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The question of selfhood in Renaissance texts constitutes a scholarly and critical debate of almost unmanageable proportions. The author of this work begins by questioning the strategies with which male writers depict powerful women. Although Spenser's Britomart, Shakespeare's Cleopatra, and Milton's Eve figure selfhood very differently and to very different ends, they do have two significant elements in common: mirrors and transformations that diminish the power of the female self.
Evelyn heads to Mt. Olympus Theme Park to celebrate her winning a hair design contest, where she travels through a mirror in Athena's Hall of Mirrors to a myth; but when she meets Perseus on a mission to behead Medusa, Evelyn wants to try a more creative approach. Aligned to Common Core Standards and correlated to state standards. Spellbound is an imprint of Magic Wagon, a division of ABDO.
Tells the story of Medusa, Perseus' quests to kill her, and describes the role of myths in the modern world.
Fascinating and terrifying, the Medusa story has long been a powerful signifier in culture with poets, feminists, anthropologists, psychoanalysts, political theorists, artists, writers, and others. Bringing together the essential passages and commentary about Medusa, The Medusa Reader traces her through the ages, from classical times through the Renaissance to the pop culture, art, and fashion of today. This collection, with a critical introduction and striking illustrations, is the first major anthology of primary material and critical commentary on this most provocative and enigmatic of figures.
As an abused child, Melinda Master was sent to a psychiatric clinic to help healing her emotional scars. The young director of the clinic was John Randt, and despite his good intentions, nothing was done to help her. She left just as traumatized as when she arrived and returns to a cult-like existence. As an adult, Melinda comes back into the life of John Randt who still runs the clinic. He is now distracted and vulnerable due to various losses in his own life. But now Melinda is not alone. She brings as part of her life a developmentally disabled child, a beautiful young yoga instructor and a woman of darkness who offers Melinda a shocking plan as a path out of the personal prison of her fathers home. Due to Johns pain, he is charmed by Melinda and soon falls into a relationship with her, not knowing she plans his death. The trap is set and ready to spring. Johns only hope for survival is in recognizing the true identity of Melinda and those who support her murderous cause. He is isolated from family and friendsjust as traumatized as his ex-patientso will anyone escape this poisonous game unscathed?
In graphic novel format, retells the story of how King Polydectes planned to get rid of young Perseus so he could wed his mother, Danae, by tricking him into slaying Medusa--a snake-haired monster whose look turns humans into stone.
Tobin Siebers exposes the role of superstition in unexpected areas of modern life. Combining literary and anthropological insights, his radical interpretations cast new light on the history of narcissism, the worldwide belief in the evil eye, Freud's theories of the uncanny and the role played by ethnocentrism in our view nonwestern peoples.
This worthy successor to Psychoanalysis and Feminism is both a defense of the long-dismissed diagnosis of hysteria as a centerpiece of the human condition and a plea for a new understanding of the influence of sibling and peer relationships. Juliet Mitchell argues that, because it our first social relationship, the sibling relationship is crucial to development, and that it is a critical failure of psychoanalysis and other psychological theories of development to obscure and ignore the importance of siblings and peers. In Mad Men and Medusas Mitchell traces the history of hysteria from the Greek "wandering womb" to modern-day psychiatric diagnoses, arguing that we need to reclaim hysteria to understand how distress and trauma express themselves in different societies and different times. Using fascinating examples from anthropology, Freud's case studies, literature, and her own clinical practice, Mitchell convincingly demonstrates that while hysteria may have disappeared as a disease, it is still a critical factor in understanding psychological development through the life cycle.
A comprehensive survey of mirror-imagery in English literature from the thirteenth to the end of the seventeenth century.
With her repulsive face and head full of living, venomous snakes, Medusa is petrifying—quite literally, since looking directly at her turned people to stone. Ever since Perseus cut off her head and presented it to Athena, she has been a woman of many forms: a dangerous female monster that had to be destroyed, an erotic power that could annihilate men, and, thanks to Freud, a woman whose hair was a nest of terrifying penises that signaled castration. She has been immortalized by artists from Leonardo da Vinci to Salvador Dalí and was the emblem of the Jacobins after the French Revolution. Today, she’s viewed by feminists as a noble victim of patriarchy and used by Versace in the designer’s logo for men’s underwear, haute couture, and exotic dinnerware. She even gives her name to a sushi roll on a Disney resort menu. Why does Medusa continue to have this power to transfix us? David Leeming seeks to answer this question in Medusa, a biography of the mythical creature. Searching for the origins of Medusa’s myth in cultures that predate ancient Greece, Leeming explores how and why the mythical figure of the gorgon has become one of the most important and enduring ideas in human history. From an oil painting by Caravaggio to Clash of the Titans and Dungeons and Dragons, he delves into the many depictions of Medusa, ultimately revealing that her story is a cultural dream that continues to change and develop with each new era. Asking what the evolution of the Medusa myth discloses about our culture and ourselves, this book paints an illuminating portrait of a woman who has never ceased to enthrall.