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Looks in detail at eight regional maps of Palestine that were drawn between the late 12th century and the mid-14th ; with their various versions and derivatives we know them through 23 surviving artifacts.
Medieval Jerusalem was a vibrant international center, home to multiple cultures, faiths, and languages. Harmonious and dissonant voices from many lands, including Persians, Turks, Greeks, Syrians, Armenians, Georgians, Copts, Ethiopians, Indians, and Europeans, passed in the narrow streets of a city not much larger than midtown Manhattan. Patrons, artists, pilgrims, poets, and scholars from Christian, Jewish, and Islamic traditions focused their attention on the Holy City, endowing and enriching its sacred buildings, creating luxury goods for its residents, and praising its merits. This artistic fertility was particularly in evidence between the eleventh and fourteenth centuries, notwithstanding often devastating circumstances—from the earthquake of 1033 to the fierce battles of the Crusades. So strong a magnet was Jerusalem that it drew out the creative imagination of even those separated from it by great distance, from as far north as Scandinavia to as far east as present-day China. This publication is the first to define these four centuries as a singularly creative moment in a singularly complex city. Through absorbing essays and incisive discussions of nearly 200 works of art, Jerusalem, 1000–1400: Every People Under Heaven explores not only the meaning of the city to its many faiths and its importance as a destination for tourists and pilgrims but also the aesthetic strands that enhanced and enlivened the medieval city that served as the crossroads of the known world.
The map of the Holy Land reflects the religious and political outlook, as well as the scientific and aesthetic sensibilities, of the mapmakers and the society in which they lived. Thus, this 2001 Israel Museum exhibition- the first to bring together maps of the Holy Land from antiquity up until modern times- traced not only the history of cartography but also the development of religious, scientific and artistic thought over the last two millennia. The accompanying publication presents cartographic depictions by Jewish, Christian and Muslim pilgrims, scholars, clergymen, and scientists. These maps are remarkable not only for the religious and geopolitical world they draw, but also for their artistry and beauty.
Professor Harvey traces the development of western mapmaking from the early Middle Ages to the first printed maps of the late 15th century, discussing their traditions, artistic and technical aspects, and uses.
The Travels of Sir John Mandeville is the chronicle of the alleged Sir John Mandeville, an explorer. His travels were first published in the late 14th century, and influenced many subsequent explorers such as Christopher Columbus.
Pilgrimage inspired and shaped the distinct experiences of commoners and nobles, men and women, clergy and laity for over a thousand years. Pilgrimage in the Middle Ages: A Reader is a rich collection of primary sources for the history of Christian pilgrimage in Europe and the Mediterranean world from the fourth through the sixteenth centuries. The collection illustrates the far-reaching significance and consequences of pilgrimage for the culture, society, economics, politics, and spirituality of the Middle Ages. Brett Edward Whalen focuses on sites within Europe and beyond its borders, including the holy places of Jerusalem, and provides documents that shed light upon Eastern Christian, Jewish, and Islamic pilgrimages. The result is an innovative sourcebook that offers a window into broader trends, shifts, and transformations in the Middle Ages.
This book challenges the Peutinger Map's self-presentation as a Roman map by examining its medieval contexts.
An examination of the intricate cartography of Matthew Paris, and the meanings of the maps themselves.