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Ianthe Dane is exploring Greece when she comes across a photograph at a gallery that touches her deeply. The photographer is Lysander Rosakis, and Ianthe quickly falls in love with his expressive eyes and the images he's able to capture. But Lysander isn't the simple, independent photographer she thought?he's the manager of a multimillion-dollar shipping company. And Ianthe isn't just any tourist?she's searching for clues to her past left behind by her birth mother.
Charlotte Hopkirk is determined to admire her boss from afar—after all, gorgeous Italian Marco Delmari seems to prefer impossibly slim supermodel types, and Charlie's curvaceous figure means she certainly doesn't fit that description! Then, on a business trip to Tuscany, the chemistry between them finally explodes—Charlie's never known passion like it! And Marco's obviously equally impressed, because now he's promoting her—from personal assistant to convenient mistress!
A woman must agree to be her ex-fiancé’s mistress to see her precious niece in this classic contemporary romance by a USA Today–bestselling author. Aristandros Xenakis is like a panther poised to pounce. Sleek, dark and utterly powerful, he’ll soon taste the sweet victory of vengeance. . . . Ella desperately wants access to her baby niece, but the child’s guardian is Aristandros—her ex-fiancé! She has no choice but to submit to his demand—she must become his mistress! Naive and unworldly, Ella is not like the groomed, gold-digging females who have previously warmed Aristandros’s bed. Surely it’s only a matter of time before he tires of her. . . ? Originally published in 2009.
Theo Atrides is wealthy, powerful and sucessful.Leandra has no intention of being his nextconquest. But when they are forced to spenda week together on his private island, Theodecides to do whatever it takes to make Leasurrender. Faced with his relentless plan ofseduction, she finds the challenge of resistingthe gorgeous Greek playboy too much to bear….
Cat McKenzie is set to inherit a fortune—and Nicholas Zentenas will bed her, wed her and ensure the money stays out of her treacherous family's hands. After years of waiting, Nicholas can finally put his plans for revenge into action…. But now Nicholas is in danger of finding that Cat is not at all what he thought she would be—starting with the fact that she's a virgin! Will Nicholas's innocent mistress become his pregnant wife?
The moment the lightning flashed, Princess Chantal saw the sensational eyes of her bodyguard, and her body felt electrified. The royal private jet landed safely on a small island, and the two were alone. He touched her skin only to check for injuries…but his fingers stimulated Chantal’s emotions, which she had tucked away since the death of her husband. “There’s no one here,” her bodyguard seductively whispered… The princess could not resist and finally crossed the line! But she never could’ve imagined the cruelty that ensued...※This work is originally colored.
Investigating the history behind color as a method of gender differentiation in ancient Greek and Egyptian art
S.D. Goitein's five-volume work on Jewish communities in the medieval Mediterranean world has been abridged and reworked into this volume that captures the essential narratives and contexts.
Volume 1 in the new Cambridge World History of Slavery surveys the history of slavery in the ancient Mediterranean world. Although chapters are devoted to the ancient Near East and the Jews, its principal concern is with the societies of ancient Greece and Rome. These are often considered as the first examples in world history of genuine slave societies because of the widespread prevalence of chattel slavery, which is argued to have been a cultural manifestation of the ubiquitous violence in societies typified by incessant warfare. There was never any sustained opposition to slavery, and the new religion of Christianity probably reinforced rather than challenged its existence. In twenty-two chapters, leading scholars explore the centrality of slavery in ancient Mediterranean life using a wide range of textual and material evidence. Non-specialist readers in particular will find the volume an accessible account of the early history of this crucial phenomenon.
This accessible, readable book looks at the cultural study of the Bible, challenging the traditional mode of reading the women in the Bible. Alice Bach applies literary theory, cultural representations of biblical figures, films, and paintings to a close reading of a group of biblical texts revolving around the 'wicked' literary figures in the Bible. She compares the biblical character of the wife of Potiphar with the Second Temple Period narratives and rabbinic midrashim that expand her story. She then reads Bathsheba against a Yiddish novel by David Pinski, and finally looks at the Biblical Salome against a very different Salome created by Oscar Wilde, and the selection of Salomes created by Hollywood. Bach argues that biblical characters have a life in the mind of the reader independent of the stories in which they were created, thus making the reader the site at which the texts and the cultures that produced them come together.