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A comprehensive study of domestic buildings in London from about 1200 to the Great Fire in 1666. John Schofield describes houses and such related buildings as almshouses, taverns, inns, shops and livery company halls, drawing on evidence from surviving buildings, archaeological excavations, documents, panoramas, drawn surveys and plans, contemporary descriptions, and later engravings and photographs. Schofield presents an overview of the topography of the medieval city, reconstructing its streets, defences, many religious houses and fine civic buildings. He then provides details about the mediaeval and Tudor London house: its plan, individual rooms and spaces and their functions, the roofs, floors and windows, the materials of construction and decoration, and the internal fittings and furniture. Throughout the text he discusses what this evidence tells us about the special restrictions or pleasures of living in the capital; how certain innovations of plan and construction first occurred in London before spreading to other towns; and how notions of privacy developed. in the City of London and its immediate environs.
Caroline M. Barron is the world's leading authority on the history of medieval London. For half a century she has investigated London's role as medieval England's political, cultural, and commercial capital, together with the urban landscape and the social, occupational, and religious cultures that shaped the lives of its inhabitants. This collection of eighteen papers focuses on four themes: crown and city; parish, church, and religious culture; the people of medieval London; and the city's intellectual and cultural world. They represent essential reading on the history of one of the world's greatest cities by its foremost scholar.
The mendicant Orders had a profound impact on urban society, life and culture from the thirteenth century onwards. Being engaged in extensive and ambitious pastoral activities they depended on outside support for their material existence. Their influence extended into ecclesiastical as well as secular affairs, leading to the creation of a network of connections to different social groups and on occasion even an involvement in politics. The role of the mendicants in a medieval capital has not yet been systematically studied. A first attempt to study a city of this scale is here made for London.
Explains the methods and knowledge to understand how and why paper was used in medieval writing and beyond.
St Paul's Cathedral stood at the centre of religious life in medieval London. It was the mother church of the diocese, a principal landowner in the capital and surrounding countryside, and a theatre for the enactment of events of national importance. The cathedral was also a powerhouse of commemoration and intercession, where prayers and requiem masses were offered on a massive scale for the salvation of the living and the dead. This spiritual role of St Paul's Cathedral was carried out essentially by the numerous chantry priests working and living in its precinct. Chantries were pious foundations, through which donors, clerks or lay, male or female, endowed priests to celebrate intercessory masses for the benefit of their souls. At St Paul's Cathedral, they were first established in the late twelfth century and, until they were dissolved in 1548, they contributed greatly to the daily life of the cathedral. They enhanced the liturgical services offered by the cathedral, increased the number of the clerical members associated with it, and intensified relations between the cathedral and the city of London. Using the large body of material from the cathedral archives, this book investigates the chantries and their impacts on the life, services and clerical community of the cathedral, from their foundation in the early thirteenth century to the dissolution. It demonstrates the flexibility and adaptability of these pious foundations and the various contributions they made to medieval society; and sheds light on the men who played a role which, until the abolition of the chantries in 1548, was seen to be crucial to the spiritual well-being of medieval London.
Hunting was a major economic and leisure activity throughout the later European Middle Ages, but while aristocratic practices have featured in studies of romantic and narrative literature, hunting in its wider sense across the social spectrum and with attendant male and female roles - has largely been ignored by modern medieval historians. Richard Almond's study brings vividly to life the universality and centrality of hunting to medieval societies, both as an economic necessity and as an expression of medieval humanity's almost atavistic sense of oneness with nature. ' Medieval Hunting' dispels some of the myths and misunderstandings surrounding hunting, including the persistent views that it was exclusively an aristocratic, male pursuit. Using a wide variety of contemporary textual and art historical evidence, Richard Almond shows that hunting, including fishing and poaching, was enjoyed by women as well as men.
Tonal consciousness, in the sense of a clear intuition about which note or chord a piece of music will finish on, is as much a part of our everyday experience of music as it is of contemporary music theory. This book asks to what extent such tonal consciousness might have operated in the minds of musicians of the Middle Ages, given the different tone world found in the modes of Gregorian chant, in troubadour and trouvère music, in Minnesang and in the early polyphony based upon chant. The author's approach is analytical, focusing on modality and balancing up-to-date concepts and methods of music analysis with those insights into their own compositional needs and processes that the people of the Middle Ages provided themselves through their writings about music. The book examines a range of both music sources and theoretical sources from the ninth to the thirteenth centuries. This is a ground-breaking contribution both to the study of medieval music and to music analysis.