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This selection of extracts and inscriptions from medieval poems and songs, romances and chansons, rings and brooches is illustrated with images drawn from a wide range of beautiful objects and illuminated manuscripts in the rich collections of the British Museum and the British Library.
In particular, optical imagery and paradigms afforded poets a new approach to the roles of the languishing male and his powerful beloved."--Jacket.
Jessica Rosenfeld provides a history of the ethics of medieval vernacular love poetry by tracing its engagement with the late medieval reception of Aristotle. Beginning with a history of the idea of enjoyment from Plato to Peter Abelard and the troubadours, the book then presents a literary and philosophical history of the medieval ethics of love, centered on the legacy of the Roman de la Rose. The chapters reveal that 'courtly love' was scarcely confined to what is often characterized as an ethic of sacrifice and deferral, but also engaged with Aristotelian ideas about pleasure and earthly happiness. Readings of Machaut, Froissart, Chaucer, Dante, Deguileville and Langland show that poets were often markedly aware of the overlapping ethical languages of philosophy and erotic poetry. The study's conclusion places medieval poetry and philosophy in the context of psychoanalytic ethics, and argues for a re-evaluation of Lacan's ideas about courtly love.
The social system of 'courtly love' soon spread after becoming popularized by the troubadours of southern France in the twelfth century. This book codifies life at Queen Eleanor's court at Poitiers between 1170 and 1174 into "one of those capital works which reflect the thought of a great epoch, which explain the secret of a civilization."
This very first anthology of medieval love debate poems--comprising five masterpieces of the genre--explores the many compelling mysteries raised by the experience of romantic love. Some have been translated into modern English for the first time. With wit, ingenuity, and humor, these poems suggest intriguing answers to what contemporary inquirers would call questions of gender and sexual politics: Who loves better, men or women? Are men or women more faithful in love? Are women obligated to reciprocate the attentions of an ardent male? What qualities in a lover do women most desire? The contributors provide a foundation for the love debate genre and medieval literary treatments of love, as well as pertinent facts of literary history and biographical details about the poets, whose work spans more than 100 years. The volume features works that have been recognized for centuries as central texts of the medieval tradition: Christine de Pizan's Debate of the Two Lovers, Alain Chartier's Debate of the Four Ladies,Geoffrey Chaucer's The Legend of Good Women, and Guillaume de Machaut's Judgment of the King of Bohemia and Judgment of the King of Navarre. Each translation is appropriately annotated for student use.
This book, first published in 2003, examines the relationship between poetry and music in medieval France.
This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes.
"An essential volume for medievalists and scholars of comparative literature, Medieval Lyric opens up a reconsideration of genre in medieval European lyric. Departing from a perspective that asks how medieval genres correspond with twentieth-century ideas of structure or with the evolution of poetry, this collection argues that the development of genres should be considered as a historical phenomenon, embedded in a given culture and responsive to social and literary change.".
Seamus Heaney's engagement with medieval literature constitutes a significant body of work by a major poet including a landmark translation of "Beowulf". This title examines both Heaney's direct translations and his adaptation of medieval material in his original poems.
A translation of the 1972 French analysis of the dynamics of textual production in the Middle Ages that marked a major shift in scholarly discourse about medieval literature. Integrating the tools of linguistics and textual criticism, does not come to conclusions, but proposes approaches and methods for investigation. Annotation copyrighted by Book News, Inc., Portland, OR