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Explore the vibrant tapestry of the Middle Ages through the lives of medieval saints, revealing intimate perspectives on faith, fear, and societal change, while delving into topics resonant with today's world. Step into the captivating world of the Middle Ages with Saints and Sinners, a groundbreaking exploration of history like no other. In this remarkable narrative, each chapter takes you on an immersive journey through time, unveiling the vibrant tapestry of events that shaped the medieval era told through the stories of Medieval Saints who experienced them. Gone are the distant voices of emperors and kings; instead, we hear from ordinary people who witnessed the world around them, sharing their intimate thoughts, fears, and attitudes towards world-changing events. Experience the gripping anxiety, fear, and paranoia that accompanied threats to the kingdom of heaven, as these saints fought to defend and restore their faith. But, as the Church solidifies its position, discover how saints were then utilised as instruments of control to shape public order. Saints and Sinners goes beyond a mere historical account, delving into topics that resonate with today's world. Uncover the incredible history of Ethiopia, once a magnificent empire that fell into despair at the hands of Christianity, shedding light on Black History; delve into the history of gender and sexuality through the misogynistic St Cuthbert and worship of ‘trans-saint’ Wilgefortis; and witness the fight for equality in indigenous populations in the Americas through St Louis Bertrand. Through these stories, saints become a lens to examine the attitudes and complexities of their time. Prepare to be enthralled as Saints and Sinners weaves together engaging narratives, captivating miracles, and enthralling stories of saints to produce a masterful retelling of the Middle Ages which not only satisfies the curiosity of general readers but also offers a deep understanding of the Middle Ages and Christianity's evolution.
"Mary-Ann Stouck's short reader stands apart in offering an abbreviated but judicious selection of saints' lives perfectly suited as a brief introduction. It fills a particular need with an elegant sufficiency." - Cynthia J. Hahn, Hunter College and the Graduate Center-CUNY
Contending that the study of hagiography is significant both for a consideration of medieval literature and for current theoretical debates in medieval studies, this book considers a range of Old French and Anglo-Norman texts, using modern theories of kinship and community to show how saints' lives construe social and sexual relations. Focusing on the depiction of the gift, kinship and community, the book maintains that social and sexual systems play a key role in vernacular hagiography. Such systems, along with the desires they produce and control, are, it is argued, central to hagiography's religious functions, particularly its role as a vehicle of community formation. In attempting to think beyond the limits of human relationships, saints' lives nonetheless create an environment in which queer desires and modes of connection become possible, suggesting that, in this case at least, the orthodox nurtures the queer. This book thus suggests not only that medieval hagiography is worthy of greater attention but also that this corpus might provide an important resource for theorizing community in its medieval contexts and for thinking it in the present. EMMA CAMPBELL is Associate Professor of French at the University of Warwick.
"Despite current academic claims that the establishment of the Reformation cannot have resulted from lay religious understanding, this study offers evidence that theological ideas did reach beyond religious elites to promote various popular responses to the Reformation."--Jacket
This is a book that explores the nature of sainthood in a region at the margins of medieval Latin Christendom. Defining the model of sanctity that characterized Transylvania between the fourteenth and sixteenth centuries, the study considers how the cults of saints functioned within specific local social and cultural contexts. Analyzing case studies from a multi-ethnic region influenced by both the Latin and Eastern Christian traditions, this book provides a close reading of little-surveyed primary sources and offers a comprehensive understanding of sainthood in Transylvania, enhancing the broader study of medieval saints’ cults and their relationship to social power structures. It will be of great interest to scholars of medieval religion, researchers in medieval studies, and religious studies scholars engaged in comparative research.
This volume offers a fresh consideration of role played by the enduring tradition of the seven deadly sins in Western culture, showing its continuing post-mediaeval influence even after the supposed turning-point of the Protestant Reformation. It enhances our understanding of the multiple uses and meanings of the sins tradition.
Christianity in the later Middle Ages was flourishing, popular and vibrant and the institutional church was generally popular - in stark contrast to the picture of corruption and decline painted by the later Reformers which persists even today. Norman Tanner, the pre-eminent historian of the later medieval church, provides a rich and authoritative history of religion in this pivotal period. Despite signs of turbulence and demands for reform, he demonstrates that the church remained powerful, self-confident and deeply rooted. Weaving together key themes of religious history - the Christian roots of Europe; the crusades; the problematic question of the Inquisition; the relationship between the church and secular state; the central role of monasticism; and, the independence of the English church - "The Ages of Faith" is an impressive tribute to a lifetime's research into this subject. But to many readers the central fascination of "The Ages of Faith" will be its perceptive insights into popular and individual spiritual experience: sin, piety, penance, heresy, the role of the mystics and even 'making merry'. "The Ages of Faith" is a major contribution to the Reformation debate and offers a revealing vision of individual and popular religion in an important period so long obscured by the drama of the Reformation.
"Common women" in medieval England were prostitutes, whose distinguishing feature was not that they took money for sex but that they belonged to all men in common. Common Women: Prostitution and Sexuality in Medieval England tells the stories of these women's lives: their entrance into the trade because of poor job and marriage prospects or because of seduction or rape; their experiences as streetwalkers, brothel workers or the medieval equivalent of call girls; their customers, from poor apprentices to priests to wealthy foreign merchants; and their relations with those among whom they lived. Common Women crosses the boundary from social to cultural history by asking not only about the experiences of prostitutes but also about the meaning of prostitution in medieval culture. The teachings of the church attributed both lust and greed, in generous measure, to women as a group. Stories of repentant whores were popular among medieval preachers and writers because prostitutes were the epitome of feminine sin. Through a sensitive use of a wide variety of imaginative and didactic texts, Ruth Karras shows that while prostitutes as individuals were marginalized within medieval culture, prostitution as an institution was central to the medieval understanding of what it meant to be a woman. This important work will be of interest to scholars and students of history, women's studies, and the history of sexuality.
Through a sensitive use of a wide variety of imaginative and didactic texts, Ruth Karras shows that while prostitutes as individuals were marginalized within medieval culture, prostitution as an institution was central to the medieval understanding of what it meant to be a woman. This important work will be of interest to scholars and students of history, women's studies, and the history of sexuality.
Legends, tales, and mysteries featuring saints captivated the French at the end of the nineteenth century. As Jean Lorrain pointed out in an 1891 article for the popular weekly Le Courrier Francais, the seemingly simple language of the saints' lives, their noble battles between good and evil and the atmosphere of religious mysticism appealed to many, especially those involved in the visual and performing arts. Ironically The Third Republic (1870-1940), a regime that claimed to reinforce and institute the secular ideas of the French Revolution, was witness to this great popular interest in the saints and religious imagery. The eight essays in this work explore the popularity of the saints from the 1850s to the 1920s. The essays evaluate the role they played in literature, art, music, science, history and politics, examine portrayals of the saints' lives in both low and high culture (from children's literature, shadow plays and the popular press to literature, opera and theological studies), and reveal the prevalence of the saints in fin-de-siecle France.