaches of the Crooked River and to a location near Redmond where a section of the train reached the Deschutes. The Meek Cutoff moves readers back and forth in time, using surviving journals from members of the 1845 party, detailed day-to-day maps, aerial photographs, and descriptions of the modern-day exploration to document an extraordinary story of the Oregon Trail.
Angora is an inexperienced young girl who has been sent on a quest to save the world.Since the last world war, tensions have increased between the recovering Northern Territories and the unapologetic southern lands of Caris. The world is overwhelmed with as much terror, crime, and disease as it is by those who yearn for peace. Now, a new war looms between the two countries, and mysterious, monstrous entities may be playing for much higher stakes than anyone realizes.Armed with only her instincts and an unexplainable power, Angora must journey through this world-- and perhaps decide once and for all if it is truly worth saving.The Meek Volume 1 collects the first three chapters from the epic online comic, which updates regularly at www.meekcomic.com
Independent Female Filmmakers collects original and previously published essays, interviews, and manifestos from some of the most defining and groundbreaking independent female filmmakers of the last 40 years. Featuring material from the seminal magazine The Independent Film and Video Monthly—a leading publication for independent filmmakers for several decades—as well as new interviews conducted with the filmmakers, this book, edited by Michele Meek, presents a unique perspective into the ethnically and culturally diverse voices of women filmmakers whose films span narrative, documentary, and experimental genres and whose work remains integral to independent film history from the 1970s to the present. Independent Female Filmmakers also includes a biographical profile of each filmmaker, as well as an online resource with links to additonal interviews and a sample course syllabus. The filmmakers in this book include: • Lisa Cholodenko (High Art, The Kids Are All Right) • Martha Coolidge (Valley Girl, Real Genius, Introducing Dorothy Dandridge) • Cheryl Dunye (The Watermelon Woman, Stranger Inside) • Miranda July (The Future, Me And You And Everyone We Know) • Barbara Kopple (Harlan County USA, Wild Man Blues) • Maria Maggenti (The Incredibly True Adventures of Two Girls in Love) • Deepa Mehta (Fire, Earth, Water) • Trinh T. Minh-ha (Surname Viet, Given Name Nam, Night Passage) . . . and more!
We don't often think about the act of knowing, but if we do, the question of what we know and how we know it becomes murky indeed. Longing to Know is a book about knowing: knowing how we know things, knowing how we know people, and knowing how we know God. This book is for those who are considering Christianity for the first time, as well as Christians who are struggling with issues related to truth, certainty, and doubt. As such, it is a wonderful resource for evangelists, pastors, and counselors. This unique look at the questions of knowing is both entertaining and approachable. Questions for reflection make it ideal for students of philosophy and all those wrestling with the questions of knowledge.
Ready to start her freshman year at St. Hilary's High School, Mia Fullerton has set two goals for herself: to shed her long-held nickname of "Mia the Meek" and then to soar confidently into a new social, academic, and family life.
In refreshing challenge to the common presumption that knowing involves amassing information, this book offers an eight-step approach that begins with love and pledge and ends with communion and shalom. Everyday adventures of knowing turn on a moment of insight that transforms and connects knower and known. No matter the field--science or art, business or theology, counseling or athletics--this little manual offers a how-to for knowing ventures. It offers concrete guidance to individuals or teams, students or professionals, along with plenty of exercises to spark the process of discovery, design, artistry, or mission.
A fascinating biography of Joe Meek who was widely recognised as Britain's first real independent pop music producer and hailed as Britain's answer to Phil Spector. He turned out million-copy selling records such as 'Telstar' from his home recording studio and made the first recordings for stars like Rod Stewart, Tom Jones and David Bowie. Legendary for his obsessive secrecy and often bizarre behaviour, his private life was a tortured tangle of violence, sex, drugs, the occult and eventually murder. Includes a full discography and B & W photographs.
GOLD MEDAL WINNER - 2017 DAN POYNTER'S GLOBAL E-BOOK AWARDS - THRILLER The world didn't end with a religious war, or a race war, or an economic collapse. It didn't end with everyone blowing each other up with nuclear warheads and it didn't end with a natural disaster. It didn't end because someone got offended in one of the million petty squabbles that were real, or fake, or imagined. It ended quietly. Harlan is visiting his friend in Los Angeles when people start dying. His friend, the neighbors, the entire city falls victim to an unknown disease. Except for Harlan. Or so he thinks. And he learns quickly that just because there are other survivors, not all are to be trusted. Morality becomes blurred as Harlan is forced to commit questionable acts to protect himself and those around him. He must navigate through a darkening landscape fraught with violence and despair as he desperately tries to get home to the love of his life, Jessica, and the child she is carrying. IF they are still alive.