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This volume focuses on the musicscapes that contest, critique, and rethink Mediterraneidad (Mediterraneaness) in Contemporary Spain, and understands it as a fluid and elusive sociological, cultural, and artistic category. The volume argues that since the 1990s we have witnessed a shift in which the mythical image of “Mediterranean harmony” has been superseded by the net: a figure that represents the linking of urban nodes and trans governmental networks, migratory movements, and cultural fluidity. Further, this book assesses how Mediterraneidad became, within the realm of music, the site and sign of a diverse array of social issues such as the formulation of Catalan, Valencian, Andalusian, and Mallorcan national identities, with the 2017 Catalan Independence process taking center stage. Using diverse methodologies-data-driven sociological approaches; ethnographic and anthropological tools; feminist and gender theories-the authors also address the rapidly changing social landscape that started in the 1980s due to global migrations as well as the dismantling of traditional gender dynamics.
Hearing Maskanda outlines how people make sense of their world through practicing and hearing maskanda music in South Africa. Having emerged in response to the experience of forced labour migration in the early 20th century, maskanda continues to straddle a wide range of cultural and musical universes. Maskanda musicians reground ideas, (hi)stories, norms, speech and beliefs that have been uprooted in centuries of colonial and apartheid rule by using specific musical textures, vocalities and idioms. With an autoethnographic approach of how she came to understand and participate in maskanda, Titus indicates some instances where her acts of knowledge formation confronted, bridged or invaded those of other maskanda participants. Thus, the book not only aims to demonstrate the epistemic importance of music and aurality but also the performative and creative dimension of academic epistemic approaches such as ethnography, historiography and music analysis, that aim towards conceptualization and (visual) representation. In doing so, the book unearths the colonialist potential of knowledge formation at large and disrupts modes of thinking and (academic) research that are globally normative.
Winner of the 2022 Open Publication Prize by the International Association for the Study of Popular Music (IASPM-ANZ) A Women's History of the Beatles is the first book to offer a detailed presentation of the band's social and cultural impact as understood through the experiences and lives of women. Drawing on a mix of interviews, archival research, textual analysis, and autoethnography, this scholarly work depicts how the Beatles have profoundly shaped and enriched the lives of women, while also reexamining key, influential female figures within the group's history. Organized topically based on key themes important to the Beatles story, each chapter uncovers the varied and multifaceted relationships women have had with the band, whether face-to-face and intimately or parasocially through mediated, popular culture. Set within a socio-historical context that charts changing gender norms since the early 1960s, these narratives consider how the Beatles have affected women's lives across three generations. Providing a fresh perspective of a well-known tale, this is a cultural history that moves far beyond the screams of Beatlemania to offer a more comprehensive understanding of what the now iconic band has meant to women over the course of six decades.
Adopted as a child from the Masonic Home for Children at Oxford, Tommy Malboeuf grew up in Troutman, North Carolina before enlisting in the Navy in the early 1950s. After his military service, Tommy found occasional work surveying and operating heavy equipment, and he also found a personal passion in bluegrass fiddling. He performed and recorded with A.L. Wood and the Smokey Ridge Boys, Roy McMillan's High Country Boys, the Border Mountain Boys, L.W. Lambert and the Blue River Boys, C.E. Ward and his band, Garland Shuping, and Wild Country, among others. In the late 1990s, Tommy began teaching fiddle, maintaining a steady stream of students until at least the early 2000s. He continued to perform as a fiddler, filling in for a variety of local bands and recording cuts on records for bands such as Big Country Bluegrass. This text documents Tommy's life, from his humble beginnings to his lengthy fiddle career. Contextualizing Tommy's work within the Statesville-Troutman bluegrass "scene," chapters also explore the local bluegrass culture of the time. Tommy's extensive repertoire is also listed, including his spectacular fiddle contest wins, band recordings, local jam field recordings, and songs recorded for students, all of which highlight his talent and expertise as a fiddler.
Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more 'monsters' than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, subjectivity, agency, and community. Attention to monstrosity evokes both the spectre of projection (which invokes familial trauma and psychoanalysis) and shared anxieties (that in turn reflect ideologies and beliefs). By pursuing a series of insightful case studies, Scary Monsters considers different aspects of the connection between music, gender and monstrosity. Its argument is that attention to monstrosity provides a unique perspective on the study of masculinity in popular music culture.
Migration is one of the fundamental driving forces of change in the modern world. As regions such as the Middle East continue to experience instability, climate change is driving migration from Africa and Central Asia - these 'push factors' lead to increased migration throughout Europe. Yet despite being one of the fundamental issues of the modern age, the impact of migration on Western developed economies is dangerously misunderstood. Here, economics and migration expert Giles Merritt seeks to explode the ten most common myths about European migration. He shows how the west's aging population needs migrants, and demonstrates in clear and accessible writing how governments must adapt to increase migration to solve the challenges of the modern world. The result is a clear-eyed assessment of the issues, and a way forward for the west which preserves our political democracies by rejecting the politics of the right.
Shonen Knife-an all-female punk trio from Osaka, Japan-cultivated a global fan base that has included the likes of Nirvana's Kurt Cobain and Sonic Youth's Thurston Moore. Their 1998 album Happy Hour, filled with tunes about delicacies ranging from sushi to banana chips, encapsulates the band's charming fusion of cuteness with punk rock cool. Tracing histories of food and josei rock in Japan, McCorkle Okazaki outlines the ways Shonen Knife has, over the last forty years, consistently used seemingly straightforward songs about food to comment on gender stereotypes in popular culture.
Higher education is increasingly recognized as crucial for the livelihoods of refugees and displaced populations caught in emergencies and protracted crises, to enable them to engage in contemporary, knowledge-based, global society. This book tells the story of the Borderless Higher Education for Refugees (BHER) project which delivers tuition-free university degree programs into two of the largest protracted refugee camps in the world, Dadaab and Kakuma in Kenya. Combining a human rights approaches, critical humanitarianism and a concern with gender relations and intersecting inequalities, the book proposes that higher education can provide refugees with the possibility of staying put or returning home with dignity. Written by academics based in Canada, Kenya, Somalia and the USA, as well as NGO workers and students from the camps, the book demonstrates how North-South and South-South collaborations are possible and indeed productive.
Migration Narratives presents an ethnographic study of an American town that recently became home to thousands of Mexican migrants, with the Mexican population rising from 125 in 1990 to slightly under 10,000 in 2016. Through interviews with residents, the book focuses on key educational, religious, and civic institutions that shape and are shaped by the realities of Mexican immigrants. Focusing on African American, Mexican, Irish and Italian communities, the authors describe how interethnic relations played a central role in newcomers' pathways and draw links between the town's earlier cycles of migration. The town represents similar communities across the USA and around the world that have received large numbers of immigrants in a short time. The purpose of the book is to document the complexities that migrants and hosts experience and to suggest ways in which policy-makers, researchers, educators and communities can respond intelligently to politically-motivated stories that oversimplify migration across the contemporary world. This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. It is funded by Boston College.
The Hadhramis of Yemen have migrated for centuries in large numbers, establishing a diaspora that extends around the Indian Ocean, Saudi Arabia and the other Gulf States. This migration has deeply affected the host countries as well as Hadhramaut itself. Yet the region has not been able to use its population size, capabilities or resources to wield significant political influence in successive Yemeni regimes. This book examines the people of the Hadhrami diaspora, who travelled as religious scholars, traders, labourers and soldiers, to understand their enduring influence and identity. In doing so, the book explores key aspects of their history, including the impact of Yemeni nationalist movements, the significance of land reforms, the importance of social and tribal origins and how the Hadhrami resisted European domination as a Muslim community. Although a distinctive part of geographical Yemen, Hadhramaut was not regarded as a Yemeni political entity until the twentieth century.This research asks if the recent turmoil in Yemen following the Arab Spring, the growth of Al-Qa'ida and ISIS, and war involving a coalition led by Saudi Arabia, will produce even greater instability in the region or perhaps lead to a united Yemen, a restored South Yemen or even to Hadhramaut as an independent state.