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There are simularities and differences between the European and Japanese medieval warrior traditions that reflect the social evolutions within those cultures. Over the years publishing the Journal of Asian Martial Arts, we published articles that presented the main themes found in this unique area of comparitive studies. The most important of these writings are assembled in this anthology for your convience. Chapters 1 and 2 are by Dr. Willy Pieter, a leading scholar with a thorough grasp of European and Japanese martial art traditions. His first chapter examines the feudal system and how aspects of social organization helped form the warrior ethic, resulting in a mix of scientific and intuitive elements. In the second chapter Dr. Pieter illustrates how the perception of the human body and mind are culturally different in the East and West. Westerners have a long tradition of dualism, which separates the body and mind, while the Eastern approach has been wholistic. The author discusses scientific and medical histories for insight, particularly Chinese and European influences on Japan. In the third chapter John Michael Greer presents the esoteric side of a European sword tradition as found in the writings of Dutch fencing master Gerard Thibault (ca. 1574–1627). He notes that Asian and Western combat systems havebeen understood in sharply different ways over the last century or so. Asian combatives came to be associated with Eastern spiritual traditions and seemed to be very different than any Western combative system. However, this short chapter shows that there is actually much in common. In the final chapter Matthew Galas compares and contrasts the sword arts in Germany with the classical Japanese martial traditions. The period covered by this inquiry reaches from approximately 1350 until 1600. The focus is on general principles and combat philosophy. The study reveals that German sword techniques were as effective as their counterparts in feudal Japan. The content in this anthology is usefull for anyone interested in either or both European and Japanese martial art traditions exemplified during their medieval periods. Enjoy reading this special anthology dedicated to two leading warrior traditions.
The battles waged from 476 to 1485 demonstrate the complexity and importance of the medieval era. Combatants included the English, French, Muslims, Mongols, and crusaders, and their victories and failures laid the foundations of modern history. This book brings battles like the Battle of Tours and the Battle of Agincourt into sharp focus, and gives context to the warfare of the Middle Ages.
A needle may draw a thread through printed pages to bind a book. In this little memoir, I feel like a needle that drew a common thread though a segment of martial art history. This book details three interrelated activities: (1) martial art studies, (2) involvement as founder of Via Media Publishing, producing a quarterly journal and books, and (3) teaching martial arts. Publishers, writers, researchers and serious martial art practitioners will benefit with the detailed overview of Via Media and its publications. Via Media produced the Journal of Asian Martial Arts, known for its high academic and aesthetic standards. Its contents reflect the history of two decades and provides rich information for practitioners and scholars, making The Best Fighta valuable reference work. In addition to reading, the primary way to learn a martial art is through instruction. In reading about my studies and teaching experience, readers can relate to their own involvement in martial arts. What is important here is the portrayal of my instructors, their teaching methods, and reasons for being involved in martial arts. Their accounts should offer insights and inspiration for others who study and practice any martial art.
The most detailed and comprehensive treatise on swordsmanship ever written, Gerard Thibault's Academy of the Sword offers an extraordinary glimpse into a forgotten landscape of ideas, in which Pythagorean sacred geometry illuminated the lethal realities of rapier combat to create one of the Western world's only thoroughly documented esoteric martial arts. Translated by the widely respected occultist and scholar John Michael Greer, this stunningly illustrated and precisely detailed manual of Renaissance swordsmanship is a triumphant document of Renaissance culture-as well as a practical manual of a martial art that can still be studied and practiced today.
This book is an introduction the Japanese history, culture, and society from 1185 - the beginning of the Kamakura period - through the end of the Edo period in 1868.
This latest in the Secret Language series is an inspiring survey of faith and ritual through the ages, from Native American vision quests to chakras, avatar, and archangels. Original and ancient artworks depict some of the most profound and compelling images ever devised. This richly illustrated volume is an inviting universal guide to the realm of the divine. Over 200 full-color illustrations.
'Agincourt! Agincourt! Know ye not Agincourt?' So began a ballad of around 1600. Since the event itself (25 October 1415), Agincourt has occupied a special place in both English and French consciousness. Some early French writers could not bring themselves to mention it by name, using instead descriptions such as 'the accursed day'. For the English, it was one of the greatest military successes ever, and thus was celebrated and commemorated in many forms over the centuries which followed. In the First World War, there were stories of angelic Agincourt bowmen giving support and inspiration to the British army. Much ink has been spilt on the battle but do we really know Agincourt? Many historical works have relied on one or two well known sources or even on Shakespeare. Not since Harris Nicolas's History of the Battle of Agincourt was published (1827-33) has there been a full attempt to survey the sources. This book brings together, in translation and with commentary, English and French narrative accounts and literary works of the fifteenth century. It also traces the treatment of the battle in sixteenth -century English histories and in the literary output of, amongst others, Shakespeare and Drayton. After examining how later historians interpreted the battle, it concludes with the first full assessment of the extremely rich administrative records which survive for the armies which fought 'upon Saint Crispin's day'.
A wide-ranging study of the significance of swords throughout the whole Anglo-Saxon period, offering valuable insights into the meaning of and attitude towards swords. Swords were special in Anglo-Saxon England. Their names, deeds and pedigrees were enshrined in writing. Many were curated for generations, revealed by their worn and mended condition. Few ended their lives as casual discards, placed instead in graves, hoards and watercourses as part of ritualised acts. Contemporary sources leave no doubt that complex social meanings surrounded these weapons, transcending their use on the battlefield; but they have yet to transcend the traditional view that their primary social function was as status symbols. Even now, half a century after the first major study of Anglo-Saxon swords, their wider significance within their world has yet to be fully articulated. This book sets out to meet the challenge. Eschewing modern value judgements, it focuses instead on contemporary perceptions - exploring how those who made, used and experienced swords really felt about them. It takes a multidisciplinary and holistic approach, bringing together insights from art, archaeology and literature. Comparison with Scandinavia adds further nuance, revealing what was (and was not) distinctive of Anglo-Saxon views of these weapons. Far from elite baubles, swords are revealed to have been dynamic "living" artefacts with their own identities, histories and places in social networks - ideas fuelled by their adaptability, durability and unique rolein bloodshed. Sue Brunning is Curator of European Early Medieval Collections at The British Museum.
Inventing the Way of the Samurai examines the development of the 'way of the samurai' - bushido; - which is popularly viewed as a defining element of the Japanese national character and even the 'soul of Japan'. Rather than a continuation of ancient traditions, however, bushido; developed from a search for identity during Japan's modernization in the late nineteenth century. The former samurai class were widely viewed as a relic of a bygone age in the 1880s, and the first significant discussions of bushido at the end of the decade were strongly influenced by contemporary European ideals of gentlemen and chivalry. At the same time, Japanese thinkers increasingly looked to their own traditions in search of sources of national identity, and this process accelerated as national confidence grew with military victories over China and Russia. Inventing the Way of the Samurai considers the people, events, and writings that drove the rapid growth of bushido, which came to emphasize martial virtues and absolute loyalty to the emperor. In the early twentieth century, bushido; became a core subject in civilian and military education, and was a key ideological pillar supporting the imperial state until its collapse in 1945. The close identification of bushido; with Japanese militarism meant that it was rejected immediately after the war, but different interpretations of bushido; were soon revived by both Japanese and foreign commentators seeking to explain Japan's past, present, and future. This volume further explores the factors behind the resurgence of bushido, which has proven resilient through 130 years of dramatic social, political, and cultural change.