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In The Making of Christian Moravia Maddalena Betti examines the creation of the Moravian archdiocese, of which St Methodius was the first incumbent, in the context of ninth-century papal policy in central and south-eastern Europe. In the nineteenth and twentieth century religious and nationalistic concerns widely influenced the reconstruction of the history of the archdiocese of Methodius. Offering a new reading of already widely-used sources, both Slavonic and Latin, Maddalena Betti turns attention upon the jurisdictional conflict between Rome, the Bavarian churches and Byzantium, in order to uncover the strategies and the languages adopted by the Apostolic See to gain jurisdiction over the new territories in central and south-eastern Europe.
This book provides an interpretive narrative of the wars fought by Bulgaria against the Byzantine Empire for dominant control of the Balkan Peninsula during the early medieval era. Over a span of two centuries, from the early ninth through the early eleventh, and under the leadership of the Bulgarian rulers Krum, Simeon I, and Samuil, those conflicts evolved from simple confrontations for territorial possession into a life-or-death struggle for imperial precedence within the Orthodox world then emerging in Eastern Europe—a struggle that the Bulgarians ultimately lost. The primary focus is on Bulgaria, rather than Byzantium, and an effort is made to provide a historically reliable chronology of the assorted campaigns. The various belligerents’ military organizations, defensive technologies, armaments, and tactics are surveyed in an introduction to the main narrative. A prelude chapter sets the stage for the hegemonic conflict, which was divided into three distinct phases by interludes of relative peace between the contending parties, during which Bulgaria’s domestic, foreign, and cultural developments shaped the nature and conduct of the fighting in each successive phase.
Rafał Quirini-Popławski offers here the first panorama of the artistic phenomena of the Genoese outposts scattered around the Black Sea, an area whose cultural history is little known. The artistic creativity of the region emerges as extraordinarily rich and colorful, with a variety of heterogeneous, hybrid and intermingled characteristics. The book questions the extent to which the descriptor "Genoese" can be applied to the settlements’ artistic production; Quirini-Popławski demonstrates that, despite entrenched views of these colonies as centres of Italian and Latin culture, it was in fact Greek and Armenian art that was of greater importance.
Presenting the history of the Slavs in the Middle Ages in a new light, this study shows how the 'Slavs' were treated as a cultural construct and as such politically instrumentalized, and describes the real structures behind the phenomenon.
No detailed description available for "Aspects of the Balkans: Continuity and Change".
In La Diplomatie byzantine, de l’Empire romain aux confins de l’Europe (Ve-XVe s.), twelve studies explore from novel angles the complex history of Byzantine diplomacy. After an Introduction, the volume turns to the period of late antiquity and the new challenges the Eastern Roman Empire had to contend with. It then examines middle-Byzantine diplomacy through chapters looking at relations with Arabs, Rus’ and Bulgarians, before focusing on various aspects of the official contacts with Western Europe at the end of the Middle Ages. A thematic section investigates the changes to and continuities of diplomacy throughout the period, in particular by considering Byzantine alertness to external political developments, strategic use of dynastic marriages, and the role of women as diplomatic actors. Contributors are are Jean-Pierre Arrignon, Audrey Becker, Mickaël Bourbeau, Nicolas Drocourt, Christian Gastgeber, Nike Koutrakou, Élisabeth Malamut, Ekaterina Nechaeva, Brendan Osswald, Nebojša Porčić, Jonathan Shepard, and Jakub Sypiański.