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A vivid and moving reimagining of the myth of Medusa and the sisters who loved her. The end of the story is only the beginning… Even before they were transformed into Gorgons, Medusa, Stheno, and Euryale were unique among their immortal family. Curious about mortals and their lives, Medusa and her sisters entered the human world in search of a place to belong, yet quickly found themselves at the perilous center of a dangerous Olympian rivalry and learned—too late—that a god's love is a violent one. Forgotten by history and diminished by poets, the other two Gorgons have never been more than horrifying hags, damned and doomed. But they were sisters first, and their journey from lowly sea-born origins to the outskirts of the pantheon is a journey that rests, hidden, underneath their scales. Monsters, but not monstrous, Stheno and Euryale will step into the light for the first time to tell the story of how all three sisters lived and were changed by each other, as they struggle against the inherent conflict between sisterhood and individuality, myth and truth, vengeance and peace.
A vivid and moving reimagining of the myth of Medusa and the sisters who loved her. The end of the story is only the beginning… Even before they were transformed into Gorgons, Medusa, Stheno, and Euryale were unique among their immortal family. Curious about mortals and their lives, Medusa and her sisters entered the human world in search of a place to belong, yet quickly found themselves at the perilous center of a dangerous Olympian rivalry and learned—too late—that a god's love is a violent one. Forgotten by history and diminished by poets, the other two Gorgons have never been more than horrifying hags, damned and doomed. But they were sisters first, and their journey from lowly sea-born origins to the outskirts of the pantheon is a journey that rests, hidden, underneath their scales. Monsters, but not monstrous, Stheno and Euryale will step into the light for the first time to tell the story of how all three sisters lived and were changed by each other, as they struggle against the inherent conflict between sisterhood and individuality, myth and truth, vengeance and peace.
Tells the story of Medusa, Perseus' quests to kill her, and describes the role of myths in the modern world.
Medusa, once a bewitching beauty, has become a hideous monster with snakes for hair. When men look at her, they turn to stone. Whe King Polydectes sends Perseus for Medusas head, he thinks Perseus will soon be another one of Medusas stone men. Or will he?
In Greek mythology, Medusa was a Gorgon a winged monster with snakes for hair. Anyone who looked at her was instantly turned to stone. But she wasn't born that way. Not even close. Athena was so jealous of Medusa's beauty that she cursed her. Zeus changed the story to make his son, Perseus, look good. Hades is here to set the record straight on Perseus, Medusa, and everything in between.
Medusa, the Gorgon, who turns those who gaze upon her to stone, is one of the most popular and enduring figures of Greek mythology. Long after many other figures from Greek myth have been forgotten, she continues to live in popular culture. In this fascinating study of the legend of Medusa, Stephen R. Wilk begins by refamiliarizing readers with the story through ancient authors and classical artwork, then looks at the interpretations that have been given of the meaning of the myth through the years. A new and original interpretation of the myth is offered, based upon astronomical phenomena. The use of the gorgoneion, the Face of the Gorgon, on shields and on roofing tiles is examined in light of parallels from around the world, and a unique interpretation of the reality behind the gorgoneion is suggested. Finally, the history of the Gorgon since tlassical times is explored, culminating in the modern use of Medusa as a symbol of Female Rage and Female Creativity.
This book supports trainee teachers working towards primary QTS in teaching primary English across all areas of the curriculum. Focused on teaching a more integrated and inclusive curriculum, this text draws out meaningful cross curriculur links and explores how the teaching of English can take place across the whole curriculum. It examines how a teacher's effective use of English is essential in supporting learning in all subjects and considers the role of the teacher in promoting English. Chapters cover topics such as language, literature, EAL and thinking skills. Incorporating the latest thinking in primary English and including exemplars of current good practice, this practical guide encourages trainee teachers to explore learning and teachig in new ways. About the Transforming QTS Series This series reflects the new creative way schools are begining to teach, taking a fresh approach to supporting trainees as they work towards primary QTS. Titles provide full up to date resources focused on teaching a more integrated and inclusive curriculum, and texts draw out meaningful and explicit cross curricular links.
The figures and events of classical myths underpin our culture and the constellations named after them fill the night sky. Whether it�s the raging Minotaur trapped in the Cretan labyrinth or the twelve labours of Hercules, Aphrodite�s birth from the waves or Zeus visiting Danae as a shower of gold, the mythology of Greece and Rome is full of unforgettable stories. All the stories of the Greek tragedies � Oedipus, Medea, Antigone � are there; all the events of the Trojan wars and of Odysseus and Aeneas� epic journeys; the founding of Athens and of Rome� These are the strangest tales of love, war, betrayal and heroism ever told and, while brilliantly retelling them, this book shows how they echo through the works of much later writers from Chaucer and Shakespeare to Camus and Ted Hughes. Full of attractive illustrations and laid out in eighteen clear chapters (the titles include �Dangerous Women� and �Heroes�), Dr Jennifer March has written a fascinating guide to the myths of classical civilization that is as readable as a novel.
A brilliantly original, landmark retelling of Greek myths, recounted as if they were actual scenes being woven into textiles by the women who feature prominently in them—including Athena, Helen, Circe and Penelope “Greek myths were full of powerful witches, unpredictable gods and sword-wielding slayers. They were also extreme: about families who turn murderously on each other; impossible tasks set by cruel kings; love that goes wrong; wars and journeys and terrible loss. There was magic, there was shape-shifting, there were monsters, there were descents to the land of the dead. Humans and immortals inhabited the same world, which was sometimes perilous, sometimes exciting. “The stories were obviously fantastical. All the same, brothers really do war with each other. People tell the truth but aren’t believed. Wars destroy the innocent. Lovers are parted. Parents endure the grief of losing children. Women suffer violence at the hands of men. The cleverest of people can be blind to what is really going on. The law of the land can contradict what you know to be just. Mysterious diseases devastate cities. Floods and fire tear lives apart. “For the Greeks, the word muthos simply meant a traditional tale. In the twenty-first century, we have long left behind the political and religious framework in which these stories first circulated—but their power endures. Greek myths remain true for us because they excavate the very extremes of human experience: sudden, inexplicable catastrophe; radical reversals of fortune; and seemingly arbitrary events that transform lives. They deal, in short, in the hard, basic facts of the human condition.” —from the Introduction
The hit Papercutz series returns! Big sister Wendy is living the dream! Her school is organizing a grand ball with beautiful gowns and best of all: no annoying little sisters! But Maureen has her dancing shoes on and will get her last dance at any means possible. Then, the Sisters participate in the Portnawak Run, a crazy relay race through the woods! Maureen has been training hard for this. Wendy, however, has been more busy training her lipservice with Max. All’s fair in love and sisterhood, as Wendy and Maureen must learn to M.Y.O.B.: Mind Your Own Beeswax!